| Photos (See all 12 | slideshow) | Videos |
| Michel Piccoli | ... | Glauco | |
| Anita Pallenberg | ... | Ginette - La moglie di Glauco | |
| Gino Lavagetto | ... | Marinaio (as Gigi Lavagetto) | |
| Mario Jannilli | ... | Capitano | |
| Carole André | ... | Proprietaria del batello | |
| Annie Girardot | ... | Sabine - la cameriera | |
| Adriano Aprà | ... | Cinema critic | |
| Carla Petrillo |
Directed by | |||
| Marco Ferreri | |||
Writing credits | ||
| Marco Ferreri | (story) | |
| Marco Ferreri | (screenplay) and | |
| Sergio Bazzini | (screenplay) | |
Produced by | |||
| Ever Haggiag | .... | producer | |
| Alfred Levy | .... | producer | |
Original Music by | |||
| Teo Usuelli | |||
Cinematography by | |||
| Mario Vulpiani | |||
Film Editing by | |||
| Mirella Mercio | |||
Production Design by | |||
| Nicola Tamburo | (as Nicola Tamburro) | ||
Makeup Department | |||
| Rossano Caporicci | .... | hair stylist | |
Production Management | |||
| Sergio Giussani | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Arturo Caravati | .... | assistant director | |
Art Department | |||
| Luciana Vedovelli Levi | .... | set dresser | |
Sound Department | |||
| Carlo Diotallevi | .... | sound | |
Visual Effects by | |||
| Silvio Braconi | .... | visual effects | |
| Aldo Frollini | .... | visual effects | |
Camera and Electrical Department | |||
| Giorgio Urbinelli | .... | assistant camera | |
Editorial Department | |||
| Giuliana Trippa | .... | assistant editor | |
Other crew | |||
| Sergio Giussani | .... | production secretary | |
| Maria Perego | .... | puppeteer | |
|
|
|
|
|
| Branded to Kill | All Good Things | Montenegro | Freeway | L'uomo senza memoria |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Italy section |
Ferreri is one of the most important filmmakers, of the greatful decade like 60 in italy. Like Fellini or Pasolini, the director turn the movie in a dreamly journey to the fears and fantasies of the audience. The initial trip, when Piccoli drive a car, and the transformation of guns in art objects are very disquieting. An subversive idea. But, the most amazing is the influence of an old newspaper (the title is: Dillinger is dead)in the attitude of the protagonist. Phoenomenon similar to Lynch's inexplicable possessions. The first step for being seduced by Ferreri´s images.