| Photos (See all 12 | slideshow) |
| Catherine Deneuve | ... | Delphine Garnier | |
| George Chakiris | ... | Etienne | |
| Françoise Dorléac | ... | Solange Garnier (as Françoise Dorleac) | |
| Jacques Perrin | ... | Maxence | |
| Michel Piccoli | ... | Simon Dame | |
| Jacques Riberolles | ... | Guillaume Lancien | |
| Grover Dale | ... | Bill | |
| Geneviève Thénier | ... | Josette (as Geneviève Thenier) | |
| Henri Crémieux | ... | Subtil Dutrouz (as Henri Cremieux) | |
| Pamela Hart | ... | Judith | |
| Leslie North | ... | Esther | |
| Patrick Jeantet | ... | Boubou Garnier | |
| Gene Kelly | ... | Andy Miller | |
| Danielle Darrieux | ... | Yvonne Garnier | |
| René Bazart | ... | Pépé | |
| Dorothée Blanck | ... | Passerby | |
| Daniel Moquay | ... | First Sailor | |
| Daniel Gall | ... | Second Sailor | |
| Bernard Fradet | ... | Second Agent | |
| Remy Brozek | ... | Third Agent | |
| Véronique Duval | ... | A Woman | |
| Pierre Caden | ... | First Man | |
| Peter Ardran | ... | Dancer | |
| Wendy Barry | ... | Dancer | |
| Sarah Butler | ... | Dancer | |
| Anne Chapman | ... | Dancer (as Ann Chapman) | |
| Jane Darling | ... | Dancer | |
| Tudor Davies | ... | Dancer | |
| Lindsay Dolan | ... | Dancer | |
| John McDonald | ... | Dancer (as John Mac Donald) | |
| Keith Drummond | ... | Dancer | |
| Maureen Evans | ... | Dancer | |
| Tara Fernando | ... | Dancer (as Taira Fernando) | |
| Sarah Flemington | ... | Dancer | |
| Johnny Greenland | ... | Dancer (as Johny Greenland) | |
| Leo Guerard | ... | Dancer | |
| David Hepburn | ... | Dancer | |
| Bob Howe | ... | Dancer | |
| Alix Kirsta | ... | Dancer | |
| Jerry Manley | ... | Dancer | |
| Tony Manning | ... | Dancer | |
| Tom Merrifield | ... | Dancer | |
| Connel Miles | ... | Dancer | |
| Albin Pahernik | ... | Dancer | |
| Nicky Temperton | ... | Dancer | |
| Barrie Wilkinson | ... | Dancer | |
| Maureen Willsher | ... | Dancer | |
| Anne Germain | ... | Delphine Garnier (singing voice) | |
| Claude Parent | ... | Solange Garnier (singing voice) | |
| Christiane Legrand | ... | Judith (singing voice) | |
| Claudine Meunier | ... | Esther (singing voice) | |
| Alice Herald | ... | Josette (singing voice) | |
| José Bartel | ... | Bill (singing voice) (as Jose Bartel) | |
| Romuald | ... | Etienne (singing voice) | |
| Donald Burke | ... | Andy Miller (singing voice) | |
| Olivier Bonnet | ... | Boubou (singing voice) | |
| Georges Blaness | ... | Simon Dame (singing voice) (as Georges Blanes) | |
| Jacques Revaux | ... | Maxence (singing voice) | |
| rest of cast listed alphabetically: | |||
| Jacques Henri Barratier | ... | Second Man (uncredited) | |
| Liliane de Kermadec | ... | Nun (uncredited) | |
| Alain Franchet | ... | First Agent (uncredited) | |
| Florence Malraux | ... | Nun (uncredited) | |
| Michèle Manceaux | ... | Nun (uncredited) | |
| Annie Maurel | ... | Nun (uncredited) | |
| Jean Stout | ... | Guillaume Lancien (singing voice) (uncredited) | |
| Jacques Thébault | ... | Etienne (voice) (uncredited) | |
| Dominique Tirmont | ... | Bill (voice) (uncredited) | |
| Agnès Varda | ... | Music-Loving Nun (uncredited) | |
Directed by | |||
| Jacques Demy | |||
Writing credits | ||
| Jacques Demy | (written by) | |
Produced by | |||
| Perrine Bauduin | .... | producer (1996 restoration) | |
| Mag Bodard | .... | delegate producer | |
| Gilbert de Goldschmidt | .... | producer (as Gilbert De Goldschmidt) | |
Original Music by | |||
| Michel Legrand | |||
Cinematography by | |||
| Ghislain Cloquet | |||
Film Editing by | |||
| Jean Hamon | |||
Production Design by | |||
| Bernard Evein | |||
Set Decoration by | |||
| Louis Seuret | |||
Costume Design by | |||
| Marie-Claude Fouquet | |||
| Jacqueline Moreau | |||
Makeup Department | |||
| Aïda Carange | .... | makeup artist | |
| Luc Durand | .... | makeup artist | |
| Edina Habib | .... | hair stylist | |
| Janine Jarreau | .... | makeup artist (as Jeanine Jarreau) | |
| Christiane Sauvage | .... | makeup artist | |
Production Management | |||
| Philippe Dussart | .... | production manager | |
| René Pascal | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Jacques Henri Barratier | .... | assistant director (as Jacques Barratier) | |
| Charles Chieusse | .... | second unit director | |
| Alain Franchet | .... | assistant director | |
| Bernard Gilson | .... | assistant director | |
| Claude Miller | .... | assistant director (as Claude Miler) | |
| Michel Romanoff | .... | assistant director | |
Art Department | |||
| Roger Fresca | .... | tapestry | |
| Joseph Gerhard | .... | props | |
| Georges Glon | .... | assistant set decorator | |
| Josette Jover | .... | tapestry | |
| Claude Pignot | .... | assistant set decorator | |
| Angelo Rizzi | .... | props | |
Sound Department | |||
| Jean Gaudelet | .... | boom operator | |
| Jacques Maumont | .... | sound | |
Camera and Electrical Department | |||
| Pierre Cornier | .... | chief electrician | |
| Hélène Jeanbrau | .... | still photographer | |
| Bernard Largemain | .... | key grip (as Bernard Largemains) | |
| Jean-Paul Lemaître | .... | assistant camera | |
| Emmanuel Machuel | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Jean-Marie Armand | .... | wardrobe | |
| Laurence Clairval | .... | costumer | |
| Christiane Fageol | .... | costumer | |
| Odette Le Barbenchon | .... | costumer | |
Editorial Department | |||
| Claudio Ventura | .... | assistant editor | |
Music Department | |||
| Michel Legrand | .... | music publisher | |
| Michel Legrand | .... | musical director | |
| Francis Lemarque | .... | music publisher | |
Other crew | |||
| Jean Barthet | .... | hat maker | |
| Maureen Bright | .... | assistant choreographer | |
| Michel Choquet | .... | general manager | |
| Jean-Marc Garrouste | .... | accountant | |
| Pamela Hart | .... | assistant choreographer | |
| Norman Maen | .... | choreographer | |
| Annie Maurel | .... | script | |
Thanks | |||
| Roland Moreno | .... | thanks (1996 restoration) | |
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| The Best of Youth | The White Countess | Across the Universe | Kings & Queen | Beyond the Sea |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
It's hard to put your finger on exactly what it is about the atmosphere of Jacques Demy's musicals that's so - well - appealing, but "The Young Girls of Rochefort" opens with a pretty big clue: the dancers assemble on what looks like a funny kind of suspension bridge, when suddenly the platform lifts off (as does Michel Legrand's music), to float over the water to the other side. The kids (including "West Side Story"'s George Chakiris) dance away as they drift along in mid-air, giving us the perfect metaphor for what Demy's about to offer: a sunny bagatelle that sets you free from gravity, but which is clearly - well - a little mechanical.
Or perhaps "artificial" is a better word - Demy's always straightforward about what he's doing, and the play of artifice in "Rochefort" is one of its peculiar charms. He doesn't seem to care that the gorgeous Catherine Deneuve and her real-life sister, Francoise Dorleac, aren't really dancers (or that even the "real" dancers are sometimes slightly out of sync) - they simply carry on with their numbers through sheer star power and happy sang-froid. As do their characters - what might count as tragedy in an American musical is always merely accepted in Demy ("The Umbrellas of Cherbourg" being the ultimate example). Only "Rochefort" is about tragedies constantly being averted or diverted - if "Umbrellas" was drenched in a perpetual rain shower, "Rochefort" is pure sun.
Gene Kelly is also on hand to do a few cameos as Francoise's love interest - and his main dance is a charming, quick-time take on what he used to do on a much broader canvas. George Chakiris is, as we remember from "West Side Story", a charming dynamo; Danielle Darrieux is her usual sublime self; and keep an eye out for a young Michel Piccoli as the ardent Monsieur Dam. Michel Legrand's score, again as usual, relies a bit too heavily on its big theme - but it's also about as jazzily sophisticated as musical scores ever got. The choreography doesn't offer any breakthroughs, but there are some charming sequences which are nearly as through-danced as "Umbrellas" was through-sung.
Altogether a charmer - big wigs, even bigger hats, and an exquisite pastel palette - what's not to like?