Based on a true incident, this tells the story of a troubled young man who kills his sister's reactionary, violent and abusive husband and is eventually arrested for the murder. However, ... See full summary »
A love triangle develops between three people who run a high tech chicken farm. It involves Anna (who owns the farm), her husband Marco (who kills prostitutes in his spare time) and ... See full summary »
On the death of his parents, Frank, a romantic teenager, moves in with his aunt and uncle He quickly falls in love with his beautiful, sophisticated aunt, Martha, and begins to fantasize ... See full summary »
According to the practice in Italian cinema at the time, most actors (including the Italian ones) are dubbed. A curiosity: The celebrated Italian voice-dubber Rita Savagnone is lending her voice to two actresses (Gina Lollobrigida and Danielle Godet), which is quite unusual as they have scenes together. The result is that the spectator has the impression it is a monologue. Same thing for Pino Colizzi who is also dubbing two actors. See more »
Sicily. Nino has a mom who has sexual relations with other men. Papa doesn't seem to mind. We have a very liberated bourgeois family here, especially for Sicily. Nino falls in love with his beautiful aunt Cettina. This is rendered plausible since the aunt is played by Gina Lollobrigida. There is a tempestuous love scene between nephew and auntie. But the lad is driven to raging jealousy when, surprise, he realizes that she sleeps with other guys as well, and in a frenzy beats her up for not being true to him. Silly kid. He succumbs to family expectations and marries a sweetheart of his own age, but will never stop loving his dear aunt. That's basically all you get in this watered-down version of Ercole Patti's novel. The movie was directed with some verve by Mauro Bolognini, who is very skilled with evoking periods and locales in films like LA GRANDE BOURGEOISE, LA VIACCIA, THE INHERITANCE, and SENILITA'. But this film lives all on the surface and lacks any conviction or depth. There are hints galore here of the aunt/nephew relationship in Bertolucci's youthful masterpiece BEFORE THE REVOLUTION, without that film's dimension of youthful political idealism. Superficially they share similar elements: torrid sex, operatic passions, opera house scenes, criticism of bourgeois values, wedding finales. The music by Ennio Morricone is occasionally very odd, with its boings and twangs more suitable to a spaghetti western than to this kind of 'family' drama.
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