| Dudley Moore | ... | Rupert Street | |
| Eddie Foy Jr. | ... | Oscar | |
| Suzy Kendall | ... | Louise Hammond | |
| John Bird | ... | Herbert Greenslade | |
| Duncan Macrae | ... | Jock McCue | |
| Patricia Routledge | ... | Mrs. Woolley | |
| Peter Bayliss | ... | Victor | |
| John Wells | ... | Honorable Gavin Hopton | |
| Harry Towb | ... | Mr. Woolley | |
| Jonathan Routh | ... | Captain Gore-Taylor | |
| Ted Dicks Jr. | ... | Horst Cohen | |
| Nicky Henson | ... | Paul | |
| Clive Dunn | ... | Doctor | |
| Frank Thornton | ... | Registrar | |
| Derek Farr | ... | TV Announcer | |
| Micheál MacLiammóir | ... | Irish storyteller | |
| rest of cast listed alphabetically: | |||
| Sylvana Henriques | ... | Mannequin in shop window | |
| Yemi Ajibade | ... | New Lodger (uncredited) | |
| Declan Mulholland | ... | Storyteller' aide (uncredited) | |
Directed by | |||
| Joseph McGrath | |||
Writing credits | ||
| Dudley Moore | (written by) & | |
| Joseph McGrath | (written by) & | |
| John Wells | (written by) | |
Produced by | |||
| Walter Shenson | .... | producer | |
Original Music by | |||
| Dudley Moore | |||
Cinematography by | |||
| Billy Williams | |||
Film Editing by | |||
| Bill Blunden | |||
Art Direction by | |||
| Brian Eatwell | |||
Costume Design by | |||
| Monty M. Berman | |||
Makeup Department | |||
| Cliff Sharpe | .... | makeup artist | |
Production Management | |||
| Gavrik Losey | .... | production manager | |
Sound Department | |||
| Maurice Askew | .... | sound recordist | |
| Keith Palmer | .... | sound mixer | |
| Charles Poulton | .... | sound recordist | |
| Lionel Strutt | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Brian Elvin | .... | camera operator | |
| Roy Larner | .... | gaffer | |
Animation Department | |||
| Richard Williams | .... | graphic effects | |
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| Deep in My Heart | La vie en rose | Lucky Me | The Good Night | Ray |
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| Full cast and crew | Company credits | External reviews |
| IMDb Romance section | IMDb UK section |
"30 Is a Dangerous Age, Cynthia" could never be lumped in with Richard Lester's irreverent (i.e., disrespectful) comedies of the 1960s, nor the Monty Python movies which came into vogue a few years later. It's too enamored with American nostalgia...and is too eager-to-please to make its mark as a swinging comedy with an edge (such as 1967's "Bedazzled"). Dudley Moore plays 29-year-old British composer who hopes to be married by his 30th birthday (the age when a man is supposed to have his life together); he has his eye on a pretty lodger (named Louise!), but is also consumed by work while writing his first theatrical musical. Moore, who also co-wrote the screenplay with director Joseph McGrath and John Wells, seems to be having a high time here, though he relies too often on exaggerated facial expressions for laughs. McGrath eschews the popular mod trappings of the day for a more old-fashioned visual approach, including Walter Mitty-like daydreams, which is fine for the first three-quarters of an hour; after that, the gags get pushy and desperate, while the Bogart-spoof late in the proceedings is a complete miscalculation. Some spirit and style on a minor scale, and the score (also by Moore) is excellent. ** from ****