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The Brotherhood (1968) More at IMDbPro »

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6.1/10   473 votes »
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Contact:
View company contact information for The Brotherhood on IMDbPro.
Release Date:
1969 (Austria) See more »
Genre:
Tagline:
Honor. Loyalty. Betrayal.
Plot:
The son of a powerful Mafia don comes home from his army service in Vietnam and wants to lead his own life... See more » | Add synopsis »
Plot Keywords:
Awards:
1 nomination See more »
NewsDesk:
User Reviews:
Starts Slow But Really Builds Up to a Strong Punch See more (12 total) »

Cast

  (in credits order) (complete, awaiting verification)

Kirk Douglas ... Frank Ginetta

Alex Cord ... Vince Ginetta

Irene Papas ... Ida Ginetta

Luther Adler ... Dominick Bertolo

Susan Strasberg ... Emma Ginetta

Murray Hamilton ... Jim Egan
Eduardo Ciannelli ... Don Peppino
Joe De Santis ... Pietro Rizzi (as Joe DeSantis)
Connie Scott ... Carmela Ginetta

Val Avery ... Jake Rotherman

Val Bisoglio ... Cheech
Alan Hewitt ... Sol Levin
Barry Primus ... Vido
Michele Cimarosa ... Toto
Louis Badolati ... Don Turridu
rest of cast listed alphabetically:

Hal Holbrook ... Man at table (uncredited)

Anthony Marciona ... Antonio (uncredited)
Margot Stevenson ... (uncredited)

Directed by
Martin Ritt 
 
Writing credits
Lewis John Carlino (writer)

Produced by
Kirk Douglas .... producer
 
Original Music by
Lalo Schifrin 
 
Cinematography by
Frank Bracht 
Boris Kaufman 
 
Film Editing by
Frank Bracht 
 
Art Direction by
Tambi Larsen 
 
Set Decoration by
Robert Drumheller 
 
Costume Design by
Ruth Morley 
 
Makeup Department
Martin Bell .... makeup artist
Betty DeStefano .... hair stylist (as Betty De Stefano)
 
Production Management
David Golden .... production manager
 
Second Unit Director or Assistant Director
Francesco Cinieri .... second unit director: Sicily
Giorgio Gentili .... assistant director: Sicily
Peter R. Scoppa .... assistant director (as Peter Scoppa)
 
Art Department
Charles Bailey .... assistant art director
Giorgio Postiglione .... set dresser: Sicily
Antonio Sarzi-Braga .... art director: Sicily (as Toni Sarzi Braga)
Murray P. Stern .... scenic artist (as Murray Stern)
 
Sound Department
Jack C. Jacobsen .... sound recordist
 
Camera and Electrical Department
Howard Fortune .... gaffer
Amerigo Gengarelli .... camera operator: Sicilia
Robert Ward .... key grip
 
Costume and Wardrobe Department
Jim Hagerman .... wardrobe: men (as James Hagerman)
Marilyn Putnam .... wardrobe: women
 
Music Department
Henry Mancini .... composer: song "Moon River"
Ignazio Privitara .... composer: song "Tarantella Abballa Abballa"
 
Other crew
Lewis John Carlino .... technical supervisor
B.J. Bjorkman .... script supervisor (uncredited)
Shari Leibowitz .... assistant production coordinator (uncredited)
 
Crew believed to be complete


Production CompaniesDistributors

Additional Details

Also Known As:
MPAA:
Rated PG-13 for some violence (re-rating) (2001)
Runtime:
96 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Argentina:18 | Canada:PG (Ontario) | Canada:G (Québec) | Chile:18 | Finland:K-16 | Norway:16 | Singapore:PG | Sweden:15 | USA:M (original rating) | USA:PG-13 (re-rating) (2001)

Did You Know?

Trivia:
Alex Cord didn't have to audition for his role as Vince Ginetta.See more »
Movie Connections:
Referenced in Once Upon a Body (1969)See more »

FAQ

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3 out of 4 people found the following review useful.
Starts Slow But Really Builds Up to a Strong Punch, 4 November 2011
Author: Michael_Elliott from Louisville, KY

Brotherhood, The (1968)

*** (out of 4)

Calm but effective tale of Mafia boss Frank Ginetta (Kirk Douglas) who welcomes his younger brother Vince (Alex Cord) into the "family" but soon the two are at odds. Frank, being of an old school, wants to keep old traditions while Vince wants to move ahead and try new things. Soon Frank starts to battle the heads of the other families trying to get his way. THE BROTHERHOOD was apparently a disaster when it was first released and legend has it that this is the film that made Paramount nervous about giving money for THE GODFATHER. Whether or not that legend is true is beyond me but I think it's fair to say that had THE GODFATHER not been a hit and become known as one of the greatest films ever made then perhaps this 1968 movie might have gained a cult following over time. As it is, THE BROTHERHOOD has pretty much been forgotten over time and that's a shame because it's actually a pretty good movie. I think the film's weakest parts are the opening thirty-minutes or so as we get a few flashbacks and at times they don't make too much since. I think director Martin Ritt loses the story at times and a lot of this is due to some rather silly moments where we're being introduced to the mob and the lifestyle. These early scenes really don't add up to much and I think the screenplay also suffers at building up Frank's character. It's never quite clear what type of leader he is and it's never made clear whether we're supposed to be with him or against him. This changes once the real story kicks into place and that's pretty much your typical brother vs. brother thing that we've seen countless times in the past. This aspect of the story is probably the most unoriginal but it's where all the drama comes from and at times this drama is very high. I thought the second half of the film is where Douglas really came to life as well. Once he character starts to crack under all the pressure is when things really started to heat up and this includes Douglas who finally becomes very menacing. I really loved the way Douglas played the old tradition while being at odds with the new stuff in the family. Cord is also very good in his supporting role as is Murray Hamilton, Susan Strasberg, Luther Adler and Irene Papas. While watching the film you can't help but see a minor influence on the Coppola film but also there are a few bits and pieces in Martin Scorsese's GOODFELLAS. There are a couple extremely memorable moments including a "joke" that Douglas tells before carrying out a hit. Then, when we see this hit, it's quite disturbing to watch and even more shocking is that it's done without gore, blood or even much violence. The ending, which you'll see coming, is also done in a very nice way as there's an added twist that is very effective. THE BROTHERHOOD has many flaws but it's still worth viewing and even if you find it starting pretty slow, just stick in there and you'll be rewarded.

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