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The Destructors (1968)

Foreign agents are after a substance called "laser rubies" that can power a killer laser beam. Government agents are dispatched to protect the rubies and eliminate the foreign agents.




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Cast overview, first billed only:
Dan Street
Patricia Owens ...
Dutch Holland
Count Mario Romano
Johnny Seven ...
Khigh Dhiegh ...
King Chou Lai
Gregory Morton ...
Dr. Frazer
Ernest Bushnell
Michael Dugan ...
Jim Adams ...
Agent Wayne
Eddie Firestone ...
Dr. Barnes
Mace (as Olan Soulé)
Linda Kirk ...


Foreign agents are after a substance called "laser rubies" that can power a killer laser beam. Government agents are dispatched to protect the rubies and eliminate the foreign agents.

Plot Summary | Add Synopsis







Release Date:

January 1968 (USA)  »

Also Known As:

Epagelmaties saboter  »

Company Credits

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| (TV premiere)

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Did You Know?


Filmed in 1966, but not released until 1968. See more »

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User Reviews

Rude Reds Rob Red Rubies
12 November 2002 | by (London, England) – See all my reviews

Agents employed by Red China plot to steal a new American laser weapon powered by rubies. Enter Richard Egan as the counter-espionage agent who stands between the West and commies bent on global domination. Fortunately for the free world, his precious bodily fluids are working just fine. Does he save the day? Whaddya think?

This filler film, with its paranoid reds-under-the-bed plot, was probably at least ten years out of date when it was released. It's a strictly comic-book adventure, dashed out to capitalise on The Man From Uncle, Bond, etc. It totally lacks the wit of those productions, however, and takes a more Dragnet-type approach, ie. stiff, no nonsense, and rapidly tiresome. Richard Egan is quite impressive though. Egan, a big, chunky guy and a decent leading man, sports a tan for this movie deep enough to turn George Hamilton green with envy. B-movie king Michael Ansara features as the smoldering baddie (no surprises there), while the rest of the cast give their producer his money's worth.

It's childish rubbish of course, but smoothly filmed in an expensive TV film manner. The elaborately symphonic musical score by Paul Dunlap totally out-classes the movie and almost makes you think you're watching a good film. You're not though. You're just listening to the score for one. Dunlap pretty much left the film scoring field after this. A pity. He was (is) good, but all too often seemed to get saddled with B-movies like The Destructors. Fate's fickle finger jabs again.

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