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Blue (1968)

 |  Romance, Western  |  10 May 1968 (USA)
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Ratings: 6.1/10 from 323 users  
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A Mexican bandit, part of a gang led by his father, goes on a raid into the U.S. He falls for a beautiful woman and decides to leave his life of crime and settle down with her. Eventually ... See full summary »



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Title: Blue (1968)

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Cast overview, first billed only:
Joanne Morton
Doc Morton
Sarah Lambert
Sara Vardi ...
James Westerfield ...
Abe Parker
Rory Calvin
Ivalou Redd ...
Helen Buchanan
Dorothy Konrad ...
Alma Wishoff
Helen Kleeb ...
Elizabeth Parker
Anthony Costello ...
Jess Parker


A Mexican bandit, part of a gang led by his father, goes on a raid into the U.S. He falls for a beautiful woman and decides to leave his life of crime and settle down with her. Eventually his father and the gang come back for him, and he finds himself torn between his love for the woman and his loyalty to his father and his fellow gang members. Written by

Plot Summary | Add Synopsis


To escape his past, he had to destroy it. See more »


Romance | Western


See all certifications »




Release Date:

10 May 1968 (USA)  »

Also Known As:

Inferno am Fluß  »

Filming Locations:


Company Credits

Production Co:

Show detailed on  »

Technical Specs

Sound Mix:



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


The solo guitar passages in the film soundtrack were performed by Laurindo Almeida under the guidance of Manos Hatzidakis. See more »


Blue: I'm tired, Mr. Parker... particularly of you.
See more »


Featured in Fade-In (1968) See more »

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User Reviews

Blue is worth seeing
7 June 2005 | by (California) – See all my reviews

Although it has been castigated by the critics, this movie still has a lot going for it and is definitely worth seeing. Given a big budget for its time, it has outstanding photography, beautiful scenic vistas, a very good music score and great stunt work by the legendary Yakima Cannutt. It also has Terence Stamp, who is always worth watching, no matter what he does (if we skip Priscilla, Queen of the Desert). Yes, it is not hard to tell that he is an Englishman playing an American raised by Mexicans, but his lines are few and far between, and who cares anyway? If we can have Englishmen and Australians playing Roman gladiators without critical comment, let's give this one a break. I admit that, although the plot line intended to contrast a violent past with the power of love, a complete lack of tenderness in the love scenes was laughable. But overall, this movie beats most of John Wayne's westerns by a mile.

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