IMDb > Joy of Learning (1969)

Joy of Learning (1969) More at IMDbPro »Le gai savoir (original title)


Overview

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Release Date:
12 July 1969 (UK) See more »
Genre:
Plot:
How do we learn? What do we know? Night after night, not long before dawn, two young adults, Patricia and Emile... See more » | Add synopsis »
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Awards:
1 nomination See more »
User Reviews:
Le Gai Savoir See more (5 total) »

Cast

  (in credits order)
Juliet Berto ... Patricia Lumumba

Jean-Pierre Léaud ... Emile Rousseau

Jean-Luc Godard ... Narrator (voice)
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Directed by
Jean-Luc Godard 
 
Writing credits
Jean-Luc Godard (written by)

Jean-Jacques Rousseau (text)

Cinematography by
Georges Leclerc 
 
Film Editing by
Germaine Cohen 
 

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Additional Details

Also Known As:
"Le gai savoir" - France (original title)
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Runtime:
USA:95 min
Language:
Color:
Color (Eastmancolor)
Sound Mix:
Certification:

Did You Know?

Movie Connections:
Referenced in Godard in America (1970)See more »

FAQ

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13 out of 14 people found the following review useful.
Le Gai Savoir, 4 July 2006
Author: sadeanarchist from France

As descendants of Rousseau and Lumumba (Léaud and Berto) deconstruct images and sounds in the absolute darkness of an isolated studio, Godard, as the film repeatedly calls for, 'goes back to zero.' That is, he distills and destroys all the elements composing cinema and hurls 95 minutes worth of molotov cocktails at the establishment. Indeed, Godard is seen in the film only through his voice, as he whispers amidst the sound of a radio, like a guerillero preparing his attack on institutional cinema. More situationist than Marxist-Leninist, Le Gai Savoir has a unique sense of tenderness and wit, more of a continuation of leftist pop art that was La Chinoise than the nihilistic attack on consumer society that was WeekEnd or the cerebral rhetoric of a Lotte In Italia. Perhaps it is also due to the presence of Jean Pierre Léaud, the ultimate symbol of the 1960s as seen through the cinema, that Le Gai Savoir is at once in an announcement of something to come and a kind of unconscious eulogy for the end of 1968 (the film began before the protests and was completed after), today it stands as one of the most moving, remarkable and tender hommages to revolutionary aspiration and youth power ever made. As Jean-Pierre and Juliet discuss their revolutionary aspirations, their hopes and dreams, their rhetoric and their philosophy, powerful symbols of radicalism and pop culture strike the audience like a hammer coming out of the screen: A photo of Fidel Castro cutting cane, the sound of a revolutionary Cuban song, a famous quote by Ché Guevara, a reflection on Mao Zedong, many cartoons, a shot of Juliet standing in front of a background dedicated with comic book characters, the sound of a mechanical whistle which blasts through the screen sometimes and then finally, the logical conclusion of Godard's radical experiment with the chemistry of cinema, the complete dissolution of all the elements, a black screen with only sounds, so that we can return to the origin of everything, and recreate society.

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