A middle-aged woman, traumatized from the death of her adulterous lover, moves into a room at a New Orleans boarding house where the blind landlord becomes suspicious to her activities of continuing her affair with her dead lover.
Incredibly, the bride at the altar falls in love with the best man on first sight, and even though he makes efforts to avoid her infatuation with him, she is determined to annul her ... See full summary »
Nello Balocchi, a 35-year-old teacher of Greek and Latin, is invited to Bologna by his father, the owner of the Papal tailor's shop in Rome. His father hopes Nello will find a soul mate in ... See full summary »
When a terrorist's body, infected with a stolen chemical, is recovered by the US military, the corpse is cremated, unintentionally releasing the virus/bacteria into the atmosphere over a ... See full summary »
In this allegory on capitalism, director of a known car corporation invites one of his employees to his country villa to give him the good news. He just got promoted. However, the old man is not what he seems and promotion has a price.
Akemi and the man of her clan confront their opponents; Akemi delivers a sword thrust to kill the opponents' leader, and Aiko, his daughter, tries to interpose herself, suffering a glancing... See full summary »
40-year-old Arnold Gardner is put in charge of the talk show "The Twenty-fifth Hour" after the death of the former host Duncan Mackay. His role on screen creates immediate interest and the ... See full summary »
In the realm of Italian horror films director Pupi Avati is a highly unique stylist. Both The House with Laughing Windows, (1976) and Zeder (1983), were really weird and filled with intense psychological insight. In Balsamus l'uomo di Satana (Blood Relations) (1968), he starts out and finds his stepping. It is a weird film, full of hidden duplicity and double-dealing. There are killers who are unseen and clues to be found.
It is a very rare film and if you can find a copy of it, I suggest if you enjoy these types of Italian films in the veins of Dario Argento or American, British or other thrillers such as Psycho, Vertigo or Peeping Tom, then pick it up.
I was lucky enough to get into a private screening in Italy, courtesy of the director's family.
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