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Dom kallar oss mods (1968)

The first in Stefan Jarl's Mods Trilogy, the film documents the life of two teenagers, Kenta and Stoffe. With interviews from the two boys and their friends about their hedonistic lifestyle... See full summary »
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Cast

Cast overview:
Kenneth 'Kenta' Gustafsson ...
Kenta
Gustav 'Stoffe' Svensson ...
Stoff
Stefan Jarl ...
Narrator
Pundar-Bosse ...
Himself
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Storyline

The first in Stefan Jarl's Mods Trilogy, the film documents the life of two teenagers, Kenta and Stoffe. With interviews from the two boys and their friends about their hedonistic lifestyle, and what their future holds, the film explores the highs and lows of mod life in 1960s Stockholm, Sweden. Written by thepooloflust

Plot Summary | Plot Synopsis

Genres:

Documentary

Certificate:

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Parents Guide:

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Details

Country:

Language:

Release Date:

25 March 1968 (Sweden)  »

Also Known As:

They Call Us Misfits  »

Filming Locations:

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Box Office

Budget:

SEK 75,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Kenneth 'Kenta' Gustafsson died of cancer 2003 in Stefan's home on the couch. See more »

Connections

Followed by Det sociala arvet (1993) See more »

Soundtracks

Dom kallar oss mods
Performed by the Lea Riders Group
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User Reviews

 
Sharp view of teenage alienation
11 January 2003 | by (Malmo, Sweden) – See all my reviews

I was 14 when this movie premiered, in the tumultuous year of 1968. It immediately impressed me as a very accurate portrayal of teens alienated by society's materialism, frustrated by the prospect of one day having to conform.

Stefan Jarl, a director of great integrity, follows two teens, Kenta and Stoffe, through their everyday life, which is Bohemian indeed. Nothing much happening, not much of a plot, more like a documentary - I guess that to a large extent it is. Still, it is fascinating. Jarl manages to capture their sentiments, their world view, and how it provokes society.

Although the 60's are long gone, my guess is that teens of any decade can relate to this movie. Those who have left their teen years far behind, should use this movie as a revisit. We should never dismiss the thoughts and feelings we had when young, or the world will quickly become a ruin.

Jarl made a follow-up movie, A Decent Life, eleven years later, returning to Kenta and Stoffe, and what their lives had become. Again in 1993, in The Social Contract.


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