IMDb > Benjamin ou Les mémoires d'un puceau (1968)

Benjamin ou Les mémoires d'un puceau (1968) More at IMDbPro »


Overview

User Rating:
7.0/10   122 votes
MOVIEmeter: ?
Down 11% in popularity this week. See why on IMDbPro.
Director:
Writers:
Nina Companéez (writer)
Michel Deville (writer)
Contact:
View company contact information for Benjamin: The Diary of an Innocent Young Boy on IMDbPro.
Release Date:
23 March 1968 (USA) more
Genre:
Tagline:
Bound to be the 'IN' movie for '69! more
Awards:
Nominated for Golden Globe. Another 1 win more
User Comments:
Surprised by simplicity more (1 total)

Cast

  (Cast overview, first billed only)
Michèle Morgan ... Comtesse Gabrielle de Valandry
Michel Piccoli ... Le comte Philippe de Saint-Germain / Count Philippe
Pierre Clémenti ... Benjamin

Catherine Deneuve ... Anne de Clécy
Francine Bergé ... Marion
Anna Gaël ... Célestine
Catherine Rouvel ... Victorine
Tania Torrens ... Mme De Chartres
Odile Versois ... La conseillère / Married woman
Simone Bach ... Mme La Tour
Angelo Bardi ... Basile
Sacha Briquet ... Celestin
André Cellier ... Le conseiller
Lyne Chardonnet ... Jacotte
Madeleine Damien ... La vieille dame
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Additional Details

Also Known As:
Benjamin: The Diary of an Innocent Young Boy (USA)
The Diary of an Innocent Boy (USA)
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Runtime:
USA:90 min
Country:
Language:
Color:
Color (Eastmancolor)
Sound Mix:
Company:

FAQ

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9 out of 10 people found the following comment useful.
Surprised by simplicity, 6 January 2002
7/10
Author: Aulic Exclusiva from New York

There is a very French economy in the story-telling here: how a young man loses his virginity. An experience that we all recognise, simply told. The park at the château Hennessy in Cognac is evocatively photographed, giving that sense of the idealised, lost manor, that the French love so much. (Alain-Fournier wrote a very pretty novel about that)

Pierre Clementi and Catherine Deneuve, two VERY decorative figures, are loved by the camera; their climactic, moon-lit encounter is wistfully nostalgic of the '60s, when taking off your clothes was An Event. Mme Morgan is the very embodiment of A Presence.

Now that châteaux are invariably conference centers for greasy-haired accountants, now that all Presences have left us for ever, now that we have taken off our clothes just about a million times, this simple film is surprisingly moving.

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