| Klaus Kinski | ... | Dingus / Victor Barrett | |
| Antonio Sabato | ... | Luke Barrett | |
| Cristina Galbó | ... | Ragaza | |
| José Calvo | ... | Russel (as Pepe Calvo) | |
| Emma Baron | ... | Luke's Mother | |
| Milo Quesada | |||
| Franco Leo | |||
| Linda Sini | ... | Madame | |
| Narciso Ibáñez Menta | ... | Murphy | |
| Franco Beltramme | ... | Carson | |
| Damián Rabal | ... | Sheriff | |
| Maite Matalonga | ... | Mac Calhoun's Daughter | |
| Claudia Rivelli | |||
| Carlos Ronda | ... | Mac Calhoun | |
| Gastone Pescucci | |||
| Gianni Pulone | (as Giancarlo Pulone) | ||
| Gaetano Scala | |||
| José Palomo | ... | Jonathan | |
| Ettore Bruson | |||
| Nino Nini | |||
| Antonietta Fiorito | |||
| Pino Sciacqua | (as Giuseppe Sciacqua) | ||
| Sergio De Vecchi | |||
| Ettore Broschi |
Directed by | |||
| Nando Cicero | |||
Writing credits | ||
| Jaime Jesús Balcázar | story and | |
| Jaime Jesús Balcázar | screenplay | |
Original Music by | |||
| Carlos Pes | |||
Cinematography by | |||
| Francisco Marín | |||
Film Editing by | |||
| Renato Cinquini | |||
Production Design by | |||
| Juan Alberto Soler | |||
Set Decoration by | |||
| Luciano Spadoni | |||
Costume Design by | |||
| Tigano Lo Faro | |||
| Luciano Spadoni | |||
Makeup Department | |||
| Vittorio Biseo | .... | makeup artist | |
| Hipólita López | .... | hair stylist | |
Production Management | |||
| Antonio Girasante | .... | general manager | |
| Luis Marín | .... | production manager | |
| Lucio Zarini | .... | unit manager | |
| Lucio Zarini | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Liana Ferri | .... | assistant director | |
Sound Department | |||
| Pietro Vesperini | .... | sound recordist | |
| Pietro Vesperini | .... | sound engineer (uncredited) | |
Camera and Electrical Department | |||
| Joe D'Amato | .... | camera operator (as Aristide Massaccesi) | |
| Francisco Marín Jr. | .... | assistant camera (as Francisco Marin Andreu) | |
| Claudio Morabito | .... | camera operator | |
| Angelo Pennoni | .... | still photographer | |
| Eugenio Saluzzi | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Giorgio Motto | .... | assistant costume designer | |
Editorial Department | |||
| Carlo Marino | .... | assistant editor | |
Music Department | |||
| Roberto Pregadio | .... | conductor | |
Other crew | |||
| Maria Pai Rocco | .... | script supervisor | |
| Manolo Rubio | .... | production assistant | |
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| Professionals for a Massacre | Vengeance is Mine | The Road to Fort Alamo | Gunfight at High Noon | For a Few Dollars More |
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| Full cast and crew | Company credits | External reviews |
| IMDb Mystery section | IMDb Italy section |
Nando Cicero's "Due Volte Giuda" aka. "Twice A Judas" of 1971 starring Antonio Sabato and the great Klaus Kinski, may not be a Spaghetti Western masterpiece, but it is certainly an entertaining and suspenseful and vastly underrated film.One aspect that makes this movie special is the amnesia story. This is one of the few Spaghetti Westerns to include amnesia, and the only one I've seen in which the topic of amnesia is actually one of the primary aspects of the plot, which follows a man (Antonio Sabato), who wakes up with a grazing gunshot wound to his head, next to a corpse in the middle of the desert, and has no clue who he is. The first half hour of the movie is quite confusing, and that's what maintains the suspense.
Kinski delivers an excellent performance as always, and Sabato fits in his role very well. José Calvo is furthermore convincing as an alcoholic doctor. The rest of the performances are OK too, but I couldn't say that any of them were particularly worth mentioning. The film is nicely (though in no way outstandingly)photographed, and the score is also quite good (although certainly not brilliant).
"Twice A Judas" is an original and suspenseful Spaghetti Western, and although it looses some of its quality towards the end, which is, in my opinion, a bit cheesy and too fast-paced compared to the film's beginning, it is certainly worth watching and way underrated. If you're a fan of Spaghetti Westerns and/or Klaus Kinski, I recommend to give this a try. 6/10