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Ben Wheatley’s ‘Free Fire’ home entertainment release details

23 June 2017 6:57 AM, PDT | The Hollywood News | See recent The Hollywood News news »

We’ve just received information regarding the UK DVD and Blu-ray release of Ben Wheatley’s explosive Free Fire, which arrives on the home formats in August.

Free Fire is an explosive love letter to the action genre and features an outstanding ensemble cast including Brie Larson, Armie Hammer, Cillian Murphy, Sharlto Copley, Jack Reynor, Michael Smiley, Sam Riley, Noah Taylor, Enzo Cilenti and Babou Ceesay. Set in a derelict warehouse, it’s a thrilling arms deal gone wrong. Produced by Andy Starke, written by Amy Jump and Ben Wheatley. The film is executive produced by Martin Scorsese.

Justine (Brie Larson) has brokered a meeting in a deserted warehouse between two Irishmen (Cillian Murphy, Michael Smiley) and a gang led by Vernon (Sharlto Copley) and Ord (Armie Hammer) who are selling them a stash of guns. But when shots are fired in the handover, a heart stopping game of survival ensues.

Ben Wheatley is the critically acclaimed and award-winning British director of Down Terrace, Kill List, Sightseers, A Field in England, High-Rise and Free Fire. He has also directed notable TV shows (including ‘Doctor Who’ and ‘Modern Toss’), adverts and idents, animated shorts and Internet viral ads. Initially a short filmmaker and animator, Wheatley gained a cult following for his work online.

Disc extras include: Audio commentary with Ben Wheatley, Cillian Murphy and Jack Reynor, ‘Making of Free Fire’ featurette and nterviews with cast and crew.

Free Fire will be available to download from July 31st, and on DVD & Blu-Ray from August 7th.

The post Ben Wheatley’s ‘Free Fire’ home entertainment release details appeared first on The Hollywood News. »

- Paul Heath

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Film Review: 'Free Fire' Knows That Happiness is a Warm Gun

26 April 2017 12:29 PM, PDT | | See recent news »

Chicago – In a film that had a sassy, arbitrary perspective on its own flipped-out story, “Free Fire” sought to out-Quentin Tarantino in freaky funny characters and ammo-splurging gun battles. Director Ben Wheatley (“High-Rise”) took an ensemble cast to rarified heights of insult comedy, revenge dynamics and bullets that hit the bone.

Rating: 4.5/5.0

It’s basically an arms sale that goes bad, and it’s set in 1978. The rogue cast of characters include stand-outs Sharito Copley (the South African actor from “District 9”), Armie Hammer and Brie Larson. The film is shot in straightforward real time, and the gun battle that takes place after the deal falls apart was a relentless point-of-view survival story that devolved into an unrelenting necessity for humans to wreak havoc on each other. Under director Wheatley, there is a bit of winking at the camera, symbolic statements on the futility of battle, and film class »

- (Adam Fendelman)

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Free Fire – Review

20 April 2017 9:01 PM, PDT | | See recent news »


Hold on to your wallets and purses, here comes the creeps and crooks because it’s crime time once again at the multiplex (and I’m not talking about those concession prices). This week’s flick is more of an offshoot of the crime genre: it’s the heist flick, or more specifically, the heist “gone wrong” flick. Now, this isn’t a sophisticated caper thriller, say like the Oceans 11 franchise (that all-female “spin” is on its way) or even The Thomas Crown Affair (68′ and 99′). The dudes (and dame) in this movie could never pass in “high society” (like that suave Cary Grant in To Catch A Thief), they’re “working class” criminals. These types have been a very frequent source for “indie” films, from Blood Simple and Reservoir Dogs to, well, last year’s critical “darling” Hell Or High Water. This tale varies from the caper formula since they »

- Jim Batts

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“Free Fire” is a blast with another top notch Brie Larson performance

20 April 2017 10:37 AM, PDT | | See recent news »

It’s a little bit of an understatement to say that filmmaker Ben Wheatley has not made mainstream movies so far. His films are niche items, albeit sometimes incredibly compelling ones. This week, he makes what might be his most mainstream flick possibly, an action comedy of sorts in Free Fire. Although still decidedly independent, this is like the Mexican standoff sequence in Reservoir Dogs, but if that was an entire 90 minute movie. It’s a riot of a film. A literal blast, if you will. Helping to lead the charge is Brie Larson, who seems incapable of not turning in very solid work when the camera starts rolling. She’s just dynamite. The movie centers around an arms deal gone bad. Taking place in Boston in 1978, two gangs meet in an abandoned warehouse, ostensibly to buy/sell some guns. Set in motion by middle man Ord (Armie Hammer) one »

- Joey Magidson

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Can Fate of the Furious Continue Its Box Office Winning Streak?

