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Bullitt (1968)

7.5
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Ratings: 7.5/10 from 39,488 users  
Reviews: 288 user | 90 critic

An all guts, no glory San Francisco cop becomes determined to find the underworld kingpin that killed the witness in his protection.

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(screenplay), (screenplay), 1 more credit »
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Title: Bullitt (1968)

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Won 1 Oscar. Another 9 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Justin Tarr ...
Carl Reindel ...
Felice Orlandi ...
Albert Renick
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Pete Ross (as Victor Tayback)
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1st Aide
...
Westcott
Pat Renella ...
Johnny Ross
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Storyline

High profile San Francisco Police Lieutenant Frank Bullitt is asked personally by ambitious Walter Chalmers, who is in town to hold a US Senate subcommittee hearing on organized crime, to guard Johnny Ross, a Chicago based mobster who is about to turn evidence against the organization at the hearing. Chalmers wants Ross' safety at all cost, or else Bullitt will pay the consequences. Bullitt and his team of Sergeant Delgetti and Detective Carl Stanton have Ross in protective custody for 48 hours over the weekend until Ross provides his testimony that upcoming Monday. Bullitt's immediate superior, Captain Samuel Bennet, gives Bullitt full authority to lead the case, no questions asked for any move Bullitt makes. When an incident occurs early during their watch, Bullitt is certain that Ross and/or Chalmers are not telling them the full story to protect Ross properly. Without telling Bennet or an incensed Chalmers, Bullitt clandestinely moves Ross while he tries to find out who is after ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The word 'cop' isn't written all over him - something more puzzling is. See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 October 1968 (USA)  »

Also Known As:

Bullit  »

Box Office

Budget:

$5,500,000 (estimated)

Gross:

SEK 4,480,000 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

At the time, San Francisco was not a big film-making mecca and the mayor, Joe Alioto, was very keen to promote it as such. Consequently, Bullitt (1968) enjoyed a freedom of movement around the city that would be hard to come by today, including giving up an entire hospital wing for filming, closing down multiple streets for three weeks for a car chase scene and taking over San Francisco International Airport at night. See more »

Goofs

The Charger hits a parked car and damages the left fender, yet it is undamaged in subsequent shots. See more »

Quotes

Bullitt: Look, Chalmers, let's understand each other... I don't like you.
See more »

Connections

Referenced in Mannen från Mallorca (1984) See more »

Soundtracks

A Song for Cathy
Music by Lalo Schifrin;
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Bullitt-speed
18 December 2004 | by (Saffron Walden, UK) – See all my reviews

The late 1960s saw two classic, hard-boiled thrillers set in San Fransico; John Boorman's stylised 'Point Blank', and Peter Yates' 'Bullitt'. Calling your hero Bullitt might seem an unsubtle way to emphasise his macho qualities, but in fact Steve MacQueen plays him as a quiet man, not some wise-talking maverick: he does what he has to do, but takes no pleasure in his actions; and survives the roughness of his work not by becoming a monster, but simply by becoming a little less human. It's a believable portrait, and the film as a whole has a procedural feel: there are action scenes, but these are kept in their place in the overall design.

Today, the film is most famous for its celebrated car chase, which makes excellent use, as indeed does the movie as a whole, of the bay area locations, but is not actually shot that excitingly: the conclusion at the airport is more original, though it roots the film in the time when it was permissible to take a loaded gun onto a plane. But overall this is still a classy film, dry, exciting and bleak, and among the very best films of its day. William Friedkin's brilliant 'The French Connection', made a short while afterwards, would appear to owe it a debt.


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The men in 1968 looked 10 years older than thier actual age craig-s-nelson72
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