Barbara gets secret plastic surgery in Switzerland in an attempt to save her marriage to Mark, but he doesn't seem interested in meeting her. She checks in to a ski resort to wait for Mark,... See full summary »
The venomous and amoral wife of a wealthy architect tries, any way she can, to break up the blossoming romance between her husband and his new mistress; a good-natured young widow who holds a dark past.
Brian G. Hutton
This is a delightful if peculiar story of a day in the life of a small, Welsh fishing village called "Llareggub" (read it backwards). We meet a host of curious characters (and ghosts) ... See full summary »
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
Two escaped convicts (Robert Shaw and Malcolm McDowell) are on the run in an unnamed Latin American country. But everywhere they go, they are followed and hounded by a menacing black ... See full summary »
Film version of playwright Tennessee Williams' "The Milk Train Doesn't Stop Here Anymore" involves very wealthy Flora 'Sissy' Goforth, supposedly dying, and living in a large mansion on a secluded island with her servants and nurses; into her life comes a mysterious man, Angelo Del Morte and "the Witch of Capri." The mysterious man may or may not be "The Angel of Death". Written by
As a 24-year-old back in '68, I thought Liz and Dick were gauche, but time has mellowed my judgments (particularly after seeing "Who's Afraid of Virginia Wolfe" for a 2nd time and really appreciating it this time around.) So, given the chance to see "Boom" for the 1st time, I said "Sure!" Well, Boom got ole Granny all shook up! I LOVED it! If someone disparagingly says "Camp!" to describe this movie, it isn't me. I watched the movie with complete seriousness, took the story and characters literally, and came away from the experience very moved! Liz Taylor is at her luminous, beautiful best. So she's a little chunky. I was mesmerized by her famous deep purple eyes and thick black eyelashes. But it was her acting in this film that really knocked me out. Yes, her accents vary - but that is Liz being true to the character. Sissy Goforth is a grand lady now, but her lapses into vulgarity suggest humbler beginnings.
I think Liz' acting is superb throughout. After all, this character IS over-the-top. Liz goes from grandiose viciousness to moving pathos and I found her believable at all times.
As for Burton, that sexy devil/angel - who cares if he was a little old for the part. To this 62-year-old, he looked delicious, and that mellifluous voice really m-o-v-e-d me.
The spectacularly beautiful scenery of Sardinia and the magnificent mansion provided an awesome setting - and Liz' costumes and jewelry were to drool over.
What a treat to see Noel Coward. Who cares if this movie was beneath him. He looked like he was having fun! Of course there's a "message" to the movie, but to me it was secondary to all the glorious glamour and glitz (Oh. Did I just describe "camp?")
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