18 April 2017 10:29 AM, PDT | MovieWeb | See recent MovieWeb news »

As expected, Universal's The Fate of the Furious debuted in grand fashion last weekend, setting a new box office record for a global opening weekend of $531.9 million, although its $98.7 million domestic debut was far from any sort of record. Over the past few years, the Fast & Furious franchise has established its dominance in the month of April, typically posting huge debuts and repeating atop the box office charts for several weeks in a row, before the summer movie season officially gets under way. The Fate of the Furious is expected to follow that pattern, repeating atop the box office with $49.2 million, easily beating out five new films arriving in nationwide release.

Box Office Mojo reports that, of the five new releases, most will debut in less than half the theaters that Fast & Furious 8 debuted in last weekend (4,310). Warner Bros.' Unforgettable will have the widest release of the bunch with roughly 2,350 theaters, »

- MovieWeb

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Free Fire movie review: guns a-boring

17 April 2017 2:02 PM, PDT | | See recent FlickFilosopher news »

MaryAnn’s quick take… A 90-minute shootout that never makes us care who lives and who dies. In attempting to send up a cinematic cliché, this only becomes a tedious example of same. I’m “biast” (pro): love the cast

I’m “biast” (con): increasingly not a fan of Ben Wheatley

(what is this about? see my critic’s minifesto)

Eight people walk into an abandoned warehouse in Boston in 1978. There’s Chris (Cillian Murphy: Anthropoid, In the Heart of the Sea), whom we can presume is Ira because he has an Irish accent and he’s there to buy enough guns to supply a small army. There’s Justine (Brie Larson: Kong: Skull Island, Room), who has brokered the deal with Ord (Armie Hammer: The Man from U.N.C.L.E., Entourage)… or is it Ord who has brokered the deal with seller Vernon (Sharlto Copley: Chappie, »

- MaryAnn Johanson

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New Clip from Free Fire Features Wary Introductions

7 April 2017 2:14 PM, PDT | DailyDead | See recent DailyDead news »

Both sides of a forthcoming firefight meet before the bullets start flying in a new clip from Ben Wheatley's Free Fire.

A comedic thriller helmed by Wheatley from a screenplay he co-wrote with Amy Jump, Free Fire stars Brie Larson, Cillian Murphy, Armie Hammer, Sam Riley, Jack Reynor, and Sharlto Copley. A24 will release Free Fire in theaters on April 21st.

In case you missed it, check out Heather's SXSW review of Free Fire, as well as her interview with Wheatley, Hammer, and Copley.

Synopsis: "Free Fire centers around an arms deal that goes spectacularly and explosively wrong. Justine (Larson) has brokered a meeting in a deserted warehouse between two Irishmen and a gang led by Vernon (Copley) and Ord (Hammer), who are selling them a stash of guns. But when shots are fired during the handover, complete pandemonium ensues, with everyone at the scene suddenly thrust into a heart-stopping game of survival. »

- Derek Anderson

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Movie Review – Free Fire (2016)

2 April 2017 11:20 AM, PDT | Flickeringmyth | See recent Flickeringmyth news »

Free Fire, 2016.

Directed by Ben Wheatley.

Starring Brie Larson, Sharlto Copley, Cillian Murphy, Armie Hammer, Michael Smiley, Sam Riley, Noah Taylor, Enzo Cilenti, Babou Ceesay, and Jack Reynor.



Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shootout and a game of survival.

When you’re doing an illegal arms deal, what’s the worst that could go wrong? Well in Ben Wheatley’s hilarious Free Fire pretty much everything does. Set in 1978 (kudos to costume designer Emma Fryer) in Boston, a gang of Irish are buying guns from dealer Vernon (Copley). Right from the off there’s tension and after two of the rival team members recognise each other all hell breaks loose. Set almost entirely in one warehouse, Free Fire is a near constant gun battle between the two sides, packed full of over the top violence and a ton of comedy. »

- Helen Murdoch

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Free Fire review – never pick a fight with an arms dealer

2 April 2017 1:00 AM, PDT | The Guardian - Film News | See recent The Guardian - Film News news »

Ben Wheatley’s delirious 70s-set shootout comedy is packed with wide collars, punchy visuals and explosive dialogue

After the high-concept gloss of their terrific Jg Ballard adaptation, High-Rise, film-making partners-in-crime Ben Wheatley and Amy Jump go back to their grungy roots with a very different vision of the dystopian 1970s. In a deserted Boston warehouse, a gaggle of variously incompetent weapons buyers and sellers take random real-time potshots at each other after a volatile arms deal falls apart. Less an extended riff on the final standoff from Reservoir Dogs than an absurdist expansion of the close-range gunfight from The Naked Gun 2½, Free Fire is a delirious descent into choreographed chaos. As an exercise in stripping away narrative in favour of “pure cinema” sensation, it’s breathtakingly bold; the ne plus ultra of nihilistic screen showdowns. In terms of slapstick comedy it combines a silent movie visual sensibility with a Looney »

- Mark Kermode, Observer film critic

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April 2017 Film Preview

30 March 2017 10:02 AM, PDT | Women and Hollywood | See recent Women and Hollywood news »

Their Finest

If there’s one thing that April showers bring, it’s a plethora of films that feature women holding both the camera and the pen. Female screenwriters, in particular, drive this month’s selection of women-centric and women-created films; over a dozen female-written projects of all genres, shapes, and sizes will hit the silver screen. We at Women and Hollywood could get used to this number — couldn’t you?

