The story of Joe [Dallesandro] and his lover-protector, Holly [Woodlawn], who is something to behold, a comic book Mother Courage who fancies herself as Marlene Dietrich but sounds more ... See full summary »
"Heat" is a parody of "Sunset Boulevard." Joey Davis, an unemployed ex-child actor, uses sex to get his landlady, Lydia, to reduce his rent, and then tries to exert his influence on Sally ... See full summary »
Ondine is a gay man attempting to re-adjust his sexuality via various encounters with different women. After trying his luck with three women, Ondine becomes a background character in a ... See full summary »
This film is a satire of the women's liberation movement, staring a trio of female impersonators. Candy is an aloof heiress caught in an unhappy relationship with her brother. Jackie is a ... See full summary »
Viva and Taylor Mead are a married couple renting an extra beach-house to a group of surfers sent to them by a Mr. Morrissey of La Jolla Realty. Their daughter, Ingrid Superstar, is ... See full summary »
Originally a twenty five hour film made up of shorter film segments. It consists of 83 reels each lasting approximately 33 minutes. A short story odyssey of film designed to be shown with two projectors playing simultaneously.
Donna and Jane are two American hippies, searching for sex and romance in Paris but, mainly, rich husbands. Eventually, Donna finds a perfume industrialist, Michael, who wishes to marry her... See full summary »
Lacking a formal narrative, Warhol's art house classic follows various residents of the Chelsea Hotel in 1966 New York City, presented in a split screen with a single audio track in conjunction with one side of screen.
The petite waitress Johnny works and lives in a truck-stop, where she's lonely and longs for love. She develops a crush on the garbage truck driver Krassky, although her sleazy boss Boris ... See full summary »
Geri (Geraldine Smith) ejects her husband Joe (Joe Dalessandro) from bed, and insists he go out on the streets to make some money for her girlfriend's abortion. This leads to Joe's various encounters with clients on the streets of New York City: an Artist (Maurice Bradell) who wishes to draw Joe, a Gymnast (Louis Waldon), and another 'John' (John Christian). Joe spends time with other hustlers, one of whom is played by his real life brother, and teaches the tricks of the trade to the New Hustler (Barry Brown). Back home, Joe interacts with his real life one-year-old son. Joe gets back home, presumably at the end of his duty work, and is in bed with Geri and her girlfriend Patti (Patti D'Arbanville). The women strip Joe and begin to get intimate with each other; Joe gets bored and falls asleep. (Source: Wikipedia) Written by
UK censor John Trevelyan was wary of issuing the film a cinema certificate and suggested to the distributors that the film be shown on a club basis. When it was initially shown at the Open Space Theatre in London in February 1970 the cinema was raided by police who attempted to seize the film, leading Trevelyan himself to hastily rush to the cinema and vigorously defend the movie against possible prosecution, calling the police action 'unjustified and preposterous'. In the light of this incident Trevelyan was able to grant the film an uncut 'X' certificate. See more »
During a scene with the go-go dancer, Candy and Jackie alternately call her by the character's first name (Terry) and that of the actress playing her (Geri Miller). See more »
Because this flick is the first feature fruit of a long lasting collaboration between Paul Morrissey, Andy Warhol and Joe Dallessandro, it is too much obvious that it was mostly made for having fun among themselves. The script is quite loose, the dialogues are too obviously improvised, one even suspects that there probably is no script at all, just thematic concepts: prostitution, addiction and poverty (which all seem to continue in the following films Trash and Heat).
Joe Dallessandro reveals unashamedly his gorgeous body at any chance, to the hungry eyes of other addicts (not only drug addicts).
Although the whole film seems like amateurish, especially the scene with other hustlers at the park is very intriguing, like a documentary project.
I would not recommend to see this by itself, but watching the trilogy (Flesh, Heat and Trash) altogether will be much enlightening.
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