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Run, Man, Run (1968)
"Corri uomo corri" (original title)

7.0
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Ratings: 7.0/10 from 1,006 users  
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Several competing groups and mavericks (including the lead character Cuchillo) are hunting a gold treasure of $3,000,000. The gold was reserved for the Mexican revolution.

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Cast

Cast overview, first billed only:
...
Donald O'Brien ...
Nathaniel Cassidy (as Donal O'Brien)
...
Santillana
...
Penny Bannington
Marco Guglielmi ...
Colonel Michel Sévigny
José Torres ...
Ramirez
Luciano Rossi ...
Jean-Paul (as Edward Ross)
Nello Pazzafini ...
Riza
Gianni Rizzo ...
The Mayor
Dante Maggio ...
Mateos Gonzalez (as Dan May)
Umberto Di Grazia ...
José
Noé Murayama ...
Pablo
Attilio Dottesio ...
Manuel Etchevaria
...
Raul
Federico Boido ...
Steve Wilkins
Edit

Storyline

Several competing groups and mavericks (including the lead character Cuchillo) are hunting a gold treasure of $3,000,000. The gold was reserved for the Mexican revolution.

Plot Summary | Add Synopsis


Certificate:

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Details

Country:

|

Language:

|

Release Date:

29 August 1968 (Italy)  »

Also Known As:

Big Gundown 2: Run, Man, Run  »

Company Credits

Production Co:

,  »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Director Sergio Sollima said on the DVD extras of the movie that it was in fact Ennio Morricone that scored the music for the film. Sergio Sollima said Morricone's conductor Bruno Nicolai got the credit probably because Morricone was tied up at another studio at the time and didn't want any trouble. See more »

Connections

Follows The Big Gundown (1966) See more »

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User Reviews

 
Hands off my slice.
21 April 2008 | by (the Mad Hatter's tea party.) – See all my reviews

Hitting hard is the idealistic tone and free-flowing spirit that engraves itself in director Sergio Sollima's sprawling spaghetti western (a semi-sequel to "The Big Gundown (1966)") starring Tomas Milan as the simple, but lethal knife slinging protagonist Cuchillo. While the material is heavy on the comic banter and physical mishaps, it never loses balance of the strenuously meaningful political side of the story, as Sollima agreeably pulls it off. There's bounce, and zippy energy as it moves along quickly enough, despite its lengthy story and open-ended conclusion for another expansive adventure to begin. Rich varieties of characters (maybe too many) come and go with a lot of minor stories branching of the central premise. This leaves the story feeling loose. So pretty much something is always happening, but the resolutions and overall intentions come off cloudy in this largely chatty script. There's a lot of running, but just as much talking. Sollima skilfully directs with bold compositions and controlled precision in his grand set-pieces. His camera-work imagery and widescreen placement is professionally executed, and imaginatively snappy. The rough and scorching desolate backdrop never looked so sumptuously rich. Adding to the drama was Bruno Nicolai and Ennio Morricone's downright superb alarmingly scheming and melodic score. The performances are truly wonderful. Milan's ferret manner always amused, and Donal O'Brien brings out an intriguing performance. The passionate performances came from two fiery ladies; Linda Veras and Chelo Alonso. They were great! John Ireland has a small, but potently hearty and flavorful role as Mexican revolutionary General Santillana. Quite a fun and well-made spaghetti western, but it does take quite a lot out of you.


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