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The Fixer (1968)

M | | Drama | October 1969 (UK)
In Czarist Russia, around 1911, a Russian-Jewish handyman, Yakov Bok, is wrongly imprisoned for a most unlikely crime.

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Writers:

(novel), (screenplay)
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Nominated for 1 Oscar. Another 5 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Yakov Bok
...
Bibikov
...
Marfa Golov
...
Lebedev
...
Zinaida
...
Grubeshov
...
Latke
...
Count Odoevsky
...
Raisl
...
Deputy Warden
...
Priest
...
Berezhinsky
...
Ostrovsky
Thomas Heathcote ...
Proshko
...
Father Anastasy
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Storyline

Set in tsarist Russia around the turn of the century and based on a true story of a Russian Jewish peasant Yakov Bok who was wrongly imprisoned for a most unlikely crime - the "ritual murder" of a Gentile child in Kiev. We witness the unrelenting detail of the peasant-handyman's life in prison and see him gain in dignity as the efforts to humiliate him and make him confess fail. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

This is "The Fixer" who didn't know he had courage...until courage was all he had left. See more »

Genres:

Drama

Certificate:

M | See all certifications »
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Details

Country:

Language:

Release Date:

October 1969 (UK)  »

Also Known As:

El hombre de Kiev  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Last film of Danny Green. See more »

Quotes

Yakov Bok: To be anti-Semitic, you first have to be anti-Christian. 'Sin the book.
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Connections

Referenced in Lionpower from MGM (1967) See more »

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User Reviews

Terrific underrated drama from John Frankenheimer
18 July 2002 | by (Elgin, IL) – See all my reviews

When is John Frankenheimer going to get the recognition he deserves as a true original film artist? A number of his films are either barely released or completely unreleased (99 and 44/100% Dead, The Challenge, The Fourth War).

Many of Frankenheimer's films dealt with the fight for social justice and human compassion and The Fixer definitely falls into this category. Alan Bates is terrific as a Russian Jew who "passes" for Gentile and decides to work for an anti-Semite for money. He's later accused by the authorities of a child murder he did not commit and must endure endless torture by the Czarist Russians to keep from confessing. Frankenheimer's experience, directing many plays for Golden Age of Television shows like Playhouse 90, demonstrates perfectly that he can master effective facial close-ups and enhance the great dialogue. So few American films can be brave enough to actually talk about ideas without having to always resort to action to appease those out there with short attention spans. Well, Frankenheimer can deliver the action goods (note Ronin and The Train), but give him credit for embracing the influence of great foreign films' sense of introspection. The claustrophobic atmosphere of the prison is so immense that the final scene is one of the most exhilarating I've felt in quite a while. Credit Trumbo also with creating a hero who is not totally perfect by any means. Yakov Bok had not only betrayed his heritage by working for anti-Semites, but also, as we learn later, is out of touch with relating to his family. Dirk Bogarde is also quite good as Bok's defense counsel as is a young Ian Holm as a sadistic Russian official.


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