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Directed by | |||
| Stanley Kubrick | |||
Writing credits | ||
| Stanley Kubrick | (screenplay) and | |
| Arthur C. Clarke | (screenplay) | |
| Arthur C. Clarke | (story "The Sentinel") uncredited | |
Produced by | |||
| Stanley Kubrick | .... | producer | |
| Victor Lyndon | .... | associate producer (uncredited) | |
Cinematography by | |||
| Geoffrey Unsworth | (director of photography) | ||
Film Editing by | |||
| Ray Lovejoy | (film editor) | ||
Casting by | |||
| James Liggat | (uncredited) | ||
Production Design by | |||
| Ernest Archer | |||
| Harry Lange | |||
| Anthony Masters | (as Tony Masters) | ||
Art Direction by | |||
| John Hoesli | |||
Set Decoration by | |||
| Robert Cartwright | (uncredited) | ||
Makeup Department | |||
| Stuart Freeborn | .... | makeup | |
| Colin Arthur | .... | special effects makeup artist (uncredited) (ape masks) | |
| Carol Beckett | .... | key hair stylist (uncredited) | |
| Graham Freeborn | .... | makeup artist (uncredited) | |
| Kay Freeborn | .... | assistant makeup artist (uncredited) | |
| Alice Holmes | .... | key hair stylist (uncredited) | |
| Richard Mills | .... | assistant makeup artist (uncredited) | |
| Charles E. Parker | .... | makeup supervisor (uncredited) | |
| Mibs Parker | .... | assistant hair stylist (uncredited) | |
| Hugh Richards | .... | assistant makeup artist (uncredited) | |
| Muriel Rickaby | .... | assistant makeup artist (uncredited) | |
| Daphne Vollmer | .... | assistant hair stylist (uncredited) | |
Production Management | |||
| Ronnie Bear | .... | post-production manager (uncredited) | |
| Clifton Brandon | .... | production manager (uncredited) | |
| Eddie Frewin | .... | unit production manager (uncredited) | |
| Robert Watts | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Derek Cracknell | .... | first assistant director | |
| Richard Hoult | .... | third assistant director (uncredited) | |
| Richard Jenkins | .... | second assistant director (uncredited) | |
Art Department | |||
| Brian Ackland-Snow | .... | draughtsman (uncredited) | |
| Martin Atkinson | .... | draughtsman (uncredited) | |
| Frank Bruton | .... | property master (uncredited) | |
| Wally Bull | .... | master plasterer (uncredited) | |
| Chris Burke | .... | stand-by painter (uncredited) | |
| R. Burton | .... | engineering draughtsman (uncredited) | |
| Roy Cannon | .... | stand-by props (uncredited) | |
| Roy Carnon | .... | scientific design specialist (uncredited) | |
| Reg Carter | .... | stand-by carpenter (uncredited) | |
| Peter Childs | .... | draughtsman (uncredited) | |
| John Fenner | .... | draughtsman (uncredited) | |
| Alan Fraiser | .... | draughtsman (uncredited) | |
| Dick Frift | .... | construction coordinator (uncredited) | |
| Anna Garrett | .... | art department typist (uncredited) | |
| Henry Gomez | .... | stand-by plasterer (uncredited) | |
| John Graysmark | .... | draughtsman (uncredited) | |
| Les Hillman | .... | moon construction engineer (uncredited) | |
| Jack Holden | .... | set dresser (uncredited) | |
| James Holmes | .... | stand-by stagehand (uncredited) | |
| Tommy Ibbetson | .... | stand-by props (uncredited) | |
| Bill Isaacs | .... | production buyer (uncredited) | |
| P. Jarratt | .... | engineering draughtsman (uncredited) | |
| Theresa Kendall | .... | art department secretary (uncredited) | |
| Phil Lanning | .... | stand-by props (uncredited) | |
| Malcolm Legge | .... | stagehand carpenter (uncredited) | |
| Robert McCall | .... | conceptual designer (uncredited) | |
| Jumbo Miall | .... | drapes (uncredited) | |
| Liz Moore | .... | designer: Star Child (uncredited) | |
| Olivier Mourgue | .... | interior designer: Discovery (uncredited) | |
| Stan Odgen | .... | plasterer's laborer (uncredited) | |
| G. Payne | .... | moon construction engineer (uncredited) | |
| Anthony Pratt | .... | sketch artist (uncredited) | |
