Dr. Karl Sternau, the personal physician of the count Bismarck, who spent much of his youth in Mexico, is sent back to that country during the occupation by French troops in the service of ... See full summary »
When some men are attacked by Indians, a survivor obtains an Indian medicine arrow. An Indian tells Blade he has found gold but will not tell him where until he has that arrow. So Blade ... See full summary »
In 1868, after the Civil War, Custer takes charge of a mix of ex-Confederates and criminals, the 7th Cavalry Regiment at Fort Hays, Kansas. His boss General Terry doesn't like his methods ... See full summary »
Robert F. Simon
Sgt. O'Farrell an Army soldier on an island in the South Pacific during World War II is trying to bring the two basics of life to his fellow servicemen, women and beer. The supply ship ... See full summary »
Mexico, 1864. The country is divided by the struggle against the French occupation and emperor Maximilian. The German doctor Karl Sternau and his friend Andreas Hasenpfeffer come to love ... See full summary »
The story of U.S. Army commander George Armstrong Custer, a flamboyant hero of the Civil War who later fought and was exterminated with his entire command by warring Sioux and Cheyenne tribes at the battle of Little Big Horn in 1876. Written by
Jim Beaver <email@example.com>
While this film was still in production, Philip Yordan and his company (Security Pictures) had production designer and special effects expert Eugène Lourié design and shoot special effects footage for Krakatoa: East of Java (1969) even though there was no script. This footage would also be shot in large format for Cinerama presentation. Those who were shown the early footage began ignoring this film and asking when "Krakatoa" would be ready. See more »
The troops of the 7th Cavalry are shown with 1873 Winchester rifles, which were in wide use by 1876, but not by the US Army. Custer's men were armed, as all troopers who did not purchase their own rifles were, with the 1873 Springfield Trapdoor carbine, a single-shot weapon. Had Custer's men been armed with the Winchester, it is possible, though unlikely, that they could have held out until relieved. See more »
Gen. George Armstrong Custer:
I'll make it very simple for you. The fact that we seem to be pushing you clear off the earth is not my responsibility. The problem is precisely the same as when you Cheyenne decided to take another tribe's hunting ground. You didn't ask them about their rights. You didn't care if they had been there a thousand years. You just had more men and more horses. You destroyed them in battle. You took what you wanted, and right or wrong, for better or worse, that is the way things seem to get done. ...
[...] See more »
Music by Bernardo Segall
Lyrics by Will Holt See more »
Robert Siodmak's account of George Armstrong Custer has been all too readily dismissed as a self important, would-be epic hampered by the miscasting of Robert Shaw in the title role. In fact it is quite an interesting film that gives dimension this notorious historical figure. Shaw's English accent makes him essentially unsuitable for the role of the golden haired, arrogant soldier, but he turns in a typically sound performance that gives the film a solid centre. The script doesn't settle for the clichés of Custer as a brutal Indian hater nor the ridiculous Errol Flynn archetypes, but something in-between. Here Custer is portrayed as a reckless glory hunter and an obsessive fighter certainly, but also as a man who clung to his honour as a soldier. In any case he was an important instrument of the US government's policy of driving the Indians out of their lands to make way for the settlers. "You are paying the price for being backward", Custer explains to an Indian Chief. Robert Ryan's cameo as Mulligan defines Custer's attitude towards humanity while the scene where Custer is asked to endorse an armoured train affirms his honourable notions of a soldier's ideals. Bernado Seagall's music score is superb, performances, particularly Mary Ure as Custer's wife are excellent and there are several memorable scenes that put the events and the man into a wider historical context. Director Siodmak makes good use of wide screen photography, and the Battle of the Little Big Horn makes a poignant finale. The film may be slowly paced, yet it never bores and presents on the whole the film presents a worthy portrait of this infamous historical figure.
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