Two adventurers and best friends, Roland and Manu, are the victims of a practical joke that costs Manu his pilot's license. With seeming contrition, the jokesters tell Roland and Manu about... See full summary »
French filmmaker Rene Clement presents Alan Delon as a petty criminal on the run from the underground. On the Rivera, he seeks refuge in a flophouse whose soup line is served by Jane Fonda ... See full summary »
In 1789, when the Revolution went on, a bandit named "Black Tulip" held the surroundings of village Roussillon in fear. The poor people respected him as Robin Hood, who declare himself a ... See full summary »
Eddie Pedak, a convicted criminal, has a steady job, a wife and daughter and he puts a down payment on a boat. He also has a police detective and brother after him, the first believes Eddie... See full summary »
The Louisiana wedding of debutante Phoebe Ann Naylor to Don Andrea de Baldasar, El Duce de la Casala is stopped by the Cavalry over a matter of honor. Don Andrea flees across the river to ... See full summary »
Her youth has been spent working for a farm family, being raped by father and son, marrying the son who has now left her a happy widow. She is happy because World War I is over and she is ... See full summary »
Charles (Jean Gabin), a sixtyish career criminal fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cellmate, Francis (Alain Delon)... See full summary »
1961. Thomas Vlassenroot deserted the French Foreign Legion while fighting in Algeria. His lieutenant, Fraser, initiated the desertion for the two of them, Fraser believing he could do more... See full summary »
Under the influence of drugs, a teenager, Eddy, kills a policeman. His father, Jacques, pleads extenuating circumstances and nearly succeeds in gaining the confidence of the policeman's widow. But the press reveals that Jacques is an ex-gangster who has spent time in prison.
Newly-married Rebecca leaves her husband's Alsatian bed on her prized motorbike - symbol of freedom and escape - to visit her lover in Heidelberg. En route she indulges in psychedelic reveries as she relives her changing relationship with the two men. Written by
Jeremy Perkins <firstname.lastname@example.org>
Imagine Diana Rigg joining "Easy Rider's" Dennis Hopper and Peter Fonda for a ride across France and Germany and you will have a pretty good idea what "Girl on a Motorcycle" looks like. Made one year before "Easy Rider"; this is an amazing 1960's road movie that includes hip camera angles, groovy music, a leather suit and a Harley Super Glide.
While low-budget, it is not a thrown together "B" Movie but a thoughtful existential trip inside the mind of a flawed character who happens to be a sexy woman. On close examination, what appears to be yet another fruitless examination of the mysteries of female discontent is really a more expansive study of the human condition. Rebecca, the main character, illustrates life as a process of choosing between comfortable security and the need for freedom and excitement; a daily struggle with guilt and its consequent self-destructiveness, and the seductive lure of risk. Motivations familiar to almost all serious motorcycle riders.
In voice-over, Marianne Faithful gives us Rebecca's story in a series of flashbacks, with minimal scenes of conventional dialogue. Most of these work very well although there is a ski weekend flashback about midway through the film that looks more like a travel advertisement than a movie scene. And while much of Jack Cardiff's film is beautifully shot, the action sequences are somewhat clumsy looking and obviously low budget. And there is excessive reliance on the Elvis movie technique of projecting moving scenery(shot by the second unit) with the star pretending to be cruising along the road while actually stationary in the studio.
Cardiff was very creative with the editing and came up with some great match cuts, typically used to bring Faithful out of her frequent flashbacks/dreams. In one we see her lover slowing pulling open the zipper of her suit, then the film cuts to the tread of an Army tank moving past the place where she has been napping by her motorcycle.
Cardiff's technique was quite revolutionary at the time as his camera has a love affair with the leather suit , the motorcycle, and Faithful's eyes. His extensive use of very tight shots is extremely effective and the most pleasing thing about the film.
The ending is a bit of a puzzle; after the accident they pull up from the scene to a wide aerial shot and you expect the movie to go out on this shot (copied for "Easy Rider's" ending), which would have been very effective. Instead they cut to a travelogue-like scene of a European village and go to credits after about 60 seconds of this stuff. It serves no purpose other than to deflate any lasting impact.
Faithful is on screen in almost all the scenes and gives a surprisingly good performance. Alain Delon as her lover gets a fair amount of screen time (all in flashbacks). I've not been able to take Delon seriously as an actor since his performance as a character named "Baldy" in Dean Martin's "Texas Across the River" in 1966. Plus I get him confused with Jorge Rivero and his almost identical character "Capt. Pierre Cordona aka Frenchy" in "Rio Lobo". Maybe they are the same person and used two names as a tax dodge.
Both the VHS tape and the DVD include a nice stills gallery and a couple trailers.
All in all I recommend this film. It has thoughtful themes and many well-shot scenes. If you like motorcycles, a sexy body in and out of a leather suit, the most beautiful eyes ever, and cute freckles you should view this film.
27 of 29 people found this review helpful.
Was this review helpful to you?