The Case of the Scorpion's Tail begins with the mysterious death of a millionaire and spirals into the murder of his suddenly rich wife, which draws the attention of a dogged investigator, who follows a trail of blood to the bitter end.
Alberto de Mendoza
A triangle of friendship, love, sex, and, perhaps, murder. Minou is newly married to Peter, a businessman in debt as he works to bring a new product to market. They met through Dominique, ... See full summary »
Pier Paolo Capponi,
A famed jewel thief named Rochard is slashed to death on a train. His daughter Nicole, a famous nightclub performer in Paris, is questioned by the police about some missing diamonds but she... See full summary »
An Italian reporter is travelling on the Instabul-Athens train. A woman is murdered with the reporter's letter-opener so that makes him the main suspect. With the help of his Swedish ... See full summary »
When a narcotics detective finds out that his beautiful wife--who is an ex-criminal--is cheating on him, he hires a professional hitman to bump her off. However, things don't go quite according to plan.
Fun mystery, strange to say, that comes across as light entertainment despite the story. It's hard to say why. Maybe it's the 60s influence. Maybe it's the color. Maybe it's the music. Maybe it can't be taken seriously. Maybe it's the dubbing. Maybe it's the acting. Maybe the director intentionally has added touches of parody. But it comes out enjoyable.
There are a number of inheritors to a fortune who are getting killed by a mysterious somebody whom we do not see. Each death is novel, but not terribly graphic. Who did it? The plot is rather cut up and jumpy, but we can follow it, and, in the end, we are surprised by some twists.
I'm intrigued by the overall effect which is quite often on the comic side despite the murders. It's that the slight exaggeration of each scene and the reactions to them cannot really be taken too seriously. Unlike a serious Italian drama or neorealist piece, this has a variety of deadpan, oddball, overemotional roles, people bedding each other, and a musical score that underscores this, but at times being very creative, so that the result is not to tear at one's emotions or even frighten one at all.
The locations are used to good advantage as the movie proceeds. The mystery also had me stumped, although I was beginning to hone in on it.
It's a giallo, a thriller, but not much horror or nudity. It has the use of color. The murder scenes are not elongated that much. It's light rather than heavy. To me it has a certain European "ricky-tick" or slapdash appeal, and also it has abrupt film editing.
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