An elderly heiress is killed by her husband who wants control of her fortunes. What ensues is an all-out murder spree as relatives and friends attempt to reduce the inheritance playing ... See full summary »
A young man, Peter, returns to Austria in search of his heritage. There he visits the castle of an ancestor, a sadistic Baron who was cursed to a violent death by a witch whom the Baron had... See full summary »
A vengeful witch and her fiendish servant return from the grave and begin a bloody campaign to possess the body of the witch's beautiful look-alike descendant. Only the girl's brother and a handsome doctor stand in her way.
John and Tina meet in a park one day. They immediately hit it off, go out on a date later that evening. The late that night, Tina's returns to her apartment with her expensive new dress ... See full summary »
In psychedelic swinging 60s style, the dreaded thief (and killer) Diabolik wreaks havoc on a generic European country for his own financial gain and amusement. He shares an extravagant underground lair (and a giant bed of money) with his curvaceous, superficial girlfriend...who uses her awesome powers of wig-wearing to help Diabolik kill innocent people and steal billions from the government. Nonetheless, Diabolik is the "hero" of the film because he must face off against bumbling cops and revenge-seeking mafiosos. Written by
Michael "Rabbit" Hutchison <email@example.com>
According to John Phillip Law, the first choice for the role of Ava Kent was an unknown model from New York, who was a friend of Charlie Bluhdorn, the CEO of Gulf & Western, the conglomerate that owned Paramount Pictures (which had contracted to distribute the film in the US). Second choice was Catherine Deneuve, who lasted for about a week, until director Mario Bava decided she just was not right for the part. He finally found the perfect Ava Kent in Marisa Mell. See more »
After the emerald heist, as Diabolik is pulling the "mirror" across the road, he is wearing no mask as he begins, then it cuts to a shot with his mask on, then he is mask-less once again as he finishes pulling. See more »
What's the matter with you people? Doesn't anyone enjoy a good, fun, cheesy Italian spy flick anymore? These are the same people who don't like Godzilla films because they can't get over the low-budget special effect and the "silliness", and who can't tolerate anything different than mega-budget hollywood blockbusters, and that just breaks my heart. I kind of enjoyed seeing it on MST3K, but I was dissappointed that they included it in the same league as the truly awful (but no les enjoyable) Hobgoblins and Space Mutiny. This is one of the great 60s films as far as i'm concerned. What really sets the films apart is stylish cinematography and direction by the great, sadly underappreciated Mario Bava, also responsible for great films like Black Sabbath, Planet of the Vampires, Bay of Blood, Lisa and the Devil, and the gritty, cynical Rabid Dogs, which was a real surprise after Diabolik. (Even if you hated Diabolik, you owe it to yourself to track down a copy of Rabid Dogs). Also noteworthy is the psychedelica-tinged score by the great Ennio Morricone, my favorite film composer.
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