Police detective Joe Leland investigates the murder of a homosexual man. While investigating, he discovers links to official corruption in New York City in this drama that delves into a ... See full summary »
Tony Rome, a tough Miami PI living on a houseboat, is hired by a local millionaire to find jewelry stolen from his daughter, and in the process has several encounters with local hoods as well as the Miami Beach PD.
Jill St. John,
Sam Laker is an American industrialist, working in Britain, who has just been awarded an international award for industrial design. He is planning to travel to East Germany to attend a ... See full summary »
Sidney J. Furie
Morris Mishkin is a elderly religious Jew in New York. His wife Fanny is very ill. He's a tailor, but he can't work because his back has given out. He doesn't even have enough money for ... See full summary »
Ass-breaker Dingus Magee is looking for a gold train when he comes upon old acquaintance Hoke Birdsill on stage to San Francisco, and robs him of his money. Hoke goes to the nearby town of ... See full summary »
When a mayoral candidate is assassinated in New York, Frank Devlin has more than a professional interest in the case: Devlin and the candidate's father are bitter enemies. The investigation... See full summary »
Police detective Joe Leland investigates the murder of a homosexual man. While investigating, he discovers links to official corruption in New York City in this drama that delves into a world of sex and drugs. Written by
Regis M. Donovan <email@example.com>
At the end of the film, Leland is shown driving on a bridge, his car surrounded by other vehicles alongside and behind. But when the scene cuts to a long shot of Leland's car, all the other traffic has suddenly vanished. See more »
Forty years on, it's all too easy to pick holes in the naïve depiction of gays in this movie. Given its otherwise honest and sometimes brutal portrayal, I'm quite sure it was dictated, at least in part, by what the producers thought could be shown without alienating the majority who might watch.
Aforementioned aside, this is a gritty, adult story of an intelligent, upright cop battling marriage problems and a sleazy murder, in addition to the bigots and small minds in his own department.
Frank Sinatra, in one of his best roles, plays the world-weary lead with deceptive ease, ably backed by a good script and fine supporting cast, including Lee Remick (one of my favourite actresses) as his soon-to-be ex-wife, battling problems of her own, dealt with in flashbacks (again, probably simplistically, but at least with some style and intelligence); and Lloyd Bochner as the doctor with the high-price clientele and secrets he'd rather not share. Not to mention an outstanding (and sadly forgotten) theme by Jerry Goldsmith.
Yes, it's very sixties, but it's *good* sixties; and in the best traditions of film noir too. All in all, it reminds me of a quote from Lee Remick herself: "I make movies for grownups. When Hollywood starts making them again, I'll start acting in them again".
4 of 4 people found this review helpful.
Was this review helpful to you?