Barbara gets secret plastic surgery in Switzerland in an attempt to save her marriage to Mark, but he doesn't seem interested in meeting her. She checks in to a ski resort to wait for Mark,... See full summary »
Alec Graham is sentenced to death for the murder of his girlfriend Jennie, with whom he spent a weekend at the English country home of the parents of his friend Brian Stanford. Alec's ... See full summary »
The venomous and amoral wife of a wealthy architect tries, any way she can, to break up the blossoming romance between her husband and his new mistress; a good-natured young widow who holds a dark past.
Brian G. Hutton
A psychotherapist attempts to rehabilitate a convict in his home after he breaks in. The criminal cooperates rather than being handed over to the police. The therapist's wife becomes ... See full summary »
This bio-pic is about Galileo, the 17th century Italian who laid the foundations of modern science. Galileo made himself one of the world's first telescopes and discovered the moons of ... See full summary »
The Faust legend retold (loosely) and applied to a mentally disturbed patient in a hospital run by a doctor of dubious sanity himself. The patient (Burton) offers the innocent orderly (... See full summary »
Film version of playwright Tennessee Williams' "The Milk Train Doesn't Stop Here Anymore" involves very wealthy Flora 'Sissy' Goforth, supposedly dying, and living in a large mansion on a secluded island with her servants and nurses; into her life comes a mysterious man, Angelo Del Morte and "the Witch of Capri." The mysterious man may or may not be "The Angel of Death". Written by
James Fox was originally supposed to play Chris Flanders, but Elizabeth Taylor insisted that her husband Richard Burton be cast instead. This was despite the fact that at 42 Burton was much older than the 20-something character. See more »
All of Chris' belongings are in a couple of duffel bags thrown into ocean, yet when the bags are unpacked upon arriving at island, there is no water damage to either his address book or a book of poetry. See more »
As a 24-year-old back in '68, I thought Liz and Dick were gauche, but time has mellowed my judgments (particularly after seeing "Who's Afraid of Virginia Wolfe" for a 2nd time and really appreciating it this time around.) So, given the chance to see "Boom" for the 1st time, I said "Sure!" Well, Boom got ole Granny all shook up! I LOVED it! If someone disparagingly says "Camp!" to describe this movie, it isn't me. I watched the movie with complete seriousness, took the story and characters literally, and came away from the experience very moved! Liz Taylor is at her luminous, beautiful best. So she's a little chunky. I was mesmerized by her famous deep purple eyes and thick black eyelashes. But it was her acting in this film that really knocked me out. Yes, her accents vary - but that is Liz being true to the character. Sissy Goforth is a grand lady now, but her lapses into vulgarity suggest humbler beginnings.
I think Liz' acting is superb throughout. After all, this character IS over-the-top. Liz goes from grandiose viciousness to moving pathos and I found her believable at all times.
As for Burton, that sexy devil/angel - who cares if he was a little old for the part. To this 62-year-old, he looked delicious, and that mellifluous voice really m-o-v-e-d me.
The spectacularly beautiful scenery of Sardinia and the magnificent mansion provided an awesome setting - and Liz' costumes and jewelry were to drool over.
What a treat to see Noel Coward. Who cares if this movie was beneath him. He looked like he was having fun! Of course there's a "message" to the movie, but to me it was secondary to all the glorious glamour and glitz (Oh. Did I just describe "camp?")
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