Faces (1968/I)

Director:

John Cassavetes

Writer:

John Cassavetes (written by)

Release Date:

24 November 1968 (USA)

Genre:

Drama

Plot:

An old married man leaves his wife for a younger woman. Shortly after, his ex-wife also begins a relationship with a younger partner. The film follows their struggles to find love amongst each other.

Plot Keywords:

Love | Reference To Freud | Bare Breasts | Reference To Peter Piper | Screening Room

Awards:

Nominated for 3 Oscars. Another 8 wins & 2 nominations

Cast

John Marley	...	Richard Forst
Gena Rowlands	...	Jeannie Rapp
Lynn Carlin	...	Maria Forst
Fred Draper	...	Freddie Draper
Seymour Cassel	...	Chet
Val Avery	...	Jim McCarthy
Dorothy Gulliver	...	Florence
Joanne Moore Jordan	...	Louise Draper
Darlene Conley	...	Billy Mae
Gene Darfler	...	Joe Jackson
Elizabeth Deering	...	Stella
Ann Shirley		(as Anne Shirley)
Dave Mazzie
Anita White
Julie Gambol
Edwin Sirianni
Liz Satriano
O.G. Dunn	...	Comedian (as George Dunne)
Jerry Howard
David Rowlands
Carolyn Fleming
James Bridges	...	Extra (as Jim Bridges)
Kay Michaels
Don Kraatz
Laurie Mock	...	Barmaid
John Hale
Christina Crawford
Midge Ware
George Sims	...	Bartender
rest of cast listed alphabetically:
Charles Akins	...	(uncredited)
Nancy E. Barr	...	Dancer at Nightclub (uncredited)
Don Siegel	...	Extra at Whiskey A-Go-Go (uncredited)

Directed by
John Cassavetes

Writing credits
John Cassavetes		(written by)

Produced by
Maurice McEndree	....	producer
Al Ruban	....	associate producer
John Cassavetes	....	producer (uncredited)

Cinematography by
Al Ruban
Maurice McEndree		(uncredited)
Haskell Wexler		(uncredited)

Film Editing by
Maurice McEndree
Al Ruban
John Cassavetes		(uncredited)

Art Direction by
Phedon Papamichael		(as Phaedon Papamichael)

Set Decoration by
Lady Rowlands

Makeup Department
Harold Chaleff	....	hair stylist: Miss Carlin

Production Management
James Joyce	....	production manager

Second Unit Director or Assistant Director
Jerry Howard	....	assistant director
John Nastu	....	assistant director
George O'Halloran	....	first assistant director
James Victor	....	assistant director

Sound Department
Don Pike	....	sound

Camera and Electrical Department
Charles Akins	....	gaffer
Charles Akins	....	key grip
John Bardwell	....	still photographer
George Sims	....	camera operator

Editorial Department
James Auker	....	post-production
Jack Woods	....	post-production

Music Department
Jack Ackerman	....	musical director
Victor Arno	....	musician: violin
Pete Candoli	....	conductor
Pete Candoli	....	musician: trumpet
Jack English	....	musician: piano
Richard Grand	....	assistant to musical director
Red Mitchell	....	musician: bass guitar and guitarron
Ted Nash	....	musician: tenor sax
Gary Nuttycomb	....	musician: viola
Mischa Russell	....	musician: violin
Victor Sazer	....	musician: violin
Kenny Shroyer	....	musician: trombone
Jerry Williams	....	musician: drums

Other crew
Charles Akins	....	stage manager
Dick Balduzzi	....	pre-production
Pat Buckley	....	production secretary
Bianca Chambers	....	production secretary
Bud Cherry	....	dialogue director
Carolyn Fleming	....	assistant to producer
Liz Satriano	....	production secretary
Pat Smith	....	script supervisor
Nancy E. Barr	....	production assistant (uncredited)
Steven Spielberg	....	production assistant (uncredited)

Distributors

• AFMD (1992) (France) (theatrical)
• Continental Distributing (1968) (USA) (theatrical)
• Walter Reade Organization (1968) (worldwide) (theatrical)
• Castle Hill Productions
• Concorde Home Entertainment (2012) (Germany) (DVD) (John Cassavetes Collection)
• Criterion Collection, The (2004) (USA) (DVD)
• Criterion Collection, The (2009) (USA) (DVD)
• Elleu (2003) (Italy) (DVD)
• Orion Home Video (video)
• Pioneer Entertainment (DVD)

Other Companies

• Bluesways ABC Records  courtesy (song "Life Is Funny")
• Cinefx  titles
• Cineservice Inc.  opticals (blow-up)
• Losers Night Club  thanks
• Perfect Labs  lab
• Phil & Elmer's Whiskey A Go Go  thanks
• Ryder Sound  sound
• Stu Gardner Trio  performer (song "Skate-A-Ling")
• Wolpers  thanks

Also Known As:

Runtime:

130 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

UK:15 (video rating) (1992) | UK:X (original rating) | USA:R | Iceland:L | Australia:M | Portugal:M/12 (Qualidade)

Filming Locations:

Los Angeles, California, USA

Trivia:

Steve Buscemi's favorite movie, declared by himself.

Quotes:

Jeannie Rapp:Mr. McCarthy, if you don't get out of here, I'm gonna call the vice squad.
Jim McCarthy:Hey, remember? We're the vice squad.

Movie Connections:

Featured in "Cinéastes de notre temps: John Cassavetes" (1969)

Soundtrack:

East London Town (This Lonely Town)

A Timeless Tautology

When I began watching Faces, I realized that I never knew just when the present scene was going to end. I then realized that I wished that it would last forever. I found myself so engrossed in the scene that I was fascinated with it by itself. Then the next scene began, and the next scene, and within each one, there is a whole single movie with characters and a story arch. Faces is a film that does not allow any given scene to simply be a communication of plot information. Cassavetes created an entire universe for his actors in every scene. Each scene is a million years of passion spliced together, each demonstrating brazenly his brilliant recognition of human exchange and in conversation and conflict what is exchanged and what is left to be desired.

The film has moments of great pain because miniature struggles are so real and they tend to be vocalizations of a person's deeper fears in social interactions and in the structure of life. The film has scenes of furious drama because characters will experience blind unleashing of their ids as middle-aged people. Faces also delivers highly during moments of happiness and fun because, the situation's comfort level gracefully allowing, the characters will show the fieriest, grandiose, extroverted parts of themselves.

The movie's message, ironically, is not about the inner self and the unleashing of it but about the naiveté with which people carry out their normal married lives and don't care to face their flaws and problems and, though they gradually strip their personalities down bare throughout interactions, they continue not knowing themselves or each other. Faces is now among my favorite films of all time and places John Cassavetes on a pedestal as an idol of mine. The movie is a supreme demonstration of powerhouse acting, wherein each performance can be cherished by the performer with a feeling of ownership. There is a bit of real actor in each character played, and that can be seen in each and every powerhouse scene in a row.