Ginley (Albert Finney) is a nightclub bingo caller eager for a career change. On his thirty-first birthday, he advertises himself as a private eye in the newspaper. He dons a trench coat, ... See full summary »
In eighteenth century England, "first cousins" Tom Jones and Master Blifil grew up together in privilege in the western countryside, but could not be more different in nature. Tom, the ... See full summary »
Against a background of war breaking out in Europe and the Mexican fiesta Day of Death, we are taken through one day in the life of Geoffrey Firmin, a British consul living in alcoholic ... See full summary »
Junie Moon's face has been disfigured by ill-gotten burns, and depends on her friends and her wit to cope. She, Warren, and Arthur leave the hospital - they yearn for independence - and ... See full summary »
Two students from neighboring colleges in upstate New York are swept up in a tragic romantic interlude calling for a maturity of vision beyond their experience of capabilities. Pookie Adams... See full summary »
Alan J. Pakula
Charlie Bubbles, a writer, up from the working class of Manchester, England, who, in the course of becoming prematurely rich and famous, has mislaid a writer's basic tool - the capacity to feel and to respond. Now he must visit his estranged wife and son, whom he has set up on a farm outside his native city. His journey accidentally becomes an attempt to reestablish his connections with life, people, and his own history. Written by
Although the apparent unhappiness of Finney as a successfull, and rich writer might seem difficult to accept, think of all the things you thought of as beyond you as a kid. Some of the people reading these words are making a lot of money, live in a beautiful house, have a beautiful, handsome, wife, husband, and dread each new day. Some of it is good old chemical deppression, and some of it is, who the hell knows. That Finney, a working class kid, realized this at such a young age makes me respect him even more than my admiration for him as an actor. The film I feel looks back to the post WW2 Italian existential movies where very little happens. Life is almost slow motion wandering around. Witness Finney's pitiful relationship with his son and his complete lack of interest in his legal an financial affairs with his lawyers in the opening scene. The cast is wonderful. I'm sure the idea of Liza Minelli as his assistant was laughed at. Liza, playing with British pros? Are you kidding? But it works. Billie Whitelaw was born for the movies, and is incidentally Samuel Beckett's favorite actress. She has premiered many of his plays. That Julia Roberts is a superstar, and few people know who Billie Whitelaw is, says something about "something". As a personal aside, one of the great supporting character actors, the late Colin Blakely, who plays Finney's failed sidekick and I, met in front of a London theatre. I told him I came all the way from the US to tell him how wonderful I thought he was. "Did you see my show tonight", he asked. "No sir, I haven't had a chance yet", I replied. He quickly turned away, and walked in a different direction!!!!
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