| Tony Reading | .... | draughtsman (uncredited) | |
| John Rose | .... | technical illustrator (uncredited) | |
| John Siddall | .... | draughtsman (uncredited) | |
| Wallis Smith | .... | draughtsman (uncredited) | |
| Penny Struthers | .... | art department assistant (uncredited) | |
| Alan Tomkins | .... | draughtsman (uncredited) | |
| Gus Walker | .... | TMA-1 construction manager (uncredited) | |
| Frank Willson | .... | draughtsman (uncredited) | |
| John Young | .... | technical illustrator (uncredited) | |
Sound Department | |||
| H.L. Bird | .... | sound mixer | |
| Winston Ryder | .... | sound editor | |
| J.B. Smith | .... | chief dubbing mixer | |
| A.W. Watkins | .... | sound supervisor | |
| Bill Cook | .... | boom operator (uncredited) | |
| Robin Gregory | .... | sound recordist (uncredited) | |
| Ernie Grimsdale | .... | assistant dubbing editor (uncredited) | |
| Michael Hickey | .... | sound camera operator (uncredited) | |
| Neil Stevenson | .... | sound maintenance (uncredited) | |
| Don Wortham | .... | boom operator (uncredited) | |
Special Effects by | |||
| Ron Ballanger | .... | special effects technician (uncredited) | |
| Les Bowie | .... | special effects additional supervisor (uncredited) | |
| Colin Brewer | .... | special effects coordinator (uncredited) | |
| Ted Creed | .... | special effects engineer (uncredited) | |
| Bob Cuff | .... | special effects assistant (uncredited) | |
| Roger Dicken | .... | special effects artwork (uncredited) | |
| Wally Gentleman | .... | special effects supervisor (uncredited) | |
| Jimmy Harris | .... | special effects (uncredited) | |
| Fred Heather | .... | special effects (uncredited) | |
| Graham Hooper | .... | special effects stills printer (uncredited) | |
| Garth Inns | .... | special effects (uncredited) | |
| Brian Johnson | .... | special effects assistant (uncredited) | |
| Valerie Kent | .... | special effects department secretary (uncredited) | |
| Antonio Margheriti | .... | special effects (uncredited) | |
| Dan McGowen | .... | special effects stills printer (uncredited) | |
| Curly Nelhams | .... | special effects (uncredited) | |
| Hilary Ann Pickburn | .... | special effects assistant (uncredited) | |
| George Pollack | .... | special effects coordinator (uncredited) | |
| Douglas Potts | .... | special effects model maker (uncredited) | |
| Joy Seddon | .... | special effects assistant (uncredited) | |
| Charles Staffell | .... | special effects additional supervisor (uncredited) | |
| Delia Tindall | .... | special effects department secretary (uncredited) | |
| Tori Traynor | .... | special effects runner (uncredited) | |
| Jimmy Ward | .... | special effects (uncredited) | |
| Tom Welford | .... | special effects maintenance (uncredited) | |
Visual Effects by | |||
| Colin Cantwell | .... | special photographic effects (as Colin J. Cantwell) | |
| Tom Howard | .... | special photographic effects supervisor | |
| Stanley Kubrick | .... | special photographic effects designer | |
| Stanley Kubrick | .... | special photographic effects director | |
| Bryan Loftus | .... | special photographic effects | |
| Bruce Logan | .... | special photographic effects | |
| John Jack Malick | .... | special photographic effects | |
| Frederick Martin | .... | special photographic effects | |
| David Osborne | .... | special photographic effects | |
| Con Pederson | .... | special photographic effects supervisor | |
| Douglas Trumbull | .... | special photographic effects supervisor | |
| Wally Veevers | .... | special photographic effects supervisor | |
| Herbert Bailey | .... | blob artist (uncredited) | |
| Brian Bennett | .... | visual effects floor camera department (uncredited) | |
| Peter Biggs | .... | blob artist (uncredited) | |
| Martin Body | .... | camera assistant (uncredited) | |
| Martin Body | .... | visual effects floor camera department (uncredited) | |
