Boston, Mass. 1962: Thirteen innocent women were brutally slaughtered by a faceless monster. Now, through the eyes of the killer himself, we are taken on a sadistic journey from the jail ... See full summary »
Boston Strangler: The Untold Story is an intense true-crime thriller about Albert De Salvo, a wise cracking, small time criminal with an unrelenting sex drive, who ultimately falsely ... See full summary »
London, 1949. John Christie is an unassuming, middle aged man who, along with his wife Ethel, manages the apartment building at 10 Rillington Place. His unassuming demeanor masks the fact ... See full summary »
Three performers for six roles: this is the game of the film. A melodrama about two love triangles. In the first, Hagalin is killed by his mistress and her lover. In the second, attorney ... See full summary »
An idealistic rookie cop joins the LAPD to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.
George C. Scott,
Biography of Argentinian revolutionary Ernesto "Che" Guevara, who helped Fidel Castro in his struggle against the corrupt Batista regime, eventually resulting in the overthrow of that ... See full summary »
Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon. Written by
John Vogel <firstname.lastname@example.org>
In the film it is assumed DeSalvo was guilty, and it portrays him as suffering from multiple personality disorder and committing the murders while in a psychotic state. DeSalvo was never diagnosed with, or even suspected of having that disorder. See more »
Here it is, the film that proved Tony Curtis' worth as an actor; not just the pretty boy of a dozen identikit pictures of the 1950s - but here convincing as the cold blooded killer of various women; 'The Boston Strangler' now looks dated, particularly in its split-screen editing and gloomy editing, and in some of its references to 'queers', but is still a fine example within its genre.
Bleak and uncompromising in its verbal and visual details of the murders, this film is held together by the excellent work by Curtis - he really is chilling as the psychopath preying on women. The ending is especially affecting, making superb use of silence as a cinematic trick and leaving the viewer curiously numb. Not a film to leave you anything but depressed, but a must-see at least once.
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