| Kirk Douglas | ... | Frank Ginetta | |
| Alex Cord | ... | Vince Ginetta | |
| Irene Papas | ... | Ida Ginetta | |
| Luther Adler | ... | Dominick Bertolo | |
| Susan Strasberg | ... | Emma Ginetta | |
| Murray Hamilton | ... | Jim Egan | |
| Eduardo Ciannelli | ... | Don Peppino | |
| Joe De Santis | ... | Pietro Rizzi (as Joe DeSantis) | |
| Connie Scott | ... | Carmela Ginetta | |
| Val Avery | ... | Jake Rotherman | |
| Val Bisoglio | ... | Cheech | |
| Alan Hewitt | ... | Sol Levin | |
| Barry Primus | ... | Vido | |
| Michele Cimarosa | ... | Toto | |
| Louis Badolati | ... | Don Turridu | |
| rest of cast listed alphabetically: | |||
| Anthony Marciona | ... | Antonio (uncredited) | |
| Margot Stevenson | ... | (uncredited) | |
Directed by | |||
| Martin Ritt | |||
Writing credits | ||
| Lewis John Carlino | (writer) | |
Produced by | |||
| Kirk Douglas | .... | producer | |
Original Music by | |||
| Lalo Schifrin | |||
Cinematography by | |||
| Frank Bracht | |||
| Boris Kaufman | |||
Film Editing by | |||
| Frank Bracht | |||
Art Direction by | |||
| Tambi Larsen | |||
Set Decoration by | |||
| Robert Drumheller | |||
Costume Design by | |||
| Ruth Morley | |||
Makeup Department | |||
| Martin Bell | .... | makeup artist | |
| Betty DeStefano | .... | hair stylist (as Betty De Stefano) | |
Production Management | |||
| David Golden | .... | production manager | |
Art Department | |||
| Charles Bailey | .... | assistant art director | |
| Giorgio Postiglione | .... | set dresser: Sicily | |
| Antonio Sarzi-Braga | .... | art director: Sicily (as Toni Sarzi Braga) | |
| Murray P. Stern | .... | scenic artist (as Murray Stern) | |
Sound Department | |||
| Jack C. Jacobsen | .... | sound recordist | |
Camera and Electrical Department | |||
| Howard Fortune | .... | gaffer | |
| Amerigo Gengarelli | .... | camera operator: Sicilia | |
| Robert Ward | .... | key grip | |
Costume and Wardrobe Department | |||
| Jim Hagerman | .... | wardrobe: men (as James Hagerman) | |
| Marilyn Putnam | .... | wardrobe: women | |
Music Department | |||
| Henry Mancini | .... | composer: song "Moon River" | |
| Ignazio Privitara | .... | composer: song "Tarantella Abballa Abballa" | |
Other crew | |||
| Lewis John Carlino | .... | technical supervisor | |
| B.J. Bjorkman | .... | script supervisor (uncredited) | |
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| Lucky Luciano | Miller's Crossing | Next of Kin | The Public Enemy | Curse of the Pink Panties |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
This Martin Ritt work,which is not among his best (Hombre,Hud,etc) ,features a prologue and an epilogue,which take place in Sicily(but a studio Sicily as the final cast and credits says);two short bits which frame an endless flashback which explains(?) why Vince (Cord) must(!) kill brother Kirk.This long hour features the de rigueur mafioso -the good(?) and the bad ones-,the obligatory wedding scene ,proud family chronicles ,etc etc etc:plus ça change..
It's too bad Ritt did not focus his story on Sicily ,a Sicily he should have filmed on location instead .The only good scenes are the final ones ,and Irene Papas could have added a Greek tragedy touch ,hadn't her part been so underwritten.
Some will find here roots of "the godfather" ,but I would go as far as saying that it questions the hitherto excellence of the Coppola movie.Its eternal triumph (with an obnoxious subject) leaves me with a bitter taste in the mouth.
As for Martin Ritt,there are plenty of estimable works to choose.Avoid this.