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Dirty Heroes (1967)
"Dalle Ardenne all'inferno" (original title)

 -  Drama | War  -  1967 (Italy)
4.7
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Ratings: 4.7/10 from 118 users  
Reviews: 6 user | 2 critic

Holland. Spring 1945. Two armies face each other in the final confrontation of World War II. On the one hand are the powerful forces of the Allies, on the other, all that remains of the ... See full summary »

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Cast

Credited cast:
Frederick Stafford ...
Joe Mortimer, Sesame
...
Kristina von Keist
...
Capt. O'Connor
...
Gen. Edwin von Keist
...
Sgt Rudolph Petrowsky
Helmuth Schneider ...
SS Gen. Hassler
Howard Ross ...
Randall
Fajda Nicol ...
Magda (as Faida Nichols)
...
American Colonel (as Anthony M. Dawson)
Jacques Monod ...
Partisan
...
Luc Rollman
Rest of cast listed alphabetically:
John Bartha ...
Hassler's Subordinate
Valentino Macchi
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Storyline

Holland. Spring 1945. Two armies face each other in the final confrontation of World War II. On the one hand are the powerful forces of the Allies, on the other, all that remains of the Third Reich. The scene is set for the Battle of the Ardennes. Written by Leigh Thomas

Plot Summary | Add Synopsis

Taglines:

They Hit With All They've Got...For All They Can Get!!! See more »

Genres:

Drama | War

Certificate:

G | See all certifications »
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Details

Country:

| |

Language:

Release Date:

1967 (Italy)  »

Also Known As:

Dirty Heroes  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

First "macaroni combat" movie (Italian WW2 flicks), in the wake of The Dirty Dozen (1967)'s success, done in Italy. The Battle of El Alamein (1969) and Eagles Over London (1969) ("multo superiore" by director Enzo G. Castellari) followed, also with Frederick Stafford. See more »

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User Reviews

 
THE DIRTY HEROES (Alberto De Martino, 1967) **1/2
21 November 2007 | by (Naxxar, Malta) – See all my reviews

Possibly the best that I've watched of the "Euro-Cult" variations on Hollywood's war-themed spectaculars of the 1960s (ditto with respect to the films of director De Martino); that said, its overall quality is only comparable to second-tier legitimate efforts like, say, THE DEVIL'S BRIGADE (1968) or KELLY'S HEROES (1970)!

I've watched a few of these during the past year and they mostly emerged to be competent and enjoyable, but also instantly forgettable; being usually co-productions between various European countries, they still managed to attract a number of international stars. In this case, the hero is played by American Frederick Stafford (who later made BATTLE OF EL ALAMEIN [1969] and EAGLES OVER London [1969]). Interestingly, the film co-stars four James Bond alumni in leading lady Daniela Bianchi (FROM Russia, WITH LOVE [1963]), Curd Jurgens (THE SPY WHO LOVED ME [1977]), Adolfo Celi (THUNDERBALL [1965]) and Anthony Dawson (DR. NO [1962]); also on hand are Howard Ross, Michel Constantine, John Ireland and, most impressively perhaps, Helmuth Schneider as a nasty SS officer.

What's unusual about this particular title is that it throws in an elaborate diamond caper (with access to the vault gained from under water) amidst the usual Nazis-vs.-Partisans action. Of course, to complicate matters further is the budding romance between Stafford and Bianchi (she's a Jew married to high-ranking German officer Jurgens!) and, besides, virtually all those involved have their own agenda as to what to do with the loot! The action sequences are no less sweeping than those of the typical Hollywood outing, particularly during the (rather protracted) climax – this is then followed by a clumsy attempt to tie up its many loose ends, thus making the whole even more overlong! As a matter of fact, in hindsight it seems that the film doesn't know whether it wants to be a straightforward war actioner, a tongue-in-cheek caper adventure or something a lot more solemn altogether, but at least it does have its moments in each of these facets.

Incidentally, this was one of the few times where composers Ennio Morricone and Bruno Nicolai shared credit for a film score (which is alternately stirring and melancholy); usually, the latter either composed alone or conducted the former's themes.


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