As promised, April immediately kicks off with the release of various female-written projects, including the kid-friendly blockbuster “Smurfs: The Lost Village,” Swing dance documentary “Alive and Kicking,” and the much anticipated drama “Their Finest.”

Directed by Lone Scherfig and written by Gaby Chiappe, “Their Finest” highlights British female scriptwriters who were employed during the Second World War to bring write dialogue or “slop” as they called it to war time propaganda films. By doing so, this film emphasizes the (often-ignored) historical role that women have always played behind the screen.

Colossal,” a SXSW favorite starring Anne Hathaway, also opens on April 7. “Colossal” takes the notion of personification to the next level, as a young woman discovers that a monster and its destructive actions, though thousands of miles away, are somehow tied to her ongoing mental breakdown. It’s also a classic story of a potential relationship that goes awry and how ugly and global the repercussions can be. A quirky combination of comedy, sci-fi, action, and a bit of drama, this film will surely highlight how female protagonists fight back.

On April 14, “Little Boxes,” written by Annie J. Howell, finally hits theaters. As many will recall, this film signed one of the biggest distribution deals during last year’s Tribeca Film Festival. It follows an interracial family who moves from New York City to a less-than-cultured suburb in Washington. Starring Melanie Lynskey, Nelsan Ellis, and Armani Jackson, this dramedy offers a timely commentary on race, class, and intellectualism.

For those interested, mid-April offers a healthy dose of feature documentaries, including Vanessa Gould’s “Obit.” Gould and her team provide a first-hand look inside the obituary department of The New York Times and, by doing so, challenge viewers to pose their own questions about life, memory, and the passage of time.

Women-centric thriller “Unforgettable” also opens mid-April, specifically the 21st. Directed by Denise Di Novi and co-written by Christina Hodson, this film explores the all-too familiar (and at times problematic) trope of female jealousy between ex-wife and new fiancé.

April’s final weekend features “The Circle” and “Below Her Mouth.” Another spring release starring Emma Watson, “The Circle” follows a young woman assigned to work on a project for a major social media company. As she delves deeper into this digital world, she uncovers the dangers of a thoroughly public life.

Focusing instead on “real” interpersonal connections, “Below Her Mouth” explores a weekend affair between two very different women. Directed by April Mullen and written by Stephanie Fabrizi, this film contemplates how a single event may alter one’s life forever.

Here are all of the women-centric, women-directed, and women-written films debuting in April. All descriptions are from press materials unless otherwise noted.

April 6

Girl Unbound” (Documentary) — Directed by Erin Heidenreich

Girl Unbound

In Waziristan, “one of the most dangerous places on earth,” Maria Toorpakai defies the Taliban — disguising herself as a boy, so she can play sports freely. But when she becomes a rising star, her true identity is revealed, bringing constant death threats on her and her family. Undeterred, they continue to rebel for their freedom.

April 7



Gloria (Anne Hathaway) is an out-of-work party girl who finds herself in relationship trouble with her sensible boyfriend, Tim (Dan Stevens), and is forced to move back to her tiny hometown to get her life back on track. She reconnects with childhood friend Oscar (Jason Sudeikis), a good-natured bar owner with a coterie of drinking buddies (Tim Blake Nelson and Austin Stowell), and resumes her drinking lifestyle. Meanwhile, on the other side of the world, a larger-than-life creature begins attacking Seoul, South Korea on a nightly basis, captivating spectators around the world. One night, Gloria is horrified to discover that her every move at a local playground is being mimicked on a catastrophic scale by the rampaging beast. When Gloria’s friends get wind of the bizarre phenomenon, a second, more destructive creature emerges, prompting an epic showdown between the two monsters.

Smurfs: The Lost Village” — Written by Stacey Harman and Pamela Ribon

Smurfs: The Lost Village

In this fully animated, all-new take on the Smurfs, a mysterious map sets Smurfette (Demi Lovato) and her friends Brainy (Danny Pudi), Clumsy (Jack McBrayer), and Hefty (Joe Manganiello) on an exciting race through the Forbidden Forest leading to the discovery of the biggest secret in Smurf history.

Alive and Kicking” (Documentary) — Directed by Susan Glatzer; Written by Susan Glatzer and Heidi Zimmerman (Also Available on VOD)

Alive and Kicking” is a feature-length documentary that takes an inside look into the culture of Swing dancing and the characters who make it special. It explores the culture surrounding Swing dance from the emergence of the Lindy Hop to the modern day international phenomenon. The film follows the growth of Swing dance from its purely American roots as an art form, to countries all over the world. “Alive and Kicking” looks at the lives of the Swing dancers themselves to find their personal stories and why this dance fills them with joy.

