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Coogan's Bluff (1968)

6.5
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Ratings: 6.5/10 from 10,082 users  
Reviews: 82 user | 23 critic

An Arizona deputy goes to New York City to escort a fugitive back into custody.

Director:

(as Donald Siegel)

Writers:

(screenplay), (screenplay), 2 more credits »
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Title: Coogan's Bluff (1968)

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Edit

Cast

Cast overview, first billed only:
...
...
...
Julie Roth
Tisha Sterling ...
...
James Ringerman
Betty Field ...
Ellen Ringerman
Tom Tully ...
Melodie Johnson ...
Millie
James Edwards ...
Sgt. Jackson
...
Running Bear
...
Pushie (as David F. Doyle)
...
Taxi Driver
Meg Myles ...
Big Red
Marjorie Bennett ...
Mrs. Fowler
...
Young Hood
Edit

Storyline

Coogan, an Arizona cop, is sent to New York to collect a prisoner. Everyone in New York assumes Coogan is from Texas, much to his annoyance. To add to Coogan's problems the prisoner isn't ready, so he decides to cut a few corners. In the process the prisoner escapes, and Coogan is ordered home. Too proud to return home empty handed, Coogan sets out into the big city to recapture his prisoner. Written by Rob Hartill

Plot Summary | Plot Synopsis

Taglines:

A Prisoner On the Loose, A Cop Over the Edge. This Town Ain't Big Enough for the Both of Them. See more »

Genres:

Action | Thriller

Certificate:

Approved | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

Release Date:

2 October 1968 (USA)  »

Also Known As:

Coogans bluff  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor) (uncredited)

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

Coogan's Bluff in New York City is the name of a large cliff extending northward from 155th Street in Manhattan. It once was the site of the fabled Polo Grounds, home of the New York baseball Giants, and the first home of the New York Mets before the Polo Grounds were demolished in 1964. See more »

Goofs

Near the start of the film, when Coogan first meets Julie he has a cigarette held firmly in his mouth. In the next shot, the cigarette disappears. See more »

Quotes

Taxi driver: That's $2.95, including the luggage.
Coogan: Tell me, how may stores are there named Bloomingdales in this town?
Taxi driver: One, why?
Coogan: We passed it twice.
Taxi driver: It's still $2.95, including the luggage.
Coogan: Yeah, well there's $3.00, including the tip.
See more »

Connections

Features Tarantula (1955) See more »

Soundtracks

Everybody
Lyrics by Wally Holmes
Music by Lalo Schifrin
Sung by The Pigeon-Toed Orange Peels
See more »

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User Reviews

A film highly recommended, essential for the followers of Eastwood.
8 February 2010 | by (Spain) – See all my reviews

At New York reaches "Walt Coogan" (Clint Eastwood), a sheriff of Arizona who pursues a dangerous murderer who has escaped his jurisdiction. "Coogan" used to using methods of his own a cowboy not of a policeman, collides with the methods used by agents of the big city. We are facing a urban western.

This film marks a turning point in the race of Clint Eastwood to put in contact, for the first time, with Don Siegel, Here Eastwood starts to perform his figure of gallant, interpreting perfectly the role of seductive whenever the occasion required to achieve his ends other than the kind of character that starred in films of Sergio Leone.

It is one of the most important moments in the life of a giant of cinema, Clint Eastwood. The meeting between the Eastwood and Don Siegel mark a before and after the artistic career of Clint Eastwood, both as an actor as in his subsequent race director. They shared a large amount of hobbies and passions. Among them their love for the film from director Sergio Leone, which Siegel had enjoyed through the screen and Eastwood had starred with great success. Perhaps that is why the film is a work of transition It has a delicious soundtrack for the maestro Lalo Schifrin that help at any time the narrative rhythm of the tape. We should also emphasize the good work as secondary to Lee J. Cobb giving life to the serious and quiet "lieutenant McElroy", and Susan Clark. It is not the best film of the five that both agreed but if served to the beginning of a great time to develop during the 1970 with "Harry the dirty" as a success and with the police cinema in the height of its history.


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