| Rod Taylor | ... | Curry | |
| Yvette Mimieux | ... | Claire | |
| Peter Carsten | ... | Henlein | |
| Jim Brown | ... | Ruffo | |
| Kenneth More | ... | Doctor Wreid | |
| André Morell | ... | Bussier | |
| Olivier Despax | ... | Surrier | |
| Guy Deghy | ... | Delage | |
| Bloke Modisane | ... | Kataki | |
| Calvin Lockhart | ... | Ubi | |
| Alan Gifford | ... | Jansen | |
| David Bauer | ... | Adams | |
| Murray Kash | ... | Cochrane | |
| John Serret | ... | Father Dominic | |
| Danny Daniels | ... | General Moses | |
| rest of cast listed alphabetically: | |||
| Alex Gradussov | ... | Belgian Refugee (uncredited) | |
| Paul Jantzen | ... | Capt. Hansen (uncredited) | |
| David Lomas | ... | Pilot (voice) (uncredited) | |
| Monique Lucas | ... | Mme. Bussier (uncredited) | |
| Emery J. Ujvari | ... | Functionary (uncredited) | |
Directed by | |||
| Jack Cardiff | |||
Writing credits | ||
| Ranald MacDougall | (screenplay) (as Quentin Werty) and | |
| Adrian Spies | (screenplay) | |
| Wilbur Smith | (novel "The Dark of the Sun") (as Wilbur A. Smith) | |
Produced by | |||
| George Englund | .... | producer | |
Original Music by | |||
| Jacques Loussier | |||
Cinematography by | |||
| Edward Scaife | (director of photography) | ||
| Jack Cardiff | (uncredited) | ||
Film Editing by | |||
| Ernest Walter | |||
Casting by | |||
| Irene Howard | (uncredited) | ||
Art Direction by | |||
| Elliot Scott | |||
Production Management | |||
| John Palmer | .... | production supervisor | |
| Douglas Twiddy | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ted Sturgis | .... | assistant director | |
Art Department | |||
| Reg Bream | .... | chief draughtsman (uncredited) | |
Sound Department | |||
| Roy Baker | .... | sound editor | |
| J.B. Smith | .... | dubbing mixer | |
| Gerry Turner | .... | sound recordist | |
| A.W. Watkins | .... | recording supervisor | |
Special Effects by | |||
| Cliff Richardson | .... | special effects | |
Stunts | |||
| Gerry Crampton | .... | stunts (uncredited) | |
| Louie Elias | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Alan McCabe | .... | camera operator | |
Music Department | |||
| Jacques Loussier | .... | conductor | |
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| King Solomon's Mines | Sahara | Dreamcatcher | Gone with the Wind | Something of Value |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb War section | IMDb UK section |
This is an excellent film and definitely one of Rod Taylor's best performances. Taylor is Curry, a mercenary commander in the Congo, during the Katanga secession. Jim Brown is his friend and number two, a US educated Congolese. Taylor plays Curry as a true mercenary of the period: ruthless, greedy, loyal to his comrades, and distrustful of his rivals and employers.
The film mixes two different periods of the civil wars in the Congo; the Katanga secession in 1960 and the Simba revolt in 1964. The original book is set squarely during the Katanga period and involves the Baluba war, not the Simba's. However both periods were exemplified by brutality on all sides. The film accurately portrays the enmity between the Katanga forces and the UN troops sent to intervene. It also accurately depicts the Belgian interests in Katanga.
Much like the train the mercenaries ride, the film starts out slow and builds up steam along the route. By the end, it's a runaway that comes crashing to its end. This is war and humanity at its worst, make no mistake. The closest I can come to finding a "good guy" is Jim Brown, the soldier who wants his country to be free and have its place in the modern world.
The Nazi character was based on an actual German mercenary in the Congo, Siegfried Mueller. Mueller was noted for wearing the Iron Cross, which he earned in the Second World War, on his uniform. The film makers changed it to a swastika for greater effect (I presume). There is a slight problem with the continuity of this character, as part way through the film, his voice is obviously dubbed by another actor. Presumably, this was due to sound problems and the unavailability of the actor to loop his lines (It sounds like Paul Frees).
All-in-all this is a great film; vastly superior to others of the genre, such as The Wild Geese and The Dogs of War. Just remember, war more often brings out the worst in humanity, rather than the best.