Their Finest” — Directed by Lone Scherfig; Written by Gaby Chiappe

With London emptied of its men now fighting at the Front, Catrin Cole (Gemma Arterton) is hired by the British Ministry of Information as a “slop” scriptwriter charged with bringing “a woman’s touch” to morale-boosting propaganda films. Her natural flair quickly gets her noticed by dashing movie producer Buckley (Sam Claflin) whose path would never have crossed hers in peacetime. As bombs are dropping all around them, Catrin, Buckley, and a colorful crew work furiously to make a film that will warm the hearts of the nation. Although Catrin’s artist husband looks down on her job, she quickly discovers there is as much camaraderie, laughter, and passion behind the camera as there is onscreen.

The Ticket” — Co-Written by Sharon Mashihi (Also Available on VOD)

The Ticket

After James (Dan Stevens), a blind man, inexplicably regains his vision, he becomes possessed by a drive to make a better life for himself. However, his new improvements — a nicer home, a higher paying job, tailored suits, luxury car — leave little room for the people who were part of his old, simpler life: his wife (Malin Akerman) and close friend (Oliver Platt). As his relationships buckle under the strain of his snowballing ambition, it becomes uncertain if James can ever return from darkness.

Bethany” (Also Available on VOD)

Claire (Stefanie Estes) and her husband (Zack Ward) find themselves moving back into Claire’s childhood home only to have the abusive and traumatic memories of her mother come back to haunt her. As her husband starts to get more work, Claire finds herself mixed up in a fog of past and present with a mysterious figure haunting her memories. What is this small figure that is trying to reach out to her, and what does it want?

Queen of the Desert” (Opens in NY and La) (Also Available on VOD)

Queen of the Desert

Gertrude Bell (Nicole Kidman) chafes against the stifling rigidity of life in turn-of-the-century England, leaving it behind for a chance to travel to Tehran. So begins her lifelong adventure across the Arab world, a journey marked by danger, a passionate affair with a British officer (James Franco), and an encounter with the legendary T.E. Lawrence (Robert Pattinson). Stunningly shot on location in Morocco and Jordan, “Queen of the Desert” reveals how an ahead-of-her-time woman shaped the course of history.

The Assignment” (Also Available on VOD)

Hitman Frank Kitchen (Michelle Rodriguez) is given a lethal assignment, but after being double-crossed, he discovers he’s not the man he thought he was — he’s been surgically altered and now has the body of a woman. Seeking vengeance, Frank heads for a showdown with the person (Sigourney Weaver) who transformed him, a brilliant surgeon with a chilling agenda of her own.

April 12

“Glory” — Co-Written and Co-Directed by Kristina Grozeva


Tsanko Petrov (Stefan Denolyubov), a railroad worker, finds millions of leva on the train tracks. He decides to turn the money over to the police, for which the state rewards him with a new wristwatch that soon stops working. Meanwhile, Julia Staikova (Margita Gosheva), head of the PR department of the Ministry of Transport, loses Petrov’s old watch, a family relic. Here starts his desperate struggle to recover both his old watch and his dignity.

April 14

A Quiet Passion” (Opens in NY; Opens in La April 21)

A Quiet Passion

Cynthia Nixon delivers a triumphant performance as Emily Dickinson as she personifies the wit, intellectual independence, and pathos of the poet whose genius only came to be recognized after her death. Acclaimed British director Terence Davies exquisitely evokes Dickinson’s deep attachment to her close knit family along with the manners, mores, and spiritual convictions of her time that she struggled with and transcended in her poetry.

Little Boxes” — Written by Annie J. Howell (Also Available on VOD)

Little Boxes

It’s the summer before sixth grade, and Clark (Armani Jackson) is the new-in-town biracial kid in a sea of white. Discovering that to be cool he needs to act “more black,” he fumbles to meet expectations, while his urban intellectual parents Mack (Nelsan Ellis) and Gina (Melanie Lynskey) also strive to adjust to small-town living. Equipped for the many inherent challenges of New York, the tight-knit family are ill prepared for the drastically different set of obstacles that their new community presents, and soon find themselves struggling to understand themselves and each other in this new suburban context. (Tribeca Film Festival)

Maudie” — Directed by Aisling Walsh; Written by Sherry White (Opens in Canada)


Maudie,” based on a true story, is an unlikely romance in which the reclusive Everett Lewis (Ethan Hawke) hires a fragile yet determined woman named Maudie (Sally Hawkins) to be his housekeeper. Maudie, bright-eyed but hunched with crippled hands, yearns to be independent, to live away from her protective family and she also yearns, passionately, to create art. Unexpectedly, Everett finds himself falling in love. “Maudie” charts Everett’s efforts to protect himself from being hurt, Maudie’s deep and abiding love for this difficult man, and her surprising rise to fame as a folk painter.

