| Gustav Leonhardt | ... | Johann Sebastian Bach | |
| Christiane Lang | ... | Anna Magdalena Bach | |
| Paolo Carlini | ... | Hölzel | |
| Ernst Castelli | ... | Steger | |
| Hans-Peter Boye | ... | Born | |
| Joachim Wolff | ... | Rector | |
| Rainer Kirchner | ... | Superintendent | |
| Eckart Bruntjen | ... | Prefect Kittler | |
| Walter Peters | ... | Prefect Krause | |
| Kathrien Leonhard | ... | Catherina Dorothea Bach | |
| Anja Fahrmann | ... | Regine Susanna Bach | |
| Katja Drewanz | ... | Christine Sophie Henrietta Bach | |
| Bob van Asperen | ... | Johann Elias Bach | |
| Andreas Pangritz | ... | Wilhelm Friedemann Bach | |
| Bernd Weikl | ... | Singer in Cantata No. 205 | |
| Wolfgang Schöne | ... | Singer in Cantata No. 82 | |
| Karl-Heinz Lampe | ... | Singer in Cantata No. 42 | |
| Bernhard Wehle | ... | Treble Voice in Cantata No. 140 | |
| Christa Degler | ... | Anna Magdalena Bach in Cantata No. 244 (voice) | |
| Karl-Heinz Klein | ... | Bass Voice in Cantata No. 140 | |
| Nikolaus Harnoncourt | ... | Prince of Anhalt-Cöthen | |
| Hellmuth Costard | ... | Rector Ernesti |
Directed by | |||
| Danièle Huillet | |||
| Jean-Marie Straub | |||
Writing credits(in alphabetical order) | ||
| Danièle Huillet | written by (uncredited) | |
| Jean-Marie Straub | written by (uncredited) | |
Produced by | |||
| Gian Vittorio Baldi | .... | producer | |
| Danièle Huillet | .... | producer | |
| Franz Seitz | .... | producer | |
| Jean-Marie Straub | .... | producer | |
Cinematography by | |||
| Ugo Piccone | |||
Film Editing by | |||
| Danièle Huillet | |||
| Jean-Marie Straub | |||
Production Design by | |||
| Danièle Huillet | |||
Costume Design by | |||
| Vera Poggioni | |||
Makeup Department | |||
| Guerrino Todero | .... | hair stylist: periwegs | |
Production Management | |||
| Günther Maag | .... | unit manager | |
| Horst Winter | .... | unit manager | |
Sound Department | |||
| Louis Hochet | .... | sound | |
| Lucien Moreau | .... | sound | |
| Paul Schöler | .... | sound mixer | |
Camera and Electrical Department | |||
| Giovanni Canfarelli Modica | .... | assistant camera (as Giovanni Canfarelli) | |
| Saverio Diamante | .... | assistant camera (as Saverio Diamanti) | |
| Hans Eberle | .... | lighting technician | |
| Thomas Hartwig | .... | camera operator: trick camera | |
| Max Jörg | .... | lighting technician | |
| Hans Kracht | .... | assistant camera | |
| Uwe Radom | .... | assistant camera | |
Music Department | |||
| Concentus musicus Wien | .... | orchestra (as Concentus musicus, Ensemble für alte Musik Wien) | |
| Nikolaus Harnoncourt | .... | conductor: Concentus musicus, Ensemble für arte Musik Wien | |
| Heinz Hennig | .... | chorus master: Knabenchor Hannover | |
| Knabenchor Hannover | .... | chorus | |
| Gustav Leonhardt | .... | musician | |
| Schola Cantrum Basiliensis | .... | musician | |
| Bernhard Wehle | .... | singing voice | |
| August Wenzinger | .... | conductor: Schola Cantorum Basiliensis | |
Other crew | |||
| Georg Föcking | .... | production assistant | |
| Aldo U. Passalacqua | .... | production assistant (as Aldo Passalacqua) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb West Germany section |
"Dogmatic," as another reviewer described this film, is a fitting word. The director's idea was to present Bach without plot, acting, fun, theatrics, dialog, narrative, or drama. Mission accomplished, Monsieur Straub. "Pretentious?" Yes. "Cinematic?" No way. This is anti-cinema. No one moves. Hardly anyone talks. The camera holds static shots for 10-12 minutes at a time: very very occasionally the camera will dolly in. You may catch a glimpse of Gustav Leonhardt's fingers moving over the keys. That's it.
If you like the idea of staring at the back of a harpsichordist's (bewigged) head for 7 minutes at a stretch while listening to Bach, this is the film for you. I'd rather listen to Bach on my stereo with my eyes closed.