Quinn plays a retired bakery tycoon, alienated from his two sons and jealously guarding his vast wealth... until a cunning young beauty (Sanda) enters the picture, marries one son, seduces ... See full summary »
Based on a true incident, this tells the story of a troubled young man who kills his sister's reactionary, violent and abusive husband and is eventually arrested for the murder. However, ... See full summary »
In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly ... See full summary »
Sgt. O'Farrell an Army soldier on an island in the South Pacific during World War II is trying to bring the two basics of life to his fellow servicemen, women and beer. The supply ship ... See full summary »
Monsieur Feydeau has writer's block, and he needs a new play. But he takes an opportunity to observe the upper class of 1900 Paris - Monsieur Boniface with a domineering wife, and the ... See full summary »
Carlo, sofferente di cuore, si riposa d'estate tre settimane nella sua tenuta di campagna dopo le fatiche di mandare avanti le sue tre fabbriche, cercando qualche nuovo amore, e sbirciando ... See full summary »
A telegram has just arrived ant the Persichette home in Italy. It seems that their late grandfather's second wife, Maria Juana, is traveling from Venezuela to Italy to visit her stepson and... See full summary »
According to the practice in Italian cinema at the time, most actors (including the Italian ones) are dubbed. A curiosity: The celebrated Italian voice-dubber Rita Savagnone is lending her voice to two actresses (Gina Lollobrigida and Danielle Godet), which is quite unusual as they have scenes together. The result is that the spectator has the impression it is a monologue. Same thing for Pino Colizzi who is also dubbing two actors. See more »
I have not read Ercole Patti's novel but Bolognini's UN BELLISSIMO NOVEMBRE seems to be a serious attempt at evoking the Sicilian society depicted by the writer in cinematic terms. This is not a pleasant film. None of the characters are likable and some of them strike one as definitely grotesque. Still, Bolognini shows great understanding of his chosen subject and UBN has many qualities: interesting scenes that comment quite satisfactorily on this particular social milieu, haunting Sicilian locations, excellent cinematography, and a melancholy undercurrent that stays impressed on one's mind. Gina Lollobrigida's Cettina is by far the film's most striking character, a frivolous, amoral woman who does as she pleases in a tightly-controlled, basically rotten family milieu. The actress is most beautiful and portrays her character with her usual intelligence and sensibility, even though most people are unable to see her very real qualities as a performer.
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