“Heal the Living” — Co-Written and Directed by Katell Quillévéré (Opens in NY)

“Heal the Living” follows how a car accident sets into motion a chain of events that affects everyone from the parents of the 17-year-old brain-dead teenage boy to the hospital staff to a mother of two (Anne Dorval) in need of a heart transplant.

The Outcasts” — Written by Dominique Ferrari and Suzanne Wrubel

The Outcasts

After falling victim to a humiliating prank by the high school Queen Bee (Claudia Lee), best friends and world-class geeks, Mindy (Eden Sher) and Jodi (Victoria Justice), decide to get their revenge by uniting the outcasts of the school against her and her circle of friends.

“Tommy’s Honour” — Co-Written by Pamela Marin

“Tommy’s Honour” is based on the powerfully moving true story of the challenging relationship between “Old” Tom and “Young” Tommy Morris, the dynamic father-son team who ushered in the modern game of golf. As their fame grew, Tom (Peter Mullan) and Tommy (Jack Lowden), Scotland’s Golf Royalty, were touched by drama and personal tragedy. At first matching his father’s success, Tommy’s talent and fame grew to outshine his father’s accomplishments and respect as founder of the Open Championship in 1860 with a series of his own triumphs. But in contrast to Tommy’s public persona, his personal turmoil ultimately led him to rebel against both the aristocracy who gave him opportunity and the parents who shunned his passionate relationship with his wife.

“By the Time It Gets Dark” — Written and Directed by Anocha Suwichakornpong (One Week Only in NY)

“By the Time It Gets Dark”

“By the Time It Gets Dark” encompasses multiple stories in Thailand whose connections are as spiritual as they are incidental. We meet a pair of actors whose paths take them in very different directions. We meet a young waitress serving breakfast at an idyllic country café, only to later find her employed in the busy dining room of a river cruise ship. And we meet a filmmaker interviewing an older woman whose life was transformed by the political activism of her student years and the Thammasat University massacre of 1976. (Toronto International Film Festival)

Maurizio Cattelan: Be Right Back” (Documentary) — Written and Directed by Maura Axelrod (Limited Release)

An art world upstart, provocative and elusive artist Maurizio Cattelan made his career on playful and subversive works that send up the artistic establishment, until a retrospective at the Guggenheim in 2011 finally solidified his place in the contemporary art canon. Axelrod’s equally playful profile leaves no stone unturned in trying to figure out: Who is Maurizio Cattelan?

April 21

“Unforgettable” — Directed by Denise Di Novi; Co-Written by Christina Hodson


Katherine Heigl stars as Tessa Connover, who is barely coping with the end of her marriage when her ex-husband, David (Geoff Stults), becomes happily engaged to Julia Banks (Rosario Dawson) — not only bringing Julia into the home they once shared but also into the life of their daughter, Lilly (Isabella Rice). Trying to settle into her new role as a wife and a stepmother, Julia believes she has finally met the man of her dreams, the man who can help her put her own troubled past behind her. But Tessa’s jealousy soon takes a pathological turn until she will stop at nothing to turn Julia’s dream into her ultimate nightmare.

Jeremiah Tower: The Last Magnificent” (Documentary) — Written and Directed by Lydia Tenaglia (Opens in NY and La)

Jeremiah Tower: The Last Magnificent” explores the remarkable life of Jeremiah Tower, one of the most controversial and influential figures in the history of American gastronomy. Tower began his career at the renowned Chez Panisse in Berkeley in 1972, becoming a pioneering figure in the emerging California cuisine movement. After leaving Chez Panisse, Tower went on to launch his own legendary Stars Restaurant in San Francisco. Stars was an overnight sensation and soon became one of America’s top-grossing U.S. restaurants. After several years, Tower mysteriously walked away from Stars and then disappeared from the scene for nearly two decades, only to resurface in the most unlikely of places: New York City’s fabled but troubled Tavern on the Green. There, he launched a journey of self-discovery familiar to anyone who has ever imagined themselves to be an artist.

The Promise” — Co-Written by Robin Swicord

The Promise

Empires fall, love survives. When Michael (Oscar Isaac), a brilliant medical student, meets Ana (Charlotte Le Bon), their shared Armenian heritage sparks an attraction that explodes into a romantic rivalry between Michael and Ana’s boyfriend Chris (Christian Bale), a famous American photojournalist dedicated to exposing political truth. As the Ottoman Empire crumbles into war-torn chaos, their conflicting passions must be deferred while they join forces to get their people to safety and survive themselves.

Free Fire” — Co-Written by Amy Jump

Set in a colorful yet gritty 1970s Boston, “Free Fire” opens with Justine (Brie Larson), a mysterious American businesswoman, and her wise-cracking associate Ord (Armie Hammer) arranging a black-market weapons deal in a deserted warehouse between Ira arms buyer Chris (Cillian Murphy) and shifty South African gun runner Vernon (Sharlto Copley). What starts as a polite if uneasy exchange soon goes south when tensions escalate and shots are fired, quickly leading to a full-on Battle Royale where it’s every man (and woman) for themselves.

