| Faye Dunaway | ... | Julia | |
| Marcello Mastroianni | ... | Valerio | |
| Enrico Simonetti | ... | Party Host | |
| Caroline Mortimer | ... | Maggie | |
| Karin Eugh | ... | Griselda | |
| Esmeralda Ruspoli | ... | Attorney's Wife | |
| rest of cast listed alphabetically: | |||
| David Archell | ... | (uncredited) | |
| Martha Buckman | ... | (uncredited) | |
| Yvonne Gilbert | ... | Marie (uncredited) | |
| Mirella Pamphili | ... | Party Guest (uncredited) | |
Directed by | |||
| Vittorio De Sica | |||
Writing credits(WGA) | ||
| Brunello Rondi | (story) | |
| Julian Zimet | (screenplay) originally as Julian Halevy & | |
| Peter Baldwin | (screenplay) and | |
| Ennio De Concini | (screenplay) and | |
| Tonino Guerra | (screenplay) & | |
| Cesare Zavattini | (screenplay) | |
Produced by | |||
| Arthur Cohn | .... | producer | |
| Carlo Ponti | .... | producer | |
Original Music by | |||
| Manuel De Sica | |||
Cinematography by | |||
| Pasqualino De Santis | (as Pasquale De Santis) | ||
Film Editing by | |||
| Adriana Novelli | |||
Art Direction by | |||
| Piero Poletto | |||
Costume Design by | |||
| Enrico Sabbatini | |||
Makeup Department | |||
| Giuseppe Banchelli | .... | make-up: Mr. Mastroianni | |
| Lina Cassini | .... | hair stylist | |
| Mario Van Riel | .... | make-up: Miss Dunaway | |
Production Management | |||
| Jone Tuzi | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Luisa Alessandri | .... | second assistant director | |
| Peter Baldwin | .... | first assistant director | |
Sound Department | |||
| Renato Cadueri | .... | sound | |
| Carlo Palmieri | .... | sound | |
Camera and Electrical Department | |||
| Roberto Forges Davanzati | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Theadora Van Runkle | .... | costume designer: Miss Dunaway (as Theodora Van Runkle) | |
Music Department | |||
| Zeno Vukelich | .... | musical director | |
Other crew | |||
| Margaret Roy Anderson | .... | dialogue coach | |
| Elvira D'Amico | .... | script girl | |
| Alberto Guzzardella | .... | inventor: plastic bags of water | |
| Recent Posts (updated daily) | User |
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| What's so terrible about it? | oltarsh |
| I really went to see it!!!!!! | nickrogers1969 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
... is a rather odd and thankless task. I never dreamt of thinking about the likes of Vittorio De Sica, Faye Dunaway and Marcello Mastroianni without using the highest of praise, but this uninteresting, plodding 1969 film provided me with a chance to do so.
This film is proof that the unthinkable, what we judge to be impossible and beyond imagination, can happen.
Dunaway is Julia, a peculiar, to say the least, american woman who makes a living out of designing gowns, who has an affair with Valerio, a married italian engineer working on the development of the airbag.
They're rich, they're glamorous, they're beautiful, they're in love... nothing could part them. Except Julia is suffering from a terminal illness, and is bound to die in a matter of days.
Sticking to the basic rules of screenwriting as I know them, this movie is irritatingly plodding. We only discover that Julia is dying towards the end, and we never know whose is the main dilemma - Julia's or Valerio's. Should they stick together and face bravely Julia's last days on Earth? is the main query, I guess. The only problem is that this query, this dilemma, is presented to the audience in the last twenty minutes of film, and resolved - better yet, unresolved - in the last five. The other 70 minutes or so of film are spent as they stay together and play amusing little games with each other. A time in which the five writers of the film could easily delve into their main characters psyches - if anything else - is wasted. Julia's just plain weird and depressed, and Valerio seems terribly cold and unfeeling.
It also clearly aspires to be profound. It aims at being something lyric, but, trapped inside it's own pretentious attitude, it becomes a schmaltzy tearjerker.
The acting is not bad at all, though. But the script provides Dunaway and Mastroianni with little chance to showcase their many talents. Also, the set designs are gorgeous, as mentioned by the first reviewer, and the soundtrack is lovely. The title song, written by Manuel De Sica - hail, nepotism! - is sung by none other than Ella Fitzgerald.
Well, all in all, this movie is a bizarre one, but it is worth viewing nevertheless, mainly as existing proof that nothing - I mean, nothing - is impossible. :)