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Bullitt (1968)

7.5
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Ratings: 7.5/10 from 39,022 users  
Reviews: 286 user | 91 critic

An all guts, no glory San Francisco cop becomes determined to find the underworld kingpin that killed the witness in his protection.

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Title: Bullitt (1968)

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Won 1 Oscar. Another 9 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Justin Tarr ...
Carl Reindel ...
Felice Orlandi ...
Albert Renick
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Pete Ross (as Victor Tayback)
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1st Aide
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Westcott
Pat Renella ...
Johnny Ross
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Storyline

High profile San Francisco Police Lieutenant Frank Bullitt is asked personally by ambitious Walter Chalmers, who is in town to hold a US Senate subcommittee hearing on organized crime, to guard Johnny Ross, a Chicago based mobster who is about to turn evidence against the organization at the hearing. Chalmers wants Ross' safety at all cost, or else Bullitt will pay the consequences. Bullitt and his team of Sergeant Delgetti and Detective Carl Stanton have Ross in protective custody for 48 hours over the weekend until Ross provides his testimony that upcoming Monday. Bullitt's immediate superior, Captain Samuel Bennet, gives Bullitt full authority to lead the case, no questions asked for any move Bullitt makes. When an incident occurs early during their watch, Bullitt is certain that Ross and/or Chalmers are not telling them the full story to protect Ross properly. Without telling Bennet or an incensed Chalmers, Bullitt clandestinely moves Ross while he tries to find out who is after ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Steve McQueen As 'Bullitt' See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 October 1968 (USA)  »

Also Known As:

Bullit  »

Box Office

Budget:

$5,500,000 (estimated)

Gross:

SEK 4,480,000 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The script had originally been set in Los Angeles. Producer 'Philip d'Antoni' was keen to get out of L.A. as he felt his production would be subject to less scrutiny if filmed elsewhere. See more »

Goofs

When Carl Stanton is driving the 1967 Ford Custom to the meeting at Walter Chalmers, he is preceded by a 1950's Nash and then when the policeman directing traffic in the next shot appears the 1967 Ford Custom is then preceded by a 1967 Buick Skylark station wagon. See more »

Quotes

Bullitt: [revealing Johnny Ross' death] I've got him downstairs, under a John Doe.
Baker: [stunned] You are sick. Smuggling a dead man out of a hospital, and now two men killed who may have had nothing to do with it?
Bullitt: The man I was chasing killed Ross.
Captain Bennett: How do you know? Did you see him?
Bullitt: Yes. He tried to nail me with a shotgun, a Winchester pump.
Baker: The radio report said the two men were burned beyond recognition. Now all he's got are two dead men. It would never hold up in court.
See more »

Connections

Referenced in Lost: Recon (2010) See more »

Soundtracks

On the Way to San Mateo
Music by Lalo Schifrin;
Performed by
John Addino, David Brisbois, Conte Candoli, Don Ellis, Tony Terran (trumpet, flugelhorn); Milt Bernhart, Dick Noel, Lloyd Ulyate, Lew McCreary (trombone);Bud Shank (flute); Ted Nash, Plas Johnson, Justin Gordon (woodwinds); Ronnie Lang, Gene Cipriano, Bill Perkins, Jack Nimitez (sax); Ray Sherman (piano, organ); Robert Bain, (guitar); Ray Brown (bass); Carol Kaye, Max Bennett (electric bass); Larry Bunker (drums); Joe Porcaro, Ken Watson, Jerry Williams (percussion).
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A movie guaranteed to put hair on your chest!
11 January 2001 | by (New York) – See all my reviews

Steve McQueen stars as Frank Bullitt, a tough San Francisco police lieutenant assigned to protect a mob witness. When the witness is gunned down, it is up to Bullitt to exact his own brand of justice, much to the dismay of Robert Vaughn, a smarmy congressman who wishes to further his political career by prosecuting organized crime. He holds Bullitt responsible for the death of his star witness, and it is up to the super cop to bring the killer down, while showing Vaughn that he is nothing but a gussied-up sissy-boy.

McQueen's performance in this all-time classic is the archetype for not only anyone who aspires to become an actor, but also for the proper way to live like a real man. Think about it. He disregards such nonsense as police procedure, he gets to drive a really cool car, and if that's not enough, Jacqueline Bisset worships the ground he walks on. As far as I'm concerned, this guy's the luckiest guy on earth!

As for the supporting cast, you could not have asked for a better one. The great Simon Oakland is perfect as Bullitt's sympathetic captain. Fans may remember Oakland as the psychologist at the end of "Psycho," in what may be the most brawny portrayal of a shrink in modern cinema. Robert Vaughn exudes the right amount of smarminess and stupidity associated with politicians. Norman Fell displays why he is one of the most underrated talents of this half-century in his portrayal of one of Vaughn's associates. Jacqueline Bisset shows up for window dressing as Bullitt's girlfriend. (Let's face it. If she were a "real-life" girlfriend, she would probably cry and nag McQueen all day, preventing him from engaging in really cool activities like speeding through the streets of San Francisco, chasing after lowlife scum.) And as a bonus, Robert Duvall appears briefly in the greatest portrayal of a cab driver of all time. (That is, of course, until Mr. T starred in "D.C. Cab.")

The movie wisely dispenses with such useless elements as plot and emotion. Instead, genius auteur Peter Yates allows McQueen to concentrate on looking intense and dealing with all the existential problems of any real man, such as how to ignore stupid politicians and treat them as if they are irrelevant.

Aside from the NECESSARY violence, there is nothing in this PG-rated film that any self-respecting parent would find objectionable. In fact, when my daughter can appreciate quality films, aside from the Barney collection, this will be the first of many required-viewing films for her, followed by "The Dirty Dozen," "The Good, the Bad, and the Ugly," and "Dirty Harry."


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