After having been forced to leave the Soviet Union 1929 Trotsky has ended up in Mexico 1940. He is still busy with politics, promoting socialism to the world. Stalin has sent out an ... See full summary »
Barbara gets secret plastic surgery in Switzerland in an attempt to save her marriage to Mark, but he doesn't seem interested in meeting her. She checks in to a ski resort to wait for Mark,... See full summary »
Alec Graham is sentenced to death for the murder of his girlfriend Jennie, with whom he spent a weekend at the English country home of the parents of his friend Brian Stanford. Alec's ... See full summary »
The venomous and amoral wife of a wealthy architect tries, any way she can, to break up the blossoming romance between her husband and his new mistress; a good-natured young widow who holds a dark past.
Brian G. Hutton
A psychotherapist attempts to rehabilitate a convict in his home after he breaks in. The criminal cooperates rather than being handed over to the police. The therapist's wife becomes ... See full summary »
The Faust legend retold (loosely) and applied to a mentally disturbed patient in a hospital run by a doctor of dubious sanity himself. The patient (Burton) offers the innocent orderly (... See full summary »
Film version of playwright Tennessee Williams' "The Milk Train Doesn't Stop Here Anymore" involves very wealthy Flora 'Sissy' Goforth, supposedly dying, and living in a large mansion on a secluded island with her servants and nurses; into her life comes a mysterious man, Angelo Del Morte and "the Witch of Capri." The mysterious man may or may not be "The Angel of Death". Written by
According to Michael Munn in his book "Richard Burton: Prince of Players," Burton felt he and Elizabeth Taylor were terribly miscast as Chris Flanders and Sissy Goforth, and that the roles were more suited for Robert Redford and Bette Davis. See more »
Near the beginning of the film, when Taylor is lying on the bed, she pushes a button on the cassette player at her bedside which introduces John Barry's soundtrack music. However, the button she pushes is "rewind", not "play". See more »
How can a film be a 10 and a 1 at the same time? As serious art, Boom is a bomb. Yet, as a testimony, a very camp testimony, to the lives of Elizabeth Taylor, Richard Burton, Noel Coward, and Tennessee Williams, it is literally hysterical. As the Age of Aquarius was dawning on America, what were these pioneers of love, lust, decadence, and existential meaning to do? What is there to say, to do, to perform, two years after Who's Afraid of Virginia Woolf? 1968. the play Hair is delighting Broadway. The hippies have overtaken the Beats. Where can the stars go? To the Old World, Europe, Italy, Capris... The movie reveals their state of mind: preoccupation with death, the emptiness of wealth, sex, and luxury. As we watch this undeniably amusing costume melodrama, we can't help wondering just what Taylor and Burton's "real" life there in Sardinia must have been like. Did they throw tantrums when their whims went unsatisfied, or was it the opposite? I'll have to leave the answer to the biographers. But this film makes it impossible not to imagine them all there in Italy, trying with desperation NOT to be what they were portraying. That is what makes the film intriguing.
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