“Citizen Jane: Battle for the City” (Documentary)

“Citizen Jane: Battle for the City”

In 1960, Jane Jacobs’ book “The Death and Life of Great American Cities” sent shockwaves through the architecture and planning worlds, with its exploration of the consequences of modern planners’ and architects’ reconfiguration of cities. Jacobs was also an activist, who was involved in many fights in mid-century New York to stop “master builder” Robert Moses from running roughshod over the city. This film retraces the battles for the city as personified by Jacobs and Moses, as urbanization moves to the very front of the global agenda.

“Tomorrow” (Documentary) — Co-Directed by Mélanie Laurent

As mankind is threatened by the collapse of the ecosystems, Cyril, Mélanie, Alexandre, Laurent, Raphäel, and Antoine, all in their thirties, explore the world in search of solutions that can save their children and future generations. Using the most successful experiments in every area (agriculture, energy, habitat, economy, education, democracy, and so on) they try to put back together the puzzle which may tell a new story of the future.

April 26

Obit” (Documentary) — Directed by Vanessa Gould (Opens in NY)


How do you condense a lifetime into 500 words? Digging into the endless details of the luminaries, icons, and leaders of our day, often with only a few short hours until deadline, New York Times obituary writers wrestle with how to elegantly and respectfully shape the story of a life. Step inside “the morgue” — a catacomb-like archive of meticulously ordered files and photographs that provide the raw material for a constant flow of high-profile obituaries. Meet the writers who toil at the juncture of past and present. While the job may seem morbid, they are ultimately reporting on life. (ReFrame Film Festival)

April 28

The Circle

The Circle

When Mae (Emma Watson) is hired to work for the world’s largest and most powerful tech & social media company, she sees it as an opportunity of a lifetime. As she rises through the ranks, she is encouraged by the company’s founder, Eamon Bailey (Tom Hanks), to engage in a groundbreaking experiment that pushes the boundaries of privacy, ethics, and ultimately her personal freedom. Her participation in the experiment, and every decision she makes, begin to affect the lives and future of her friends, family, and that of humanity.

Below Her Mouth” — Directed by April Mullen; Written by Stephanie Fabrizi

Below Her Mouth

Below Her Mouth” is a bold, uninhibited drama that begins with a passionate weekend affair between two women. Dallas (Erika Linder), a roofer, and Jasmine (Natalie Krill), a fashion editor, share a powerful and immediate connection that inevitably derails both of their lives.

Buster’s Mal Heart” — Written and Directed by Sarah Adina Smith

Buster’s Mal Heart”

An eccentric mountain man (Rami Malek, “Mr. Robot”) is haunted by a recurring dream of being lost at sea. He discovers that the dream is real and that he is, in fact, one man in two bodies. As the silent and broken man at the center of this beautiful and mysterious drama, Malek delivers a powerful and disturbing performance. (Cucalorus Film Festival)

Danger Close” (Documentary) — Co-Written by Alex Quade (Available on VOD May 16)

Freelance war reporter Alex Quade covers U.S. Special Operations Forces (Sof) on highly classified combat missions. Since 2001, she has embedded with elite Sof, including the U.S. Army Special Forces or Green Berets, Army Rangers, Navy Seals, and CIA clandestine operatives to tell their stories from the front lines. “Danger Close” follows Alex as she lives alongside these highly trained forces on some of the most daring missions ever documented in Iraq and Afghanistan.


Renee Morgan (Noomi Rapace) is a single mom, who is deathly terrified of spiders. While en route to meet up with a friend, she is violently abducted by a group of strangers. After enduring intense yet strange questioning and examinations, some about her fear of spiders, Renee soon discovers that she is now the subject of an underground experiment. Her captors explain to her that she has a genetic abnormality that can potentially allow her to “rupture” and reveal her alien nature. Renee must find a way to escape before it is too late.

“Voice from the Stone” (Also Available on VOD)

“Voice from the Stone”

Set in 1950s Tuscany, “Voice from the Stone” is the haunting and suspenseful story of Verena (Emilia Clarke), a solemn nurse drawn to aid a young boy (Edward Dring) who has fallen silent since the sudden passing of his mother.

Displacement” (Opens in La) (Also Available on VOD)

A young physics student (Courtney Hope) must find a way to reverse a deadly quantum time anomaly and solve the murder of her boyfriend (Christopher Backus) while battling short-term memory loss and time slips caused by the event.

April 2017 Film Preview was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story. »

- Kelsey Moore

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Movie Review – Free Fire (2016)

29 March 2017 6:05 AM, PDT | Flickeringmyth | See recent Flickeringmyth news »

Free Fire, 2016.

Directed by Ben Wheatley.

Starring Brie Larson, Armie Hammer, Cillian Murphy, Sharlto Copley, Babou Ceesay, Enzo Cilenti, Jack Reynor, Sam Riley, Noah Taylor and Michael Smiley.


