Flesh (1968) 5.5
A man desperate for money and no income, turns prostitute and interplays with a variety of clients and hustlers. Director:Paul MorrisseyWriter:Paul Morrissey |
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Flesh (1968) 5.5
A man desperate for money and no income, turns prostitute and interplays with a variety of clients and hustlers. Director:Paul MorrisseyWriter:Paul Morrissey |
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| Complete credited cast: | |||
| Joe Dallesandro | ... |
Joe, the Hustler
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| Geraldine Smith | ... |
Geri, Joe's Wife
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| Patti D'Arbanville | ... |
Patti, Geri's Lover
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| Candy Darling | ... |
Candy, a Transvestite
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| Jackie Curtis | ... |
Jackie, a Transvestite
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John Christian | ... |
Joe's Customer
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Maurice Braddell | ... |
The Artist
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Geri Miller | ... |
Terry
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Louis Waldon | ... |
David, the Gymnast
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| Rest of cast listed alphabetically: | |||
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Barry Brown | ... |
Boy in street
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Geri (Geraldine Smith) ejects her husband Joe (Joe Dalessandro) from bed, and insists he go out on the streets to make some money for her girlfriend's abortion. This leads to Joe's various encounters with clients on the streets of New York City: an Artist (Maurice Bradell) who wishes to draw Joe, a Gymnast (Louis Waldon), and another 'John' (John Christian). Joe spends time with other hustlers, one of whom is played by his real life brother, and teaches the tricks of the trade to the New Hustler (Barry Brown). Back home, Joe interacts with his real life one-year-old son. Joe gets back home, presumably at the end of his duty work, and is in bed with Geri and her girlfriend Patti (Patti D'Arbanville). The women strip Joe and begin to get intimate with each other; Joe gets bored and falls asleep. (Source: Wikipedia) Written by Artemis-9
Although the film opens with the credit "Andy Warhol Presents", it was actually written, photographed and directed by cult film-maker Paul Morrissey (according to Morrissey, all Warhol provided was money and publicity).
Joe Dallesandro (immortalised as "little Joe" in the Velvet Underground song "Walk on the Wild Side") plays Joe, a slightly dim-witted male prostitute, who is supporting his bisexual wife and baby. His wife wants him to come up with $200 for her girlfriend's abortion. We basically follow Joe around as he encounters various characters willing to help him, including an artist who wants to pay him to pose nude, and Warhol "superstars" Candy darling and Jackie Curtis.
Despite being amateurishly shot, with countless technical errors, the most annoying of which is a very badly-recorded soundtrack, the film is fascinating due to it's delving into a world rarely seen on mainstream screens, which probably doesn't exist anymore. Although many scenes do go on for too long, it's too startling to be dull. Fans of Joe Dallesandro will no doubt enjoy his frequent exposure (he provides most of the flesh of the title).
If you're a fan of cult or underground films, you'll not want to miss this. It was followed by "Trash" (1970) and "Heat" (1972) to form a loose trilogy.