A chronicle of events that led to the British involvement in the Crimean War against Russia and which led to the siege of Sevastopol and the fierce Battle of Balaclava on October 25, 1854 ...
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This historical drama is an account of the early life of the future British Prime Minister Winston Churchill (Simon Ward), including his childhood, his time as a war correspondent in South ... See full summary »
Technicolor and tights. In the days of King Henry IV, stalwart young Myles of Crisby Dale, and his sister Meg, have been raised as peasants, without any knowledge of their father's true ... See full summary »
As a surprise, two horse owners decide to ride their animals themselves in a steeplechase. But Bill Davidson's horse "Admiral" behaves weirdly, and falls hard after an obstacle. Bill dies ... See full summary »
Resigning his commission on the eve of his unit's deployment against Egyptian rebels, a British officer seeks to redeem his cowardice by secretly aiding his former comrades - disguised as ... See full summary »
C. Aubrey Smith
A chronicle of events that led to the British involvement in the Crimean War against Russia and which led to the siege of Sevastopol and the fierce Battle of Balaclava on October 25, 1854 which climaxed with the heroic, but near-disastrous cavalry charge made by the British Light Brigade against a Russian artillery battery in a small valley which resulted in the near-destruction of the brigade due to error of judgment and rash planning on part by the inept British commanders. Written by
During the first battle, the British infantry's bayonets can be seen wriggling as the soldiers advance - showing that they are rubber rather than steel. See more »
Maj. Gen. Sir John Campbell:
[to the Highland Calvary]
Whoever is wounded, lie where he is until a bandsman comes to him. No soldier may go off carrying wounded men. If any man does such a thing, his name shall be stuck up in his parish church. Come! Advance!
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Closing credits roll over a drawing of a dead horse, with the buzzing of flies in the soundtrack. See more »
A hugely ambitious forgotten classic that improves with each viewing
The Charge of the Light Brigade is one of those films that disappointed me on a first viewing (like many, I was expecting an epic adventure film) but which I love more each time I see it.
Charles Wood's delicious use of language makes the dialog a joy to listen to, and for the most part the performances do it justice - not just the likes of Trevor Howard, Harry Andrews and John Gielgud's delightfully vague Lord Raglan, but also the smaller roles like Norman Rossington's broken Sergeant and Alan Dobie's impoverished officer Mogg, who makes up in jovial and ignorant arrogance what he lacks in wit. It's an astonishingly ambitious film, and for the most part succeeds, painting a portrait not just of a time and place but a whole state of mind - it's not just the bungles of the Crimean War and the casual cruelty of the army in Richardson's sights but the blind stupidity of Britain's entire Victorian class system.
The film is even brave enough to have its nominal hero, David Hemmings' Captain Nolan, be as inadvertently unsympathetic as the superiors he rails against - he might seem more enlightened, but he'll still thoughtlessly finish off his men's breakfast (in one of several scenes cut for this DVD) or push away a wounded soldier. As careless with his men as Raglan is, you can see his point when he dreads the day when professional soldiers like Nolan will run a modern army - "It will be a sad day for England when her armies are led by men who know too well what they are doing- it smacks of murder."
Perhaps it's that lack of someone to root for that helped kill the film at the box-office (along with Richardson's refusal to have press screenings because he felt critics were not intelligent enough to appreciate the film), but I'd still love to see the four-hour rough cut footage emerge from its prison in the BFI's vaults some day. Several stills exist of deleted scenes (such as Cardigan's encounter with Russian troops on his return from the charge: they let him go in respect of his rank in reality) and although his part as a Russian Prince was otherwise completely cut, Laurence Harvey can still be briefly glimpsed in the theatre scene (along with Donald Wolfit playing MacBeth).
What gaps were left by the cuts and budget restrictions (not that the film isn't genuinely spectacular) are admirably filled in by Richard Williams stunningly imaginative and witty animation - old woodcut prints come to life as the British lion puts on his policeman's helmet to stop Russia assaulting Turkey - and John Addison's magnificent score. Amazingly, the pity of it all is not lost under the wit, with the starkest of endings as the generals argue over whose fault it is while flies buzz around dead horses. A truly great film.
Sadly, MGM/UA's current DVD release is not so great.
The transfer is for the most part fine, but the animation sequences and the all but unreadable credits do suffer. What really disappoints is the fact that, like the previous laserdisc issue, this is a heavily cut version missing some 6-7 minutes. The omission of Vanessa Redgrave's horrendous singing may be a merciful release, but the loss of a reel from the Crimea scenes (including the flogging scene of a sentry who inadvertently shot at Raglan and Cardigan subsequently rewarding the flogged man for his bravery) are definitely not. The only extra is a trailer.
Sadly, it appears that despite releasing a video of the longer version (minus a few seconds of vicious horsefalls), the BFI's R2 DVD is the same cut version, albeit with slightly better extras (an interview with Richard Williams and a silent version of the Charge). Very disappointing.
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