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Dillinger Is Dead (1969)
"Dillinger è morto" (original title)

Not Rated  |   |  Crime, Drama  |  23 January 1969 (Italy)
7.2
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Ratings: 7.2/10 from 1,299 users  
Reviews: 13 user | 21 critic

Back home, Glauco, an industrial designer, finds his wife in bed with a serious headache. She has left him dinner but it is cold and Glauco decides to prepare himself a gourmet meal. While ... See full summary »

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Title: Dillinger Is Dead (1969)

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Cast

Cast overview:
...
...
Gino Lavagetto ...
Marinaio (as Gigi Lavagetto)
Mario Jannilli ...
Capitano
...
Proprietaria del battello
...
Adriano Aprà ...
Cinema critic
Carla Petrillo
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Storyline

Back home, Glauco, an industrial designer, finds his wife in bed with a serious headache. She has left him dinner but it is cold and Glauco decides to prepare himself a gourmet meal. While looking for some kitchenware, he discovers a revolver wrapped in a newspaper dating from 1934 announcing the death of famed mobster John Dillinger. Written by Guy Bellinger

Plot Summary | Add Synopsis

Genres:

Crime | Drama

Certificate:

Not Rated | See all certifications »
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Details

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Language:

Release Date:

23 January 1969 (Italy)  »

Also Known As:

Dillinger Is Dead  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Italian censorship visa # 52905 delivered on 17-12-1968. See more »

Connections

Referenced in The Seed of Man (1969) See more »

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User Reviews

 
probably the best ferreri movie
27 December 2004 | by (Venezia, Italy) – See all my reviews

with the "Grande abbuffata" title this is the best ferreri movie. Incredible tour de force real time movie is a study in alienation like no other one in cinema. Piccoli display a portfolio of frustrate-tipe tics with excellent performance. the same for annie girardot, the waitress in love with the Italian singer dino. Ferreri use no dialogues, the figure of dillinger as a mythical phantom over the alienated life of the protagonist. The final is incredibly surreal but all the film is terribly realistic and punctual, in line with the analysis of the contemporary man in the west society. I think that in today cinema this movie is something of irripetible


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