Jane's car breaks down and she makes her way to a nearby estate, owned by a mysterious man named Caligari. Soon she finds that she has become a virtual prisoner, and none of the strange ... See full summary »
A playboy golf pro down is on his luck. Kicked off the circuit for alleged cheating he is forced to hustle for a living. Moving from one Country Club to another, he uses his talents to ... See full summary »
Jill St. John
Mr. Gray is the new Resident in Charge of the Welcome Islands in the Indian Ocean. The Islands are full of life, but the only other Europeans are the "sanctimonious, psalm-singing" ... See full summary »
This groundbreaking series had three rotating stars, who were featured in independent episodes tied together by a loose common theme. The commonality was Howard Publications, the self-made ... See full summary »
Susan Saint James,
A bungling burglar, determined to go down in the annals of crime as a genius, steals a ship in New York in order to rob a bank in Boston. He steals a mothballed Liberty ship, assembles a ... See full summary »
Frank Capua is a rising star on the race circuit who dreams of winning the big one--the Indianapolis 500. But to get there he runs the risk of losing his wife Elora to his rival, Luther ... See full summary »
Madcap comedy set in Paris and filmed in Hollywood...the gregarious players help
Screenwriter Charles Williams adapted his own book "The Wrong Venus" about an authoress of tawdry sex novels leaving her latest bestseller unfinished--seems she was a 40-year old virgin who finally got wind of what she was writing about! Another woman, an amazon who practices Judo, was brought in to finish the book but found herself witness to a murder and was kidnapped; now, her successor (an American man who smuggles watches into Europe!), attempts to rescue her with help from a savvy actress. To say this wacky caper is overly-involved is putting it mildly. Ron Winston directs the picture at a breathless pace, but Williams doesn't writes enough jokes... he's too busy creating more characters. Only in the movie's saner, quieter moments do the principals emerge as people, but we are seldom privy to their plans (all the scheming seems to happen off-screen). The cruelest blow delivered to Winston and his actors was Universal's apparent decision to film the comedy on their lot in Hollywood, with stock shots of France interspersed. One quickly grows tired of the need to hustle its cast indoors in order to betray the surroundings. Robert Wagner is surprisingly upbeat and frisky throughout (not his usual dour self) and he's matched well with Mary Tyler Moore (in a short brunette wig) and leggy Barbara Rhoades. Some funny scenes and exchanges, though it's often labored and galumphing. ** from ****
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