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The Cobra (1967)
"Il cobra" (original title)

 -  Crime | Drama  -  27 March 1968 (USA)
5.3
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Ratings: 5.3/10 from 42 users  
Reviews: 2 user | 1 critic

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Title: The Cobra (1967)

The Cobra (1967) on IMDb 5.3/10

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Cast

Cast overview, first billed only:
...
Capt. Kelly
Pietro Martellanza ...
Mike Rand
Elisa Montés ...
Corinne
...
Lou
Jesús Puente ...
Stiarkos
Peter Dane ...
Hullinger
Luciana Vincenzi ...
Ulla
George Eastman ...
Crane (as George Histman)
Omar Zolficar ...
Sadek
Giovanni Petrucci ...
King
Ehsane Sadek Karter ...
Gamal
Guido Lollobrigida ...
Killer
Conrado San Martín
Jacques Stany ...
Journalist Agency Man
Lidia Biondi
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Storyline

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Taglines:

Danger...Dames...and Sudden Death!

Genres:

Crime | Drama

Certificate:

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Details

Country:

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Language:

Release Date:

27 March 1968 (USA)  »

Also Known As:

Female Cobra  »

Box Office

Gross:

ESP 18,144,673 (Spain)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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User Reviews

The future of our country is at stake, again.
18 November 2002 | by (Seattle) – See all my reviews

The movie starts off well enough with a cheesy rock score by Anton Garcia Abril that leads into a cool psychedelic credit sequence but it's all downhill from there. Peter Martell, who made a lot of spaghetti westerns, is a less than likable lead; a swarthy brute with John Wayne delivery who's always getting the gun knocked out of his hand. Martell is Mike Rand, an ex-Treasury agent who, we are told, was discharged from a high security post `for the good of the nation.' He must be a bad boy, all right.

Rand says `man' a lot and sweatily muscles his way into bed with the high-class likes of Anita Ekberg. Her name's Lou and she runs a women's spa when she's not shooting up drugs. Ekberg looks pretty darn good for a strung out junkie but she's not given nearly enough to do here.

The other big star, the one who's given way too much to do is Dana Andrews. Andrews is Kelly, Rand's boss, and he's in on a surprising amount of the action in the film. One wonders why, exactly. Andrews seems pretty deep into the sauce and his boot-blacked hair doesn't melt away the years the way they thought it would.

To sum up, aside from a couple of bright spots, this is not really a good or fun film. You would have to be in a pretty tight spot to want to spend your time with Mike Rand, man.


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