Un bellissimo novembre (1969)

User Rating:

6.5/10   

Director:

Mauro Bolognini

Writers:

Ercole Patti (novel)
Lucia Drudi Demby (writer) ...

Release Date:

5 April 1969 (Italy)

Genre:

Drama

Plot Keywords:

Beautiful Woman | Based On Novel

Cast

Gina Lollobrigida	...	Cettina
Gabriele Ferzetti	...	Biagio
André Lawrence	...	Sasà
Paolo Turco	...	Nino
Danielle Godet	...	Elisa
Margarita Lozano	...	Amalia
Isabella Savona	...	Giulietta
Jean Maucorps	...	Mimi
Corrado Gaipa	...	Uncle Alfio
María Rosa Amato	...	Juzza
Vanni Castellani	...	Turiddu
Giuseppe Naso	...	Uncle Nicola
Ettore Ribotta	...	Concetto
Grazia Di Marzà	...	Assunta
Ileana Rigano	...	Rosaria

Also Known As:

Ce merveilleux automne (France)
That Splendid November

Runtime:

95 min | Argentina:98 min

Country:

Italy | France

Language:

Italian

Color:

Color

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

Argentina:16 | France:-16 | Italy:VM14 | USA:GP

Filming Locations:

Catania, Sicily, Italy

Company:

Adelphia Compagnia Cinematografica

Soundtrack:

Nuddu

Thank you, auntie.

Sicily. Nino has a mom who has sexual relations with other men. Papa doesn't seem to mind. We have a very liberated bourgeois family here, especially for Sicily. Nino falls in love with his beautiful aunt Cettina. This is rendered plausible since the aunt is played by Gina Lollobrigida. There is a tempestuous love scene between nephew and auntie. But the lad is driven to raging jealousy when, surprise, he realizes that she sleeps with other guys as well, and in a frenzy beats her up for not being true to him. Silly kid. He succumbs to family expectations and marries a sweetheart of his own age, but will never stop loving his dear aunt. That's basically all you get in this watered-down version of Ercole Patti's novel. The movie was directed with some verve by Mauro Bolognini, who is very skilled with evoking periods and locales in films like LA GRANDE BOURGEOISE, LA VIACCIA, THE INHERITANCE, and SENILITA'. But this film lives all on the surface and lacks any conviction or depth. There are hints galore here of the aunt/nephew relationship in Bertolucci's youthful masterpiece BEFORE THE REVOLUTION, without that film's dimension of youthful political idealism. Superficially they share similar elements: torrid sex, operatic passions, opera house scenes, criticism of bourgeois values, wedding finales. The music by Ennio Morricone is occasionally very odd, with its boings and twangs more suitable to a spaghetti western than to this kind of 'family' drama.