Sartana, bounty hunter and gunfighter, witnesses the robbery of a shipment of gold. He finds his way into town where he meets with a lot of suspicious stares from the locals. He also meets ... See full summary »
Priest turned vigilante Father John (Van Cleef) hunts down a gang of criminals, led by Sam Clayton (Palance), who killed a man in a local bar. On the gang's return to the town, they kill ... See full summary »
Sheriff Sean Kilpatrick is a pacifist. Frank Brand is the leader of a band of killers. When their paths cross Kilpatrick is compelled to go against everything he has stood for to bring ... See full summary »
Sartana has a bounty on his head and he's wanted dead or alive. To eliminate this he makes a deal with the local politicians. If he hunts down the marauding Randal Brothers, the bounty will be removed.
A stranger being chased by bandits dies in an accident, but not before he has had a chance to hide a treasure map the bandits wanted. A boy witnesses where it was hidden, retrieves it and passes it on to the local preacher. The preacher recognizes that much of the treasure was likely that from a local mission. He sets out to get it before the bandits find it. Written by
BETWEEN GOD, THE DEVIL AND A WINCHESTER (Marino Girolami, 1968) **1/2
While nothing special in itself (and in spite of its portentous title), this one scores a few points for transposing Robert Louis Stevenson's classic pirate adventure "Treasure Island" to a Spaghetti Western landscape! Folco Lulli plays the Billy Bones figure who sets the plot in motion; 'Long John Silver' is Gilbert Roland, sporting an iron hand instead of a wooden leg! Also involved are preacher Richard Harrison, while 'Jim Hawkins' is incarnated by a Mexican boy (who, naturally, befriends the roguish Roland).
Director Girolami (using the pseudonym Dario Silvestri), who dabbled in everything from comedy to action-oriented efforts, is the lesser-known father of cult film-maker Enzo G. Castellari (curiously enough, Roland co-starred in the latter's debut feature ANY GUN CAN PLAY  which, incidentally, is also a Spaghetti Western). The film remains watchable, thanks also to a notable score from Carlo Savina; it does, however, include a couple of almost campy moments one in which a badman is set on fire when a Mexican girl he has attempted to rape breaks a lantern over his head, but he takes care to repeatedly shoot her prior to expiring himself(!); another is when Roland's thin cigar is lit by a shot fired from the gun being handled by non-practitioner Harrison!
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