| Jim Budd | .... | matte camera printer (uncredited) | |
| Joy Cuff | .... | model maker (uncredited) | |
| William C. Davies | .... | airbrush artist (uncredited) | |
| Jim Dickson | .... | technical animation specialist (uncredited) | |
| Linwood G. Dunn | .... | background plates (uncredited) | |
| Bernard Ford | .... | visual effects floor camera department (uncredited) | |
| Jenny Foster | .... | blob artist (uncredited) | |
| John Gant | .... | blob artist (uncredited) | |
| Edward Gerald | .... | animation stand (uncredited) | |
| Martin Goldsmith | .... | animation stand (uncredited) | |
| Caird Green | .... | blob artist (uncredited) | |
| Ann Griffiths | .... | blob artist (uncredited) | |
| Fran Guye | .... | blob artist (uncredited) | |
| Denis Hall | .... | rostrum cameraman (uncredited) | |
| Peter Harman | .... | visual effects floor camera department (uncredited) | |
| Paul Haywood | .... | blob artist (uncredited) | |
| Graham Hooper | .... | visual effects stills printer (uncredited) | |
| John Horton | .... | blob artist (uncredited) | |
| Tom Howard | .... | front projection supervisor (uncredited) | |
| Jeremy Hume | .... | matte artist (uncredited) | |
| Malcolm Kafetz | .... | optical special properties (uncredited) | |
| Sarah Katz | .... | blob artist (uncredited) | |
| Martin Kelly | .... | camera operator: visual effects unit (uncredited) | |
| Trevor Lawrence | .... | airbrush artist (uncredited) | |
| Alf Levy | .... | airbrush artist (uncredited) | |
| Bruce Logan | .... | animation artist (uncredited) | |
| John Mackey | .... | miniatures camera (uncredited) | |
| Robin McDonnell | .... | second visual effects assistant editor (uncredited) | |
| Dan McGowen | .... | visual effects stills printer (uncredited) | |
| Bob Nadkarni | .... | blob artist (uncredited) | |
| Roy Naisbitt | .... | animation artist (uncredited) | |
| David Osborne | .... | director of photography: visual effects unit (uncredited) | |
| Terry Pearce | .... | visual effects floor camera department (uncredited) | |
| Zoran Perisic | .... | animation stand (uncredited) | |
| David Peterson | .... | blob artist (uncredited) | |
| Catherine Philby | .... | blob artist (uncredited) | |
| William Plampton | .... | blob artist (uncredited) | |
| Douglas Potts | .... | model maker (uncredited) | |
| Hapugoda Premaratne | .... | blob artist (uncredited) | |
| Hilary Randall | .... | blob artist (uncredited) | |
| Bob Rickerd | .... | visual effects floor camera department (uncredited) | |
| Livia Rolandini | .... | blob artist (uncredited) | |
| Clive Sheperd | .... | blob supervisor (uncredited) | |
| James Simpson | .... | blob artist (uncredited) | |
| Gary Sinclair | .... | blob artist (uncredited) | |
| Jaiseet Singh | .... | animation stand (uncredited) | |
| Dennis Smith | .... | blob artist (uncredited) | |
| Jack Spooner | .... | matte camera printer (uncredited) | |
| Charles Staffell | .... | back projection supervisor (uncredited) | |
| Phil Stokes | .... | miniatures assistant (uncredited) | |
| David Temple | .... | blob artist (uncredited) | |
| Roger Turner | .... | blob artist (uncredited) | |
| Nigel Walter | .... | blob artist (uncredited) | |
| David Watkins | .... | blob artist (uncredited) | |
| James Wilkins | .... | blob artist (uncredited) | |
| Brian Wilsher | .... | blob artist (uncredited) | |
| Ron Wooster | .... | matte camera printer (uncredited) | |
| Richard Yuricich | .... | additional matte photography (uncredited) | |
Stunts | |||
| Brian Chutter | .... | stunt double (uncredited) | |
| Bobby Clark | .... | stunts (uncredited) | |
| Robin Dawson-Whisker | .... | stunt double (uncredited) | |
| John Francis | .... | stunt coordinator (uncredited) | |
| Gerry Judge | .... | stunt double (uncredited) | |
| Eddie Milburn | .... | stunt double (uncredited) | |
| Tom Sheppard | .... | stunt double (uncredited) | |
| Bill Weston | .... | stunt double: Keir Dullea (uncredited) | |
Costume and Wardrobe Department | |||
| Hardy Amies | .... | wardrobe | |
| David Baker | .... | assistant wardrobe supervisor (uncredited) | |
| Mary Gibson | .... | wardrobe supervisor (uncredited) | |
| Duncan McPhee | .... | wardrobe assistant (uncredited) | |
| Eileen Sullivan | .... | wardrobe supervisor (uncredited) | |
| John Wilson-Apperson | .... | wardrobe supervisor (uncredited) | |
Editorial Department | |||
| David de Wilde | .... | editorial assistant (as David De Wilde) | |
| Stewart Brown | .... | color consultant: Technicolor (uncredited) | |
| Doug Haig | .... | color consultant: Technicolor (uncredited) | |
| Harry V. Jones | .... | color timer (uncredited) | |
| Bob Mullen | .... | assistant editor (uncredited) | |
| Alice Yendell | .... | negative cutter (uncredited) | |
Music Department | |||
| Patrick Moore | .... | musical consultant (uncredited) | |
| Frank J. Urioste | .... | music editor (uncredited) | |
Transportation Department | |||
| Terry Brown | .... | driver (uncredited) | |
| Ron Coldham | .... | driver (uncredited) | |
| Michael Connor | .... | driver: Mr. Kubrick (uncredited) | |
| Eddie Frewin | .... | transportation captain (uncredited) | |
| Jim Warner | .... | driver: Mr. Kubrick (uncredited) | |
Other crew | |||
| Frederick I. Ordway III | .... | scientific consultant | |
| Colin Arthur | .... | laboratory assistant (uncredited) | |
| John Barnett | .... | stills technician (uncredited) | |
| Domeny Bernie | .... | typist (uncredited) | |
| Shrish Bhatt | .... | accounts inventory clerk (uncredited) | |
| Andrew Birkin | .... | assistant: Mr. Kubrick (uncredited) | |
| Elizabeth Brady | .... | assistant: Christine Mitchell (uncredited) | |
| Roger Caras | .... | unit publicist: USA (uncredited) | |
| Pamela Carlton | .... | continuity (uncredited) | |
| Merle Chamberlin | .... | production coordinator (uncredited) | |
| Brian Chutter | .... | stand-in (uncredited) | |
| Patrick Clayton | .... | production assistant (uncredited) | |
| Robin Dawson-Whitaker | .... | stand-in (uncredited) | |
| Terry Duggan | .... | wrangler (uncredited) | |
| George Dunn | .... | projectionist (uncredited) | |
| Anthony Frewin | .... | assistant: Mr. Kubrick (uncredited) | |
| Adrian Haggard | .... | choreographer (uncredited) | |
| Keith Hamshere | .... | stills filing clerk (uncredited) | |
| Brian Harris | .... | assistant accountant (uncredited) | |
| Margaret Hattam | .... | typist (uncredited) | |
| Jill Hollamby | .... | assistant: Christine Mitchell (uncredited) | |
| Randee Lynne Jensen | .... | distribution executive (uncredited) | |
| Gerry Judge | .... | stand-in (uncredited) | |
| Peter Lancaster | .... | assistant accountant (uncredited) | |
| Harry Lange | .... | advisor: aeronautics (uncredited) | |
| John Locke | .... | dark room assistant (uncredited) | |
| Robert McCall | .... | publicity artist (uncredited) | |
| Richard McKenna | .... | astronautics advisor (uncredited) | |
| George Merritt | .... | engineering shop manager (uncredited) | |
| Hilary Messenger | .... | publicity secretary (uncredited) | |
| Eddie Milburn | .... | stand-in (uncredited) | |
| Marvin Minsky | .... | technical consultant (uncredited) | |
| Christine Mitchell | .... | production assistant (uncredited) | |
| Ormond G. Mitchell | .... | technical advisor (uncredited) | |
| Michael Murray | .... | runner (uncredited) | |
| Sam Nolan | .... | caterer (uncredited) | |
| Daphne Paice | .... | production assistant (uncredited) | |
| Beti Parry | .... | secretary: Mr. Bear (uncredited) | |
| Ron Phipps | .... | production accountant (uncredited) | |
| Arthur Porter | .... | assistant accountant (uncredited) | |
| Ivor Powell | .... | publicist (uncredited) | |
| Ivor Powell | .... | publicity department liaison (uncredited) | |
| Benn Reyes | .... | unit publicist (uncredited) | |
| Daniel Richter | .... | choreographer (uncredited) | |
| Monica Rogers | .... | production department secretary (uncredited) | |
| Iris Rose | .... | production secretary (uncredited) | |
| Mike Round | .... | print librarian (uncredited) | |
| Tom Sheppard | .... | stand-in (uncredited) | |
| Elaine Simms | .... | secretary: Mr. Caras (uncredited) | |
| Roy Simpson | .... | choreographer (uncredited) | |
| Jack Stephens | .... | location manager (uncredited) | |
| Dan S. Terrell | .... | publicity supervisor (uncredited) | |
| Edna Thomas | .... | unit publicist (uncredited) | |
| Edna Tromans | .... | unit publicist (uncredited) | |
| Margaret Warrington | .... | secretary (uncredited) | |
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Instead of writing a paragraph, I'll give four good reasons why 2001 is the greatest cinema experience of all time: 1) It is a visual Odyssey that could only be told on the big screen. The special effects that won Kubrick his only Oscar are the most stunning effects before that age of Jurassic Park and T2. They allow Kubrick to give an accurate (or at least are the most accurate) depiction of space travel to date. The silence that fills the space scenes not only serves its purpose as accurate science, but also adds to the mood of the film (to be discussed in a later point with HAL). The fact that Kubrick shot the moon scenes before the Apollo landing is a gutsy yet fulfilling move. Many have said that upon its original release, it was a favorite "trip" movie. I can think of no other movie that has such amazing visuals for its time and even of all time (sorry Phantom Menace fans!) 2) Kubrick's directing style is terrific. As in all his films, Kubrick likes to use his camera as means to delve into the psychology of his characters and plots. His camera is not as mobile as other greats, such as Scorsese, but instead sits and watches the narrative unfold. Faces are the key element of a Kubrick film. Like classic movies, such as M and Touch of Evil, Kubrick focuses on the characters' faces to give the audience a psychological view-point. Even he uses extreme close-ups of HAL's glowing red "eye" to show the coldness and determination of the computerizd villain. I could go on, but in summation Kubrick is at the hieght of his style. 3) HAL 9000 is one of the most villainous characters in film history. I whole-heartedly agree with the late Gene Siskle's opinion of HAL 9000. Most of this film takes place in space. Through the use of silence and the darkness of space itself, a mood of isolation is created. Dave and his crewmen are isolated between earth and jupiter, with nowhere to escape. Combine this mood with the cold, calculated actions of HAL 9000 and you have the most fearful villain imaginable. I still, although having see this film several times, feel my chest tighten in a particular scene. 4) The controversial ending of 2001 always turns people away from this film. Instead of trying to give my opinion of the what it means and what my idea of 2001's meaning in general is, I'd like to discuss the fact that the ending serves to leave the movie open-ended. Kubrick has stated that he inteded to make 2001 open for discussion. He left its meaning in the hands of the viewer. By respecting the audience's intelligence, Kubrick allowed his movie to be the beginning, not the end, of a meaningful discussion on man's past, present, and future. The beauty of 2001 is that the ending need not mean anything deep, it can just be a purely plot driven explanation and the entire movie can be viewed as an entertaining journey through space. No other movie, save the great Citizen Kane, leaves itself open to discussion like 2001. It is truly meant to be a surreal journey that involves not only the eye but the mind. Instead of waiting in long lines for the Phantom Menace, rent a widescreen edition of 2001 and enjoy the greatest cinematic experience.