Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
Engineer Jake Holman arrives aboard the gunboat U.S.S. San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and... See full summary »
A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the ... See full summary »
High profile San Francisco Police Lieutenant Frank Bullitt is asked personally by ambitious Walter Chalmers, who is in town to hold a US Senate subcommittee hearing on organized crime, to guard Johnny Ross, a Chicago based mobster who is about to turn evidence against the organization at the hearing. Chalmers wants Ross' safety at all cost, or else Bullitt will pay the consequences. Bullitt and his team of Sergeant Delgetti and Detective Carl Stanton have Ross in protective custody for 48 hours over the weekend until Ross provides his testimony that upcoming Monday. Bullitt's immediate superior, Captain Samuel Bennet, gives Bullitt full authority to lead the case, no questions asked for any move Bullitt makes. When an incident occurs early during their watch, Bullitt is certain that Ross and/or Chalmers are not telling them the full story to protect Ross properly. Without telling Bennet or an incensed Chalmers, Bullitt clandestinely moves Ross while he tries to find out who is after ... Written by
During the chase scene, when we see the interior of the Dodge car with the two passengers inside, the rearview mirror shows the face of the passenger riding shotgun. This means that the mirror is tilted to the right, making it impossible for the driver to see who comes from behind, like he does so often. See more »
Come on, now. Don't be naive, Lieutenant. We both know how careers are made. Integrity is something you sell the public.
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Bullitt is an extraordinary film, memorable, powerful, and absolutely riveting. The plot has twists and turns that are believable and lack any pretense of being forced or artificial. Justly heralded for its tremendous car chase--a tribute to legendary driver Bill Hickman, arguably the finest of all motion picture drivers--the film as well captures the feel of gritty detective work in a form that has been copied frequently since, but rarely, if ever, equaled. The film is a delight as a period piece: the easy-going, already laid-back Bay area culture of the late 1960's and early 1970's, the tension between the cool, vaguely anti-establishment Bullitt and the straight-laced local officials and department heads that he finds himself compelled to work with. The other actors are themselves a superb supporting cast: old-timers like Simon Oakland, Norman Fell, an oily (and vaguely Bobby Kennedy-ish) Robert Vaughn, and Don Gordon (as Bullitt's long-suffering but intensely loyal partner). But, as well, there are memorable newcomers: George Sanford Brown as an overworked doctor, Robert Duvall as a sharp taxi driver, and Jacqueline Bisset as Bullitt's trophy architect-girlfriend. Lalo Schifrin contributed a superb, memorable score--just the right mix of jazz and brass and percussion. And, of course, that glorious Mustang. . . .!!! Not to be missed!!!!!
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