| Photos (See all 22 | slideshow) |
| Laurence Harvey | ... | Eberlin | |
| Tom Courtenay | ... | Gatiss | |
| Mia Farrow | ... | Caroline | |
| Harry Andrews | ... | Fraser | |
| Peter Cook | ... | Prentiss | |
| Lionel Stander | ... | Sobakevich | |
| Per Oscarsson | ... | Pavel | |
| Barbara Murray | ... | Miss Vogler | |
| John Bird | ... | Henderson | |
| Norman Bird | ... | Copperfield | |
| Geoffrey Bayldon | ... | Lake | |
| Calvin Lockhart | ... | Brogue | |
| James Cossins | ... | Heston-Stevas | |
| Michael Trubshawe | ... | Flowers | |
| Lockwood West | ... | Quince | |
| Geoffrey Lumsden | ... | Ridley | |
| Elspeth March | ... | Lady Hetherington | |
| Richard O'Sullivan | ... | Nevil | |
| Mike Pratt | ... | Greff | |
| Monika Dietrich | ... | Hedwig | |
| George Murcell | ... | Sgt Harris | |
| Vernon Dobtcheff | ... | Stein | |
| Stefan Gryff | ... | Russian | |
| rest of cast listed alphabetically: | |||
| Geoffrey Denton | ... | Pond (uncredited) | |
| John Hamill | ... | (uncredited) | |
| Arthur Hewlett | ... | Moon (uncredited) | |
| James Payne | ... | Taxi Driver (uncredited) | |
| Paulene Stone | ... | Red Bird (uncredited) | |
| Rosa von Praunheim | ... | (uncredited) | |
Directed by | |||
| Anthony Mann | |||
| Laurence Harvey | (finished film after Mann died) (uncredited) | ||
Writing credits(in alphabetical order) | ||
| Derek Marlowe | novel (as Derek Marlow) | |
Produced by | |||
| Leslie Gilliat | .... | associate producer | |
| Anthony Mann | .... | producer | |
Original Music by | |||
| Quincy Jones | |||
Cinematography by | |||
| Christopher Challis | |||
| Austin Dempster | |||
Film Editing by | |||
| Thelma Connell | |||
Casting by | |||
| Maude Spector | |||
Art Direction by | |||
| Carmen Dillon | |||
| Patrick McLoughlin | |||
Costume Design by | |||
| Pierre Cardin | |||
Makeup Department | |||
| Jill Carpenter | .... | makeup artist | |
Production Management | |||
| Harold Buck | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jimmy Komisarjevsky | .... | assistant director | |
Sound Department | |||
| Peter Davies | .... | sound | |
| Chris Greenham | .... | dubbing sound | |
| Gerry Humphreys | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Roy Larner | .... | gaffer | |
Costume and Wardrobe Department | |||
| Betty Adamson | .... | wardrobe | |
Music Department | |||
| Jack Hayes | .... | orchestrator | |
| Quincy Jones | .... | conductor | |
| Leo Shuken | .... | orchestrator | |
Other crew | |||
| Ronnie Le Drew | .... | puppeteer | |
| Elaine Schreyeck | .... | script supervisor (uncredited) | |
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| On Her Majesty's Secret Service | From Russia with Love | The Quiet American | GoldenEye | Ice Station Zebra |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
Dour spy film full of ambiance and interesting scenes, filmed on location in London and Berlin, in color, with an interesting story about a Russian spy who has been infiltrated into the British spying agency for eighteen years and wants to go back home. The twist is that he's done such a good job for the Russians, that the British want him killed. The added twist is that we're led to believe that they (the British) don't know about him (his true identity), and send him to Berlin to kill the Russian mole (himself). Who better to play the part than the intense Laurence Harvey? Combine him with Per Oscarsson as his Russian contact, the two of them both homesick and tired of the existential life of a spy, and both doomed, and you get a pretty brooding picture. Harvey's romance with Mia Farrow doesn't add much, but attempts to put him in some kind of human warmth out of the cold and danger of the spy world. If the film is pretentious, it's because of the Cold War world of espionage that it seeks to portray, Sartre existentialism with touches of Kafka, as well as swinging 60's jet set James Bond scenes, such as a great scene at the German Grand Prix, featuring Tom Courtenay with a rifle disguised as a cane, and the sophisticated and elegant opening theme written by Quincy Jones.