Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Coogan, an Arizona cop, is sent to New York to collect a prisoner. Everyone in New York assumes Coogan is from Texas, much to his annoyance. To add to Coogan's problems the prisoner isn't ready, so he decides to cut a few corners. In the process the prisoner escapes, and Coogan is ordered home. Too proud to return home empty handed, Coogan sets out into the big city to recapture his prisoner. Written by
In the final chase, Coogan (Clint Eastwood) rides a 650cc Triumph TR6 motorcycle whilst Ringerman (Don Stroud) rides the 500cc Triumph T100 R Daytona upon which he appears with Linny (Tisha Sterling) in the picture displayed in Ringerman's mother's flat. See more »
During the motorcycle chase, when Coogan follows Ringerman's motorcycle up two short flights of stone steps in the park, the stunt rider for Clint Eastwood clearly badly clips the stone wall with the right handlebar and loses control as he tries to make the right turn off the top flight. The film cuts to another shot before what would have been the inevitable crash. See more »
[while holding a broken bottle in Wonderful Digby's face]
All right now, I don't like violence, Mr. Wonderful whatever your name is. You better drop that blade, or you won't believe what happens next, even while it's happening.
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With less violence and the addition of a comical bent, "Coogan's Bluff" became the inspiration for the long running TV series "McCloud" starring Dennis Weaver. For director Don Siegal, it was, like the same year's "Madigan," another early examination of the maverick police officer that would reach its zenith with 1971's "Dirty Harry." For Eastwood, it's an interesting blend of the genre for which he was best known at the time--the western--and of the urban crime thrillers with which he would achieve superstardom. This one isn't as exciting as "Dirty Harry," and the fish out of water theme (ala "Mr. Deeds Goes to Town") helps to excuse some of the more unpleasant aspects of the character's law and order at any cost mentality, but "Coogan's Bluff" has an abundance of smart-a** humor to make it memorable. Eastwood is very effectively cast, and it is to his credit that he was willing to play such an unlikable and offensive SOB at this relatively early stage of his big-screen career. (Can you imagine Gregory Peck in this role?)
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