Set in Boston in 1978, a meeting in a deserted warehouse between two gangs turns into a shootout and a game of survival.

Ben Wheatley deserves a rest. Since 2009, he’s directed six features, 14 episodes of a Johnny Vegas vehicle and two further episodes of Doctor Who. No genre can contain him, his previous, the hysterically overwrought High-Rise fell somewhere between the dystopian fantasy of A Clockwork Orange and a chic advert for a flat share. He’s dipped his toes into horror (the truly unsettling Kill List), the psychological (the psychedelic A Field in England) and social satire (Sightseers). Free Fire – a further divergent – is Wheatley’s bold, brash homage to the ashen, nihilistic gunfights of the 70s. Hair is bigger, »

- Amie Cranswick

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Win movie merchandise with Free Fire

23 March 2017 3:48 AM, PDT | | See recent HeyUGuys news »

Author: Competitions

From British filmmaker Ben Wheatley comes the all guns-blazing Free Fire – a unique and heart-pounding tale of a brokered gun deal that takes an unexpected turn. Written by Amy Jump and Ben Wheatley and produced by Andy Starke of Rook Films, Free Fire boasts an all-star cast featuring Sharlto Copley, Armie Hammer, Brie Larson, Cillian Murphy, Jack Reynor, Babou Ceesay, Enzo Cilenti, Sam Riley, Michael Smiley and Noah Taylor.

To celebrate the March 31 release of the action-packed comedy, we’re offering you the chance to win an awesome bundle including a selection of Ben Wheatley DVDs, a t-shirt, shot glass and a signed poster!

Justine (Brie Larson) has brokered a meeting in a deserted warehouse between two Irishmen (Cillian Murphy, Michael Smiley) and a gang led by Vernon (Sharlto Copley) and Ord (Armie Hammer) who are selling them a stash of guns. But when shots are fired in the handover, »

- Competitions

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Win An Awesome Free Fire Bundle

22 March 2017 7:05 AM, PDT | The Hollywood News | See recent The Hollywood News news »

Now we’re cookin’!

From British filmmaker Ben Wheatley comes the all guns-blazing Free Fire – a unique and heart-pounding tale of a brokered gun deal that takes an unexpected turn.

Written by Amy Jump and Ben Wheatley and produced by Andy Starke of Rook Films, Free Fire boasts an all-star cast featuring Sharlto Copley, Armie Hammer, Brie Larson, Cillian Murphy, Jack Reynor, Babou Ceesay, Enzo Cilenti, Sam Riley, Michael Smiley and Noah Taylor.

To celebrate the March 31 release of the action-packed comedy, we’re offering you the chance to win an awesome bundle including a selection of Ben Wheatley DVDs, a t-shirt, shot glass and a signed poster!

Funded by the BFI and Film4, with Martin Scorsese serving as executive producer, Free Fire is an original and visionary film that is set to become a talking point of 2017!


Justine (Brie Larson) has brokered a meeting in a deserted warehouse between two Irishmen (Cillian Murphy, »

- Paul Heath

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SXSW 2017 Review: Free Fire is a Bullet-Riddled Blast

20 March 2017 2:03 PM, PDT | DailyDead | See recent DailyDead news »

Ben Wheatley has been one of my favorite indie filmmakers over the last few years, with his consistently stellar and thought-provoking work on projects like Kill List, A Field in England, High-Rise, his contribution to The ABCs of Death anthology, as well as Sightseers, his dark comedy that’s one of my very favorite movies from the last five years. So from the get-go, once I heard about Free Fire, and the talent that Wheatley would be working with on his explosive actioner, I was admittedly 110% on board, sight unseen.

And, thankfully, Wheatley’s satirical send-up of society’s obsession with guns lived up to my lofty expectations (and then some), as he takes the one of the things we love most about action movies—the shootout scene—and stretches it into a hilariously violent character piece that’s as relentlessly paced as it is relentlessly funny.

Set in 1978, Free Fire »

- Heather Wixson

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Horror Highlights: The Strange Case Of The Disappearing Man, Wizard World Cleveland, Cavity Colors, Blue Underground, Apocalypse Kiss, NJ Horror Con

15 March 2017 9:51 AM, PDT | DailyDead | See recent DailyDead news »

Dark Horse's The Strange Case of the Disappearing Man comic book series tops today's Horror Highlights, which also includes Wizard World Cleveland, new releases (respectively) from Cavity Colors and Blue Underground, Apocalypse Kiss, and the New Jersey Horror Con.

The Strange Case of the Disappearing Man Comic Book Series: Press Release: "Milwaukie, Ore., (March 14, 2017)—Victorian horror fans, rejoice! Dark Horse is delighted to announce the follow-up to 2011’s cult classic The Strange Case of Mr. Hyde, with The Strange Case of the Disappearing Man. Mr. Hyde’s Cole Haddon brings fans even more Thomas Adye adventures, while Sebastián Cabrol (Thief: Tales from the City, Caliban) lends his beautiful art to the story, and Hernán Cabrera (Caliban) brings the art to life with his gorgeously grotesque color palette.

