Barbara gets secret plastic surgery in Switzerland in an attempt to save her marriage to Mark, but he doesn't seem interested in meeting her. She checks in to a ski resort to wait for Mark,... See full summary »
The Faust legend retold (loosely) and applied to a mentally disturbed patient in a hospital run by a doctor of dubious sanity himself. The patient (Burton) offers the innocent orderly (... See full summary »
Film version of playwright Tennessee Williams' "The Milk Train Doesn't Stop Here Anymore" involves very wealthy Flora 'Sissy' Goforth, supposedly dying, and living in a large mansion on a secluded island with her servants and nurses; into her life comes a mysterious man, Angelo Del Morte and "the Witch of Capri." The mysterious man may or may not be "The Angel of Death". Written by
The film was based on Tennessee Williams' play "The Milk Train Doesn't Stop Here Anymore", which in turn was based on Williams' short story "Man Bring This Up Road". See more »
All of Chris' belongings are in a couple of duffel bags thrown into ocean, yet when the bags are unpacked upon arriving at island, there is no water damage to either his address book or a book of poetry. See more »
As a 24-year-old back in '68, I thought Liz and Dick were gauche, but time has mellowed my judgments (particularly after seeing "Who's Afraid of Virginia Wolfe" for a 2nd time and really appreciating it this time around.) So, given the chance to see "Boom" for the 1st time, I said "Sure!" Well, Boom got ole Granny all shook up! I LOVED it! If someone disparagingly says "Camp!" to describe this movie, it isn't me. I watched the movie with complete seriousness, took the story and characters literally, and came away from the experience very moved! Liz Taylor is at her luminous, beautiful best. So she's a little chunky. I was mesmerized by her famous deep purple eyes and thick black eyelashes. But it was her acting in this film that really knocked me out. Yes, her accents vary - but that is Liz being true to the character. Sissy Goforth is a grand lady now, but her lapses into vulgarity suggest humbler beginnings.
I think Liz' acting is superb throughout. After all, this character IS over-the-top. Liz goes from grandiose viciousness to moving pathos and I found her believable at all times.
As for Burton, that sexy devil/angel - who cares if he was a little old for the part. To this 62-year-old, he looked delicious, and that mellifluous voice really m-o-v-e-d me.
The spectacularly beautiful scenery of Sardinia and the magnificent mansion provided an awesome setting - and Liz' costumes and jewelry were to drool over.
What a treat to see Noel Coward. Who cares if this movie was beneath him. He looked like he was having fun! Of course there's a "message" to the movie, but to me it was secondary to all the glorious glamour and glitz (Oh. Did I just describe "camp?")
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