IMDb > The Chronicle of Anna Magdalena Bach (1968)

The Chronicle of Anna Magdalena Bach (1968) More at IMDbPro »Chronik der Anna Magdalena Bach (original title)


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Release Date:
6 November 1968 (France) See more »
The life and music of Johann Sebastian Bach as presented by his wife, Anna. Full summary » | Add synopsis »
1 win & 1 nomination See more »
(4 articles)
Daily | Hoberman, Transit, Malkovich
 (From Keyframe. 23 September 2014, 6:35 AM, PDT)

Our Daily Bread #5
 (From MUBI. 17 March 2014, 8:00 AM, PDT)

Without Theatres: ‘The Chronicle of Anna Magdalena Bach’ may be critical to the ‘slow cinema’ debate
 (From SoundOnSight. 21 November 2013, 9:07 PM, PST)

User Reviews:
perhaps the best composer biog ever See more (12 total) »


  (in credits order)
Gustav Leonhardt ... Johann Sebastian Bach
Christiane Lang ... Anna Magdalena Bach
Paolo Carlini ... Hölzel
Ernst Castelli ... Steger
Hans-Peter Boye ... Born
Joachim Wolff ... Rector
Rainer Kirchner ... Superintendent
Eckart Bruntjen ... Prefect Kittler
Walter Peters ... Prefect Krause
Kathrien Leonhard ... Catherina Dorothea Bach
Anja Fahrmann ... Regine Susanna Bach
Katja Drewanz ... Christine Sophie Henrietta Bach
Bob van Asperen ... Johann Elias Bach
Andreas Pangritz ... Wilhelm Friedemann Bach
Bernd Weikl ... Singer in Cantata No. 205
Wolfgang Schöne ... Singer in Cantata No. 82
Karl-Heinz Lampe ... Singer in Cantata No. 42
Bernhard Wehle ... Treble Voice in Cantata No. 140
Christa Degler ... Anna Magdalena Bach in Cantata No. 244 (voice)
Karl-Heinz Klein ... Bass Voice in Cantata No. 140
Nikolaus Harnoncourt ... Prince of Anhalt-Cöthen
Hellmuth Costard ... Rector Ernesti

Directed by
Danièle Huillet 
Jean-Marie Straub 
Writing credits
(in alphabetical order)
Danièle Huillet  written by (uncredited)
Jean-Marie Straub  written by (uncredited)

Produced by
Gian Vittorio Baldi .... producer
Danièle Huillet .... producer
Franz Seitz .... producer
Jean-Marie Straub .... producer
Cinematography by
Ugo Piccone 
Film Editing by
Danièle Huillet 
Jean-Marie Straub 
Production Design by
Danièle Huillet 
Costume Design by
Vera Poggioni 
Makeup Department
Guerrino Todero .... hair stylist: periwegs
Production Management
Günther Maag .... unit manager
Horst Winter .... unit manager
Sound Department
Louis Hochet .... sound
Lucien Moreau .... sound
Paul Schöler .... sound mixer
Camera and Electrical Department
Giovanni Canfarelli Modica .... assistant camera (as Giovanni Canfarelli)
Saverio Diamante .... assistant camera (as Saverio Diamanti)
Hans Eberle .... lighting technician
Thomas Hartwig .... camera operator: trick camera
Max Jörg .... lighting technician
Hans Kracht .... assistant camera
Uwe Radom .... assistant camera
Music Department
Concentus musicus Wien .... orchestra (as Concentus musicus, Ensemble für alte Musik Wien)
Nikolaus Harnoncourt .... conductor: Concentus musicus, Ensemble für arte Musik Wien
Heinz Hennig .... chorus master: Knabenchor Hannover
Knabenchor Hannover .... chorus
Gustav Leonhardt .... musician
Schola Cantrum Basiliensis .... musician
Bernhard Wehle .... singing voice
August Wenzinger .... conductor: Schola Cantorum Basiliensis
Other crew
Georg Föcking .... production assistant
Aldo U. Passalacqua .... production assistant (as Aldo Passalacqua)

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"Chronik der Anna Magdalena Bach" - West Germany (original title)
See more »
94 min
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:

Did You Know?

Gustav Leonhardt portrays Bach in his only performance as an actor. He is a music scholar of International renown, specialized in the works of Johann Sebastian Bach, and a harpsichord virtuoso whose Bach recordings (both as harpsichord player and conductor) are among the finest to be found in recording History.See more »
Movie Connections:
Referenced in Wie will ich lustig lachen (1984)See more »
Musical Offering, BWV 1079See more »


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13 out of 17 people found the following review useful.
perhaps the best composer biog ever, 2 May 2010
Author: robert-728-438617 from United Kingdom

Most films about composers are awful. Really awful. Liszt, Chopin, Beethoven, Mozart--all dumbed down or hyped up by Hollywood. And then there's Ken Russell's desecrations of Tchaikovksy and Mahler. By comparison this film might have come from another planet, not just a different country. I first saw it 35 years ago, and was delighted to find it as engrossing and moving as it was then. It's about the music, stupid. But it's also about how grinding, tedious, and incredibly demanding Bach's everyday life was, while he wrote and performed some of the greatest creations of the human mind. And also how he was a family man, living an intense domestic life. Yes it's austere and demanding. But stay with it, it's worth it.

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