IMDb > Daddy, Darling (1970)

Daddy, Darling (1970) More at IMDbPro »

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Release Date:
November 1970 (USA) See more »
Sooner or later...every father must face the day his "little girl" becomes a woman... See more »
A young Danish girl (Helli Louise) seduces everything in sight after daddy (Ole Wisborg) refuses her naughty come-ons... See more » | Add synopsis »
User Reviews:
dated but daring See more (6 total) »


  (in credits order)
Helli Louise ... Katja (as Helle Louise)
Gio Petré ... Svea Karlson
Ole Wisborg ... Eric Holmquist
Lise Henningsen ... Lena Belli
Søren Strømberg ... Lars
Lise Thomsen ... Eva
Tove Maës ... Segrid Sten
Kyo Feza ... Lise Norbert
Inger Gleerup ... Marie
Jeanette Swensson ... Tanja (as Jeannette Swenson)

Directed by
Joseph W. Sarno 
Writing credits
(in alphabetical order)
Joseph W. Sarno 

Produced by
Kenn Collins .... producer
Original Music by
Tony Hazzard 
Cinematography by
Mikael Salomon 
Film Editing by
Renée Lichtig  (as René Lichtig)
Makeup Department
Else Hennings .... makeup artist
Production Management
Palle Schnedler-Sørensen .... production manager (as Palle Schnedler)
Art Department
Togo Esben .... set designer
Sound Department
Paul Boistelle .... sound
Costume and Wardrobe Department
Peggy Steffans .... wardrobe (as Peggy Stephans)
Music Department
Tony Hazzard .... conductor
Other crew
Hal Brav .... dialogue director
Susanne Bruhn .... script supervisor (as Suzanne Bruhn)

Production CompaniesDistributors

Additional Details

Also Known As:
83 min | USA:95 min
Color (Eastmancolor)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Australia:R | USA:X (self applied)
Filming Locations:

Did You Know?

The film was rejected for cinema in the UK in November of 1970 by the British Board of Film Classification, but passed uncut 3 years later.See more »
Movie Connections:
Hello WorldSee more »


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6 out of 11 people found the following review useful.
dated but daring, 6 January 2004
Author: goblinhairedguy from Montreal

At first, Sarno's detached, ironic melodramatic style, which so perfectly fit his exposés of early 60s suburbia, may seem to be sappy and anachronistic in the more free-wheeling late 60s milieu of his Swedish period -- the bland pop music and candy colored photography replacing the expressive jazz and stark b&w of his earlier period. Nonetheless, he was still a master of gradually building psychological tensions to explosive (and often very nasty) climaxes, as is the case here. Thankfully, he resorts to his patented driving bongo music and artful chiaroscuro lighting during the two key erotic/dramatic scenes in this one, undercutting the softness of the earlier sequences. Stick with it and you will be impressed.

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