6.2/10
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6 user 3 critic

Gentleman Killer (1967)

Gentleman Jo... uccidi (original title)
A border-town became the subject of heated political turmoil between the US & Mexico when a Mexican bandit starts killing as many US soldiers as he can.

Director:

(as George Finley)

Writers:

(screenplay), (story) | 1 more credit »
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Cast

Cast overview:
...
Gentleman Jo Reeves / Shamango
...
Colonel Fernando Ferreras
Silvia Solar ...
Vicky, Saloon Girl
Anna Orso ...
Ruth Morrison
Frank Oliveras ...
Morrison, Banker
...
Captain Clay Reeves (as Vidal Molina)
Joaquín Blanco ...
Sam
Benito Stefanelli ...
Larry
Ángel Lombarte ...
Mexican Officer (as Angel Lombarde)
...
Bruce, 'Muchachito'
Valentino Macchi
Edit

Storyline

A border-town became the subject of heated political turmoil between the US & Mexico when a Mexican bandit starts killing as many US soldiers as he can.

Plot Summary | Add Synopsis

Genres:

Western

Certificate:

See all certifications »
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Details

Country:

|

Language:

Release Date:

14 August 1967 (Italy)  »

Also Known As:

Gentleman Killer  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Goofs

At about one hour into the movie Anthony Steffen's character Gentleman Jo steals the loot from the bandits. It is supposed to be night (crickets are chirping and the hotel is in darkness) but when Jo climbs out of the window to mount his horse it's clearly daylight. See more »

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User Reviews

 
A Decent Spaghetti Western, No Surprises Though
31 January 2010 | by (The Lonesome Prairie) – See all my reviews

In a disputed border town, the US Army waits for word from Washington as to the rightful country it belongs, while dealing with a rowdy pack of Mexican soldier/bandits. Into the mix rides seemingly mysterious stranger Anthony Steffan, who looks like a dandy but has a few deadly tricks up his sleeve.

Though derivative of about a thousand other Italian westerns, Gentleman Killer has a lot of rousing action and fast gun play, making it worthwhile, if not essential viewing and very easy to forgive whatever flaws there are.

The bandit leader is played by Spanish actor Eduardo Fajardo, whom fans of the genre should recognize from his role as the psychotic ex-Confederate in Sergio Corbucci's Django. He's pretty good here too and quite a scene-stealer.

There's also great score by Ennio Morricone's frequent conductor Bruno Nicolai. This time, Nicolai and Morricone trade places, with Ennio taking control of the orchestra.


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