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Grand Slam (1967)

Ad ogni costo (original title)
After retirement, Professor James Anders presents criminal Mark Milford an elaborate plan to rob a diamond company in Brazil with a crew of professionals. The men assemble in Rio de Janeiro... See full summary »

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(story), (story) | 5 more credits »
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Cast

Cast overview:
...
Mary Ann
...
Jean-Paul Audry
...
Erich Weiss
...
Agostino Rossi
...
Gregg
...
Mark Milford
...
Prof. James Anders
Jussara ...
Stetuaka
Miguel del Castillo ...
Manager
Luciana Angiolillo
Valentino Macchi ...
(credit only)
Anny Degli Uberti
Aldo Bonamano
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Storyline

After retirement, Professor James Anders presents criminal Mark Milford an elaborate plan to rob a diamond company in Brazil with a crew of professionals. The men assemble in Rio de Janeiro and run in to an unanticipated problem: a new alarm system called Grand Slam 70. Written by FV

Plot Summary | Add Synopsis

Taglines:

These men are in... for the crime of their lives. See more »

Genres:

Crime | Drama

Certificate:

See all certifications »
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Details

Country:

| |

Language:

| | |

Release Date:

28 September 1967 (Italy)  »

Also Known As:

Grand Slam  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Goofs

When Professor Anders is reading the labels on the card index in Milford's office, he says "......tipsters, unions, uranium, Vatican....". The names on the files are clearly visible and there is no file labelled 'unions'. See more »

Connections

Referenced in Vibrations (1968) See more »

Soundtracks

He and I
sung by Maysa Matarazzo
See more »

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User Reviews

 
SLAM-BANG GRAND SLAM
9 May 2001 | by (United States) – See all my reviews

This is a truly great caper in the RIFIFI tradition, with plenty of twists and surprises, spectacularly high-tech (for its day) action set pieces and glamorous location work in Rio de Janeiro, Rome and around the world. Many other capers since THE GRAND SLAM have borrowed shamelessly from it -- ENTRAPMENT being the latest that springs to mind -- but, trust me, this one did it better than the rest all the way to its uncompromising, un-Hollywood ending. This is the one to catch if it's ever around again!


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