An American drifter becomes involved in a deadly family dispute. A powerful Mexican rancher orders the killing of his daughter's boyfriend. Jones earns the wrath of the father when he finds the body and buries it.
In order to avenge a friend and to fulfill his last wish, Rocco has to find out what happened to an army corps that has mysteriously disappeared. He therefore puts on the disguise of a ... See full summary »
Clint Harrison is a gunslinger that has been running from vengeful foes for years. He returns to the town he abandoned years earlier to find that his family has moved away to get away from ... See full synopsis »
As a long time fan of Eurowesterns, I'm inclined to find something of value in even the most pathetic of efforts. THREE SILVER DOLLARS, though, took me two sittings to get through. It's an average film at best, with very little to recommend it except to the die-hard SW fan. Charles Southwood stars as Alan, one of his first roles, and it's easy to see why he was chosen as the lead; he's handsome in a traditional movie way, blonde, even features, a touch of charisma. He looks like a slighter Richard Harrison, and should have been better as a star of westerns; perhaps he just wasn't that interested in a film career. Julian Mateos is okay as Hondo, a Mexican cell mate of Alan's who wants to team up with him on his search for the gold, the three bucks in the title being the key to the treasure. There is an okay theme song which is used again and again, and Mirko Ellis rants and raves as the villain, the mysterious El Condor. The dubbing is particularly bad on this one, as the love interest, a half-Mexican girl, sounds like a street-wise film noir broad. Also, incredibly, the line "What's a girl like you doing in a place like this?" is used seriously. I guess it's a sign of a bad movie when the best thing about it is the silver dollar props they used. Southwood is seen to much better effect in SARTANA'S HERE; TRADE YOUR PISTOL FOR A COFFIN, teamed up with George Hilton.
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