Junie Moon's face has been disfigured by ill-gotten burns, and depends on her friends and her with to cope. She, Warren, and Arthur leave the hospital - they yearn for independence - and ... See full summary »
Sergeant Grimshaw wants to retire in the flush of success by winning the Star Squad prize with his very last platoon of newly called-up National Servicemen. But what a motley bunch they ... See full summary »
The time of the French revolution, and Citizen Robespierre is beheading the French aristocracy. When word gets to England, two noblemen, Sir Rodney Ffing and Lord Darcy take it upon ... See full summary »
The popular Dr Kilmore is sacked after being discovered in a compromising position on the roof of the nurses' home. The patients are determined not to lose him, and so take on the might of ... See full summary »
Dr Nookey is disgraced and sent to a remote island hospital. He is given a secret slimming potion by a member of staff, Gladstone Screwer, and he flies back to England to fame and fortune. ... See full summary »
Charlie Bubbles, a writer, up from the working class of Manchester, England, who, in the course of becoming prematurely rich and famous, has mislaid a writer's basic tool - the capacity to feel and to respond. Now he must visit his estranged wife and son, whom he has set up on a farm outside his native city. His journey accidentally becomes an attempt to reestablish his connections with life, people, and his own history. Written by
This was a very personal project for Albert Finney, who made his debut as director with it and made it for his own company, Memorial Enterprises. He got fairly lavish backing from an American company, Universal, who were trying to set up a system for making films in England, but then had the greatest difficulty in getting the finished film shown. He made the film in 1966, but, although advance word on it was very positive, and the film eventually won awards as well as rave reviews, it was not shown in either the US or Britain until 1968; its American opening was well over six months in advance of its British one. Finney did his best to promote the film in several countries, but it was written off as a box-office failure. He hoped to direct in films again, and announced a film to be called "The Girl In Melanie Klein" in the early 1970s; but he never made it and never directed another film. See more »
This excellent film is about the effects of displacement, of being a fish out of water. Working-class Charlie Bubbles has ascended from his humble origins to become a successful writer. He has clearly not handled the transition well from within, but it's hardly surprising when there are so many hurdles to overcome in the world outside of himself.
The story would have been familiar to a lot of people in Britain in the 60s, as the first generation to benefit from the post-WW2 welfare state came to adulthood. CHARLIE BUBBLES nails this more effectively than any other film I know. Playwright Shelagh (A TASTE OF HONEY) Delaney's script is full of acute observation; the acting is marvellous, the cinematography (by a young Peter Suschitzky, now better known as David Cronenberg's DOP) noticeably European, the charming score (by Misha Donat - Mr Suschitzky's sister) a nod to to the work of Georges Delerue and Nino Rota. Indeed, the movie as a whole leans more towards New Wave and Fellini than the realistic school in which Finney made his name as an actor. Here he is also the director - his one and only feature film in that capacity - and a very creditable achievement it is too.
How CHARLIE BUBBLES reads to people unfamiliar with its social and historical background, I don't know. For me it is one of the finest British films of the sixties, but it somehow gets overlooked in the enthusiasm for THE LONELINESS OF THE LONG-DISTANCE RUNNER, A KIND OF LOVING and of course Saturday NIGHT AND Sunday MORNING. They are all fine films films, but so is this one. Re-assessment in its favour is long overdue.
4 of 4 people found this review helpful.
Was this review helpful to you?
| Report this