The Strange Case of the Disappearing Man finds Inspector Thomas Adye of Scotland Yard struggling to return to normalcy after his run-in with »

- Derek Anderson

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Mondo poster for Ben Wheatley’s Free Fire

14 March 2017 1:35 PM, PDT | Flickeringmyth | See recent Flickeringmyth news »

Following its U.S. premiere at SXSW, A24 has unveiled a rather splendid Mondo poster for Ben Wheatley’s upcoming action-comedy Free Fire, with artwork by Jay Shaw. Check it out here…

See Also: Read our ★★★★★ review of Free Fire here

Justine (Brie Larson) has brokered a meeting in a deserted warehouse between two Irishmen (Cillian Murphy, Michael Smiley) and a gang led by Vernon (Sharlto Copley) and Ord (Armie Hammer) who are selling them a stash of guns. But when shots are fired in the handover, a heart stopping game of survival ensues.

Free Fire is set for release on March 31st in the UK and on April 21st in the States. »

- Gary Collinson

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Free Fire Trailer Has Brie Larson and Armie Hammer Under the Gun

14 March 2017 11:15 AM, PDT | MovieWeb | See recent MovieWeb news »

Get ready to watch some good-looking, talented people shoot at one another in 70s garb because a brand new trailer for Free Fire has dropped. This sneak peek may not be incredibly long, but it should be more than enough to sell you on the idea that this going to be a lot of fun. It also doesn't hurt that Martin Scorsese is involved as a producer.

The release of this latest international trailer for Free Fire comes just as the movie made its North American debut at SXSW. This latest trailer features the same vibe we saw in the longer red band trailer, and it does a very good job of teasing some of the wacky action that takes place. The movie is being distributed by A24, who have become an incredibly reliable studio in terms of quality when it comes to indie movies. So that should give reason »

- MovieWeb

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Free Fire review

13 March 2017 12:01 PM, PDT | Den of Geek | See recent Den of Geek news »

Ben Wheatley's latest, Free Fire, stars Cillian Murphy, Brie Larson, Sharlto Copley and - of course - Michael Smiley. Here's our review...

Ben Wheatley is, for my money, one of the most interesting filmmakers to come out of the UK in the past 10 years. In what appears to be a bid to tackle as many genres as he can in his first decade directing features, Wheatley has turned his hand to action with his latest venture Free Fire.

Free Fire follows the events of an arms deal taking place in late 1970s Boston between Ira operatives and a South African gun runner. In one corner is Chris (Cillian Murphy) and Frank (regular Wheatley collaborator Michael Smiley) who are planning to take some M16 rifles back to Ireland with the assistance of paid for muscle Bernie (Enzo Cilenti) and Frank’s brother-in-law Stevo (Sam Riley). In the other corner is »

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Lock and Load in New Trailers for Ben Wheatley’s ‘Free Fire’

13 March 2017 11:24 AM, PDT | The Film Stage | See recent The Film Stage news »

It premiered last fall during Toronto International Film Festival’s Midnight Madness section, but this spring, Ben Wheatley‘s shoot-em-up Free Fire will finally unload into theaters. In between its U.S. release in mid-April, the Martin Scorsese-produced actioner hit the U.K. in March and Japan in late April, and now a pair of new trailers have arrived for both. While each are brief, the one from Japan makes it appear as wild as the latest Sion Sono feature, so consider us sold. If one wants more of a taste, a variety of posters — including the snap of a new Mondo print from Rook Films — have all debuted ahead of the film’s U.S. premiere at SXSW today.

We said in our review, “Tiff’s Colin Geddes was correct when introducing Ben Wheatley’s bottle episode of a film Free Fire with the words: “This will wake you up. »

- Leonard Pearce

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Review: Going in Both Directions—Julia Ducournau’s “Raw”

10 March 2017 11:10 AM, PST | MUBI | See recent MUBI news »

France has a rich history of horror. There’s the sadomasochistic novels of the Marquis de Sade as well as the blood and guts of Grand Guignol theatre. In cinema, the horror lineage runs deep. There’s Georges Méliès’ shorts and trick films (The Haunted Castle [1896], The Four Troublesome Heads [1898]); the eye-slicing of Salvador Dalí and Luis Buñuel’s Un chien andalou (1929); Georges Franju’s nauseating documentary on slaughterhouses, Blood of the Beasts (1949), as well as his clinical and poetic Eyes Without a Face (1960); there’s Henri-Georges Clouzot’s nasty Diabolique (1955); and the rotting poetry of Jean Rollin’s collective work. Flash forward a few decades, to the mid-1990s and 2000s, where we find the intense and brutal "New French Extremity" films by Philippe Grandrieux, Bruno Dumont, Gaspar Noé, Marina de Van, and others. And there are the genre filmmakers creating work around the same time as the more »

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