| Helli Louise | ... | Katja (as Helle Louise) | |
| Gio Petré | ... | Svea Karlson | |
| Ole Wisborg | ... | Eric Holmquist | |
| Lise Henningsen | ... | Lena Belli | |
| Søren Strømberg | ... | Lars | |
| Lise Thomsen | ... | Eva | |
| Tove Maës | ... | Segrid Sten | |
| Kyo Feza | ... | Lise Norbert | |
| Inger Gleerup | ... | Marie | |
| Jeanette Swensson | ... | Tanja (as Jeannette Swenson) |
Directed by | |||
| Joseph W. Sarno | |||
Writing credits(in alphabetical order) | ||
| Joseph W. Sarno | ||
Produced by | |||
| Kenn Collins | .... | producer | |
Original Music by | |||
| Tony Hazzard | |||
Cinematography by | |||
| Mikael Salomon | |||
Film Editing by | |||
| Renée Lichtig | (as René Lichtig) | ||
Makeup Department | |||
| Else Hennings | .... | makeup artist | |
Production Management | |||
| Palle Schnedler-Sørensen | .... | production manager (as Palle Schnedler) | |
Art Department | |||
| Togo Esben | .... | set designer | |
Sound Department | |||
| Paul Boistelle | .... | sound | |
Costume and Wardrobe Department | |||
| Peggy Steffans | .... | wardrobe (as Peggy Stephans) | |
Music Department | |||
| Tony Hazzard | .... | conductor | |
Other crew | |||
| Hal Brav | .... | dialogue director | |
| Susanne Bruhn | .... | script supervisor (as Suzanne Bruhn) | |
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| Suburban Secrets | Anything for Money | Passion in Hot Hollows | Pretty Persuasion | Freeway |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Denmark section |
At first, Sarno's detached, ironic melodramatic style, which so perfectly fit his exposés of early 60s suburbia, may seem to be sappy and anachronistic in the more free-wheeling late 60s milieu of his Swedish period -- the bland pop music and candy colored photography replacing the expressive jazz and stark b&w of his earlier period. Nonetheless, he was still a master of gradually building psychological tensions to explosive (and often very nasty) climaxes, as is the case here. Thankfully, he resorts to his patented driving bongo music and artful chiaroscuro lighting during the two key erotic/dramatic scenes in this one, undercutting the softness of the earlier sequences. Stick with it and you will be impressed.