The frothy experiences of a vain little flapper. Her father induces an actor friend to become a gentlemanly cave man and the film becomes another variation of the 'Taming of the Shrew' ... See full summary »
Robert G. Vignola
A NYC police-detective rescues a down-and-out showgirl from a bad situation, gets her a job in the 'Follies", and falls in love with her. Then, as he is about to lead her to the altar, he ... See full summary »
After one schoolgirl is raped while taking a short cut through the local woods, and another is murdered in the same woods a few days later, the local police are baffled. With the help of a ... See full summary »
Following the death of his family in an aeroplane crash, a man plots an elaborate revenge scheme on those responsible. By setting himself up as a criminal, he plans to get close to a ... See full summary »
A wife convinces her husband to fake his death so they can collect on the life insurance. However, he doesn't know that she has been having an affair for some time, and she has plans for the money - and they don't include him.
Movie version of the BBC TV play that first addresses some of the major social issues of the day. A girl from a rich family in Chelsea is bored and decides to go "slumming" in depressed ... See full summary »
Someone is strangling coeds in Perugia. The only clue is that the killer owns a red and black scarf, and police are stumped. American exchange student Jane and her friends decide to take a ... See full summary »
Set in post-nuclear-holocaust England, where a handful of bizarre characters struggle on with their lives in the ruins, amongst endless heaps of ash, piles of broken crockery and brick, ... See full summary »
Rupert Street, a piano player and composer, decides to write a musical and marry before he reaches his thirtieth birthday. One minor problem: he'll be 30 in six weeks... Written by
Homme A. Piest <firstname.lastname@example.org>
"30 Is A Dangerous Age, Cynthia" shares a producer (Walter Shenson) with the Beatles' "Help!" and runs along the same lines as well - the flimsy so-called plot is merely an excuse for endless musical segments, fantasy sequences and comic gags. It's very clear from the beginning how things are going to turn out for our hero (Dudley Moore as Rupert Street), and even moments of worry or conflict for the characters pass very quickly or are made humorous. Several chances for drama are wasted - much like Rupert's own musical, you could imagine that this movie began life with some thought and delicacy that was discarded in favour of more harmless frolic. Well, it's undeniably full of that, with its swinging 60's colour, fun and music. The detective who fancies himself an American-style "private dick" with appropriate voiceovers is very funny, as is Eddie Foy Jr. as Oscar, Rupert's endlessly scheming agent. Those who are looking for something along the lines of "Bedazzled" (ie. the Moore/Cook version, a personal favourite of mine) will likely be disappointed with the fluffy non-plot and lack of anything resembling drama (not to mention the absence of Peter Cook's witty scripting). However, this really is a must-see for Dudley Moore fans - the imaginary bits display him in a vast array of costumed guises, and he performs several of his self-penned songs in their entirety. If you're just looking for a bit of "Help!"-style silly fun, you'll enjoy this one.
10 of 10 people found this review helpful.
Was this review helpful to you?