Michael Marler, a successful business man in London, is about to make his way to the top. The death of his father brings him - after 37 years - back to his hometown Liverpool, where he is ... See full summary »
Lilita De Barros
A story of a brilliant master sergeant with a great career behind him and transferred to yet another post, his attraction to a younger man eventually overrides him, to a point where his latent homosexuality, finally emerges.
John Phillip Law,
Ambrosio (Franco Nero) is a monk who is sexually tempted by an emissary of the Devil, a young girl in monk's robes. After he has committed numerous crimes, it appears that he will be caught... See full summary »
The British National Health System is skewered in this comedy set in a rundown London hospital. The hospital is filled with wacky staff members and patients, and the film strives to get all... See full summary »
War seen through the eyes of Serra, a university student from Palermo who volunteers in 1942 to fight in Africa. He is assigned to the Pavia Division on the southern line in Egypt. Rommel ... See full summary »
In a dreary North London flat, the site of perpetual psychological warfare, a philosophy professor visits his family after a nine-year absence and introduces the four men - father, uncle and two brothers - to his wife.
I remember that David Warner is a mild-mannered young British officer guarding a naval gun station in the North Atlantic, in peacetime after World War Two. It's a cold, remote, unpleasant duty, and he's desperate to transfer out of there. But the transfer must happen soon, before he's more than halfway through his service time - otherwise, the War Department won't bother retraining him for a new post, and he'll be stuck. He's got a fiance or something he needs to get back to, but he also reports to an unsympathetic superior who doesn't like him and will do anything to delay his paperwork - effectively denying the transfer. So we have a sensitive, educated young upperclassman, the opposite of any kind of warrior, fighting not the enemy but "the system:" in this case, the British military bureaucracy.
He only needs to get through one more night of guard duty without mishap, which should be easy because there is absolutely nothing going on. But he has trouble relating to the men under his command, especially Nicol Williamson, a borderline psychotic from the slums who constantly tests Warner's authority and creates havoc wherever he goes. So now we've got class warfare in a power struggle between the civilized and the savage. Williamson is brilliant as he deserts his post, gets drunk with his buddy Ian Holm (also excellent), vandalizes the base, and just gets crazier and more dangerous as the night unfolds.
Warner has to control this lunatic and somehow correct and conceal the escalating troubles before his superior finds out. There's a lot of suspense as Warner becomes increasingly stressed, racing the clock between inspection rounds. As another reviewer points out, there is also a lot of talk, in the somewhat-Freudian, somewhat-socially conscious theatrical style of the time. But the conflict and rising tension is splendidly executed, like a first-rate stage play brought to the screen, and Williamson's bravura performance is one of the best in his outstanding career. This is a little-known movie that I recommend.
Best line, Williamson, sweating drunk in a moment of insane clarity: "I should not be at large...!"
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