| Trevor Howard | ... | Lord Cardigan | |
| Vanessa Redgrave | ... | Mrs. Clarissa Morris | |
| John Gielgud | ... | Lord Raglan | |
| Harry Andrews | ... | Lord Lucan | |
| Jill Bennett | ... | Mrs. Fanny Duberly | |
| David Hemmings | ... | Capt. Louis Edward Nolan | |
| Ben Aris | ... | Capt. Fitz Maxse | |
| Mickey Baker | ... | Trooper Metcalfe (as Micky Baker) | |
| Peter Bowles | ... | Paymaster Capt. Henry Duberly | |
| Leo Britt | ... | Gen. Scarlett | |
| Mark Burns | ... | Capt. William Morris | |
| John J. Carney | ... | Trooper Mitchell (as John Carney) | |
| Helen Cherry | ... | Lady Scarlett | |
| Chris Chittell | ... | Trooper (as Christopher Chittel) | |
| Ambrose Coghill | ... | Lt. Col. Douglas | |
| Howard Marion-Crawford | ... | Lt. Gen. Sir George Brown | |
| Christopher Cunningham | ... | Farrier (as Chris Cunningham) | |
| Mark Dignam | ... | Gen. Airey | |
| Michael Dillon | ... | Dying Highlander | |
| Alan Dobie | ... | Riding Master Mogg | |
| Georges Douking | ... | Marshall St. Arnaud | |
| Clive Endersby | ... | Trooper | |
| Andrew Faulds | ... | Quaker preacher | |
| Derek Fuke | ... | Trooper | |
| Willoughby Goddard | ... | Squire | |
| Derek Gray | ... | Officer | |
| Richard Graydon | ... | Lord Bingham | |
| John Hallam | ... | Officer | |
| Ian Hanson | ... | Singing trooper | |
| Barbara Hicks | ... | Mrs. Duberly's maid | |
| Rachel Kempson | ... | Mrs. Codrington | |
| T.P. McKenna | ... | William Russel | |
| Michael Miller | ... | Maj. Gen. Sir John Campbell | |
| Declan Mulholland | ... | Farrier | |
| Roger Mutton | ... | Cornet Codrington | |
| Valerie Newman | ... | Mrs. Mitchell | |
| Roy Pattison | ... | Regimental Sergeant Major | |
| Corin Redgrave | ... | Capt. Featherstonhaugh | |
| Norman Rossington | ... | S.M. Corbett | |
| Dino Shafeek | ... | Indian servant | |
| John Trenaman | ... | Sgt. Maj. Smith | |
| Colin Vancao | ... | Capt. Charteris | |
| Donald Wolfit | ... | Macbeth in 'Macbeth' | |
| Peter Woodthorpe | ... | Valet | |
| rest of cast listed alphabetically: | |||
| Harry Fielder | ... | Soldier (uncredited) | |
| Margaret Flint | ... | (uncredited) | |
| Laurence Harvey | ... | Russian Prince (uncredited) | |
| James Payne | ... | Trooper (uncredited) | |
| Joely Richardson | ... | Extra (uncredited) | |
| Natasha Richardson | ... | Flower girl at wedding (uncredited) | |
Directed by | |||
| Tony Richardson | |||
Writing credits(in alphabetical order) | ||
| John Osborne | uncredited | |
| Charles Wood | writer | |
Produced by | |||
| Neil Hartley | .... | producer | |
Original Music by | |||
| John Addison | |||
Cinematography by | |||
| David Watkin | |||
Film Editing by | |||
| Kevin Brownlow | |||
| Hugh Raggett | |||
Art Direction by | |||
| Edward Marshall | |||
Costume Design by | |||
| David Walker | |||
Production Management | |||
| Julian Mackintosh | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Clive Reed | .... | assistant director | |
Art Department | |||
| Richard Rambaut | .... | draughtsman (uncredited) | |
Sound Department | |||
| Kevin Connor | .... | sound editor | |
| Gerry Humphreys | .... | sound re-recording mixer | |
| Simon Kaye | .... | sound | |
Special Effects by | |||
| Robert MacDonald | .... | special effects | |
| A. Paul Pollard | .... | special effects | |
| Peter Hutchinson | .... | special effects assistant (uncredited) | |
Stunts | |||
| Richard Graydon | .... | stunt coordinator | |
| John Landis | .... | stunt performer | |
| Nosher Powell | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Alan McCabe | .... | camera operator | |
| Bernie Prentice | .... | gaffer (as Bernard Prentice) | |
Animation Department | |||
| Ted Gerald | .... | animation unit | |
| Roy Jackson | .... | animation unit | |
| Errol Le Cain | .... | animation unit | |
| Pat Savage | .... | animation unit (as Patrick Savage) | |
| Richard Williams | .... | titles and animation | |
Editorial Department | |||
| Sarah Ellis | .... | assistant editor (uncredited) | |
Music Department | |||
| Michael Moores | .... | composer: additional music (uncredited) | |
Other crew | |||
| Angela Allen | .... | continuity | |
| Lynne Courtemanche | .... | nurse | |
| Geoff Freeman | .... | unit publicist | |
| Bob Simmons | .... | action sequences by | |
|
|
|
|
|
| The Charge of the Light Brigade | Sharpe's Company | The Alamo: Thirteen Days to Glory | Sharpe's Gold | Revolution |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
We have to wait nearly two hours for the eponymous event which climaxes this film. Prior to this we see a series of apparently unconnected episodes which give the viewer an insight into the workings of Victorian society, including anti-intellectuallism and idleness among the 'upper' classes, and brutality and theft among the 'scum' recruited in the slums.
While almost plot less this section of the film does follow a core of characters whose lives are connected by army service. The main character is Captain Louis Nolan, an idealistic professional in an army of amateurs. "England is looking well" he says in the first scene of the film. The irony is that the country that looks so good is a cruel and mismanaged place. Unlike his fellow officers, who have bought their posts, he has worked his way up the ranks of the Indian Army by merit. He despises them and they feel he isn't a 'gentleman'.
Nolan has very definite views on how war should be fought. Faced with the reality of battle and the inadequacies of the commanders (the senile Raglan and the childish Lucan and Cardigan) his impatience and temper have tragic consequences as he impetuously points the Light Brigade ("There, my Lord, is your enemy, there are your guns!") towards the bloody fiasco of which he is the first victim. The man who seems to know best makes the biggest blunder of all. Eye-witnesses said the hideous scream Nolan gave when he was hit stayed with them all their lives and the film re-creates it in a truly chilling way.
Although the film does reflect 1960's attitudes to war and politics (and I actually prefer these to the attitudes of the 21st Century) its setting is so perfectly realized that it hasn't dated as a '60s film'. In fact it seems better with the passage of time. If you can free yourself from the idea of a narrative history and give yourself up to a series of impressions which add new layers of understanding 'Charge of the Light Brigade' makes a fine historical film.