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Custer of the West (1967)

G  |   |  Biography, Drama, History  |  24 January 1968 (USA)
5.7
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Ratings: 5.7/10 from 815 users  
Reviews: 31 user | 8 critic

George Armstrong Custer's love of the heroic traditions of the Calvary and his distaste with the coming of industrialization leads him to his destiny at the Little Big Horn.

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
The gold miner
Kieron Moore ...
Chief Dull Knife
Charles Stalmaker ...
Lt. Howells (as Charles Stalnaker)
Robert Hall ...
Sgt. Buckley
Jack Gaskins
Jack Taylor
John Clark
...
(as Fred Kohler)
Bill Christmas
Luis Rivera
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Storyline

The story of U.S. Army commander George Armstrong Custer, a flamboyant hero of the Civil War who later fought and was exterminated with his entire command by warring Sioux and Cheyenne tribes at the battle of Little Big Horn in 1876. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

Only CINERAMA could take you on a journey so vast - and tell a story so spectacular! See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

| | |

Language:

Release Date:

24 January 1968 (USA)  »

Also Known As:

Custer  »

Filming Locations:

 »

Box Office

Budget:

$4,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints) (Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
See  »
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Did You Know?

Trivia

Fred Zinneman spent a long time preparing "Custer of the West" but left the project. British director Lindsay Anderson was asked to direct before Robert Siodmak was assigned to it. See more »

Goofs

During the Indian raid of the town Fourth of July celebration, we see the attackers swarm into the saloon, where there's a plain wooden wall centered behind the bar. A moment later, a large mirror appears on that same plain wall and falls on an Indian, revealing the scene we just saw a few seconds earlier, which just tells us that the shots were edited out of sequence. See more »

Quotes

Capt. Benteen: [riding through the Cheyenne village] Look at them, sir. They've got no fight left in them. We took the whole Cheyenne Nation with 265 men.
Gen. George Armstrong Custer: Pizarro conquered Peru with 167.
See more »

Soundtracks

FOLLOW CUSTER
Music by Bernardo Segall
Lyrics by Robert Shaw
See more »

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User Reviews

 
Little Big Film
23 July 2010 | by (Australia) – See all my reviews

Robert Shaw plays the inimitable General George Custer, portraying him here as a statesman, a man of integrity, humility and at times, sympathy. His respect for Chief Dull Knife (Moore) is evident in the manner in which he addresses his foe, but the depth of his jingoist patriotism is equally apparent as he almost laments "you are a militarily defeated people". He does this again, rebuking Robert Ryan's desperate bid for clemency after he's sentenced to death for desertion. "I've got to have new facts" he pleads. Of course Ryan has no rebuttal. Shaw delivers a complex characterisation, one that opens further each time you watch.

The accent employed by Shaw is sometimes distracting, but it's not the liability some complain. Supporting performances are played with conviction, particularly Ty Hardin as the boozing Major, who finds Custer's work ethic an unwelcome interruption to his inertia, and Jeffrey Hunter as an Injun-sympathiser, the teacher drafted into the cavalry, looking for some semblance of moral justice amid the chaos. Needless to say, he resigns to futility, as does Custer in his final stand at Little Big Horn.

Perhaps the most revealing character trait chosen by Shaw in this interpretation, is his tendency to seek advice from his wife (Ure). Often absorbed by immense self doubt and political pressure, Ure is his constant sounding board. While this edge gives Shaw's Custer an interesting new dimension to an otherwise wholly glorified character in the movies to this point, it does largely waste Ure's talents as she rocks, knits and conjures pearls of wisdom for her conflicted husband to ponder. More liberty (e.g. removing the superfluous congress speech, the log-ride scene or the bizarre musical) with the guillotine could have cut 20-30 minutes off this epic tale, which is often paralysed by lengthy passages of dialogue and irrelevant plot diversions. Overall, while it certainly improves with each viewing, it's perhaps irrevocably flawed and overlong.


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