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The Devil Rides Out (1968)

G | | Horror | 20 July 1968 (UK)
Trailer
2:28 | Trailer
In the countryside of England, the Duc de Richleau a.k.a Nicholas welcomes his old friend Rex Van Ryn that has flown to meet him and Simon Aron, who is the son of an old friend of them that... See full summary »

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(screenplay), (novel)
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Cast

Complete credited cast:
...
...
Nike Arrighi ...
Tanith Carlisle (as Niké Arrighi)
Leon Greene ...
Patrick Mower ...
Simon Aron
Gwen Ffrangcon Davies ...
Countess
Sarah Lawson ...
Marie Eaton
...
Richard Eaton
...
Russell Waters ...
Malin
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Storyline

In the countryside of England, the Duc de Richleau a.k.a Nicholas welcomes his old friend Rex Van Ryn that has flown to meet him and Simon Aron, who is the son of an old friend of them that had passed away but charged them the task of watching the youngster. Nicholas and Rex unexpectedly visit Simon that is receiving twelve mysterious friends. Sooner Nicholas, who is proficient in black magic, learns that the guests are member of a satanic cult and Simon and his friend Tanith Carlisle will be baptized by the powerful leader Mocata to serve the devil. The two friends abduct Simon and Tanith expecting to save their souls but Mocata summons the Angel of Death and the Goat of Mendes to help him in a battle between the good and the forces of evil. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

The beauty of woman . . . the demon of darkness . . . the unholy union of "The Devil's Bride"

Genres:

Horror

Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

20 July 1968 (UK)  »

Also Known As:

The Devil Rides Out  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Scenes of this film were used in the 1982 video clip "The Number of the Beast" by UK heavy metal band Iron Maiden. See more »

Goofs

When Rex and Tanith are riding in the green convertible sports car, there is a part where Mocata's face appears in the rear-view mirror and "communicates" with Tanith. In close-up, this mirror is shown to be mounted on the lower center of the windshield, but in subsequent shots from different angles, no such rear-view mirror can be seen anywhere on the center windshield. See more »

Quotes

Duc de Richleau: [watching as Rex and Tanith, now restored to life, walk toward the house] Come in my friends.
Marie Eaton: [rushes into the room with husband Richard carrying Peggy] She's alright!
[Sees Tanith standing there]
Marie Eaton: Tanith!
Duc de Richleau: Time itself has been reversed for us. Tanith's death; Peggy's abduction; the ride to Chilbury; the ritual in the cellar... all these things happened. But now, they have not happened. We're back. We are all safe again.
Simon Aron: And is Mocata also safe?
Duc de Richleau: You will also remember, Simon, what I said to you ...
[...]
See more »

Connections

Featured in Hammer: The Studio That Dripped Blood! (1987) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Not all that it could be, but better than most
27 October 2003 | by (New York, New York) – See all my reviews

Last night I saw this film for the first time in 35 years. Time has been kinder to it than it has to many Hammer films, but this one is less driven by effects and make-up and more by dialog.

That's all for the better because once again, when need be, Hammer fails in the effects department. I had forgotten how the theater went wild in 1968 while looking at the cheap tarantula effect - was it growing or not, the perspective changed constantly.

Some of the effects are of the "stop the camera" variety, no more convincing here than on "Lost In Space." But still, it is the performances, situations and the dialog that engage us. Christopher Lee, who brought the project to Hammer, seems to be enjoying himself as the Duc de Richleau, finally getting to play a hero. His longtime friend Rex, played by Leon Greene (but voiced by Patrick Allen) is a real stalwart guy, given to punching out windshields when necessary, climbing into car trunks, and throwing a crucifix from a running board to eliminate the specter of the devil himself.

The best scene has Lee and company in a circle in which to protect themselves from the evils sent by Mocata, played by Charles Gray with a suaveness that matches the twinkle of his blue eyes. Mocata tries every trick in the book, including trying to make it appear that the daughter of the household is being threatened by the tarantula, as well as an Angel of Death on horseback (it is a large room). Meanwhile, outside, Rex has a potential female victim tied up for her own good, she later becomes a medium when the previously "threatened" little girl is kidnapped - to take the place of the medium on the sacrificial altar!

Nike Arrighi plays the "medium" - a young woman who was to have been re-baptized as a servant of the devil, but whose life now hangs in the balance between the black magic of Mocata, or the efforts of the Duc de Richleau, and she has more talent than most of the Hammer actresses of the period. The Duc's friend Rex falls for her, but is hard pressed to keep up with the spells of Mocata, who will stop at nothing to reclaim his servant.

What really helps the film is a great sense of period - somewhere midway between the two world wars. The props (especially the vehicles) and costumes are quite right, and the landscapes are far more diverse than the usual Bray Studios trappings. There's no doubt that the team sought to make this one special and shoot on some real locations - and it's perhaps here rather than in the effects that the budget was concentrated. All in all, despite some shortcomings, a very enjoyable Hammer film, a solid Richard Matheson script from a superior Dennis Wheatley novel makes for exciting viewing, far superior to the previous Satanic Hammer film "The Witches" (aka "The Devil's Bride") and equal to the later adaptation of Wheatley's own "To the Devil A Daughter" - the last Hammer film which may have its less than sterling reputation